Celebrity makeup artist Olivia Song is one of the most sought after makeup artists of her generation. With well over With over 11 years of professional experience, Song has secured clientele from The Real Housewives of Atlanta reality star Porsha Williams to rappers Kash Doll and Asian Da Brat. While Song had to unfortunately pivot during the pandemic and was not able to service her clientele in person, she created 7-figured beauty brand Super Natural Cosmetics to give her clients the power of feeling beautiful safely quarantining away.

Following her tour stop in Atlanta, For(bes) The Culture caught up with Song about diversity in the beauty industry, how beauty shifted during the pandemic and the importance of feeling seen as a woman of color makeup artist.


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Song: I saw a lot of virtual courses and a lot of people who wanted to learn how to do makeup themselves. This was big for cosmetic retail because that creates more customers. It was a huge scare for freelance artists like myself, thinking there may never be large events again. Salons were forced to close and it left me trying to come up with ways to generate income without being behind the brush. As a result, I released a virtual course and started a product line. I believe it forced all artists to think outside of the box.

On December 2nd, 2021, Chinese cosmetics brand Florasis released the international version of theme song Florasis, performed by popular singer Zhou Shen (Charlie Zhou) in five languages. As global celebrity endorser of Florasis, Zhou Shen will have more collaborations in bringing the brand story to the world.

The international version is a new interpretation of the original Chinese theme song Hua Xizi released last year. The song is composed by acclaimed lyricist Vincent Fang and musician Yu-peng Chen and adds instrumental play of Xun, one of the oldest Chinese musical instruments. Based on the original melody, Zhou Shen shows his amazing vocals in Chinese, English, Japanese, Italian and Russian lyrics, bringing different languages together in one song. The music video also features poetic imagery such as misty rain and boating on the lake to enhance the musical experience.

It was so much fun to create his makeup, but I did it in 15 Minutes and decided to change my outfit last minute. Jens and I filmed in my studio and took a couple of takes of me singing the song and then some UV close ups.

For the eyes I rediscovered an old favourite eyeshadow palette from Limecrime and fell in love with it all over again! I lined my eyes with a black liner and then a liner on top with the UV makeup. Some lashes, I think they are from Ardell. I love to use lashes that don't have a thick band. They are the most comfortable to wear.

The stitches I created with a black liner and then 'double lined' them with the UV makeup.For the lips, I used a liquid lipstick and topped it with the UV makeup. I bought a UV lamp, especially for this shoot along with the UV makeup.

Later, during the awards ceremony, Lady Gaga appeared in a drastically different look to sing her Oscar-nominated song from "Top Gun: Maverick." She traded her designer gown for a plain black T-shirt, ripped black jeans, and sneakers as she introduced the "deeply personal" song.

Flip through the gallery for 20 of music's greatest make-up songs for after your break-up, from the classic "Baby Come Back" to "Come A Little Closer." No matter the make-up vibe you're looking for, there's a song on this list that will fit the bill.

It might surprise some to find out how many great Kiss 'without makeup' songs are out there. Of course the band is more famous in their face-painted incarnation, but for thirteen years and seven albums, Paul Stanley, Gene Simmons and company dropped the masks (they still dressed ridiculously) and relied almost solely on their wrongly maligned musical talent. It worked, too; many of these songs are still played in concert by the re-costumed rock crusaders to this day. Here's our list of the Top 10 Kiss 'without makeup' songs:

First rule: Don't judge without makeup Kiss songs like this one by the videos. In that respect, they were more than a little lost in the 80s. The spangly day-glo blouses, Gene's perm, and a 'Gilligan's Island'-inspired set all work against what's actually a very catchy, chunky mid-tempo rocker from 1985's 'Asylum.' Bonus question: is Paul peeing his own house as the song starts?

1992's 'Revenge' reunited the band with legendary producer Bob Ezrin, who collaborated with Kiss on their classic 1976 album 'Destroyer.' Throughout the record he helps Gene Simmons get his demonic groove fully back for the first time in nearly two decades (we'll give him 'Fits Like a Glove') with songs like this slinky, menacing, ZZ Top-reminiscent tale of what else, sexual conquest.

Yeah, it's a ballad. Yes, Michael Bolton helped write it. It was also a huge hit, from 1989's otherwise half-baked 'Hot in the Shade.' If you can get over your snickering, maybe you can admit to yourself that it's actually quite catchy, the best of many surprisingly melodic and lyrically direct love songs Paul Stanley wrote during Kiss's non-makeup era.

We wanted to go with at least one obscure Kiss without makeup song. (I wanted to go with 20, actually.) It came down to this storming bit of call and response riff rock from 'Asylum' and the world's loudest pep talk, 1984's 'Get All You Can Take.' (link) 'Radar' gets the nod for the extended guitar madness at its finale, which (hint hint) would sure sound fantastic on stage today.

Besides a marked improvement in songwriting, and a welcome break from Kiss' nasty habit of chasing popular musical trends, what makes 'Revenge' so special is the sense of irreverent fun featured on tracks like 'Spit.' Gene and Paul trade lead vocals like the good old days, and Bruce Kulick's guitar solo pretty much turns 'The Star Spangled Banner' on its ear.

Drummer Eric Carr (R.I.P.) was reportedly furious when Paul Stanley took apart his rare songwriting contribution, intended as a straight-up Zeppelin riff rocker, and twisted it into this strutting, pre-prototypical rap-rock hybrid for 1983's 'Lick It Up.' Hate to speak ill of the departed, but we gotta go with "the Starchild" here, cause this song rocks.

Kiss thrilled fans by going back under the greasepaint, reuniting with all four original members in 1996. They left behind one final collection of non makeup Kiss songs, 1997's 'Carnival of Souls.' It leaned a little heavy on the grunge, but featured this classic, thundering anthem which followed the classic "Gene's gruff voice plus a children's choir" formula to a T.

Kiss re-writes an under-appreciated song from Argent for the soundtrack to 1991's 'Bill and Ted's Bogus Journey.' (It also appears on 'Revenge.') The song's sing-along chorus, soaring guitar passages and most of all, statement about the power of music have made it a concert-closing favorite second only to the mighty 'Rock and Roll All Nite' in the Kiss canon.

This simple, seemingly unassuming title track from Kiss's non-makeup 1983 debut somehow keeps picking up steam and energy until it feels like the whole world is singing the chorus along with you in your car. Of course, none of these folks, or probably anybody but Paul, has any idea what the title has to do with the song's "Carpe Diem" lyrics. Chalk it up to the undefinable magic of Kiss.

It might surprise some to find out how many great Kiss 'without makeup' songs are out there. Of course the band is more famous in their face-painted incarnation, but for thirteen years and seven albums, Paul Stanley, Gene Simmons and company dropped the masks (they still dressed ridiculously) and relied almost solely on their wrongly maligned musical talent...\nRead More

First rule: Don't judge without makeup Kiss songs like this one by the videos. In that respect, they were more than a little lost in the 80s. The spangly day-glo blouses, Gene's perm, and a 'Gilligan's Island'-inspired set all work against what's actually a very catchy, chunky mid-tempo rocker from 1985's 'Asylum.' Bonus question: is Paul peeing his own house as the song starts? ff782bc1db

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