Dada (stylized dada) is a three piece rock band from California (United States). The band is made up of Michael Gurley (guitar/co-lead vocals), Joie Calio (bass/co-lead vocals) and Phil Leavitt (drums).[1]

The band's songs feature both Michael and Joie sharing the vocals on each song. The group write highly melodic, harmony laden tunes, and their constant touring with two and a half to three hour performances has won them a wide fanbase.


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1992 saw the release of their debut album Puzzle. First single "Dizz Knee Land" quickly became a staple of radio across the U.S. and reached as far as Australia, where the song and album went on high rotation on national radio station Triple J. "Dizz Knee Land" reached number 2 on the Billboard Heatseekers chart, number 5 on the Billboard Modern Rock chart and number 27 on the Billboard Mainstream Rock Chart;[2] Puzzle went on to sell more than half a million copies and earned an RIAA Gold Record award. dada toured for the album with bands such as Crowded House and Izzy Stradlin & the Ju Ju Hounds, as well as Sting.

They released the follow-up in 1994, American Highway Flower. Though the first single from that album "All I Am" spent eight weeks in the modern rock charts their record label at the time (I.R.S. Records) began to collapse. By the release of their third album El Subliminoso in 1996, I.R.S. Records had all but folded. In 1997 the band signed to MCA Records and, in 1998, released their fourth full-length studio album simply titled dada. Their bad luck with record companies continued as the parent company of MCA was sold. They continued touring throughout the U.S. In 1999 the band decided to have a break and played their supposedly final show in Norfolk, Virginia in front of 14,000 fans.[3][4]

On May 3, 2010, Joie Calio posted on his Facebook profile that "Dada is actually recording a new record - really! It's sounding good too. We've decided to stay focused on the writing/recording of this new record for now and hold off on any big tour plans".[6] The band began a club tour later in the year. For unknown reasons, work came to a standstill on the new dada album in 2010 and to date, none of the recordings from those sessions have been released.

In 2011, using studio time originally booked for dada,[7] Joie Calio and Phil Leavitt recorded a new album together under the name 7Horse. The debut 7Horse album, titled Let The 7Horse Run, was independently released late in 2011, and a tour of the U.S. followed early in 2012. In 2013 Martin Scorsese featured the 7Horse song "Meth Lab Zoso Sticker" in his movie The Wolf of Wall Street. It was also used in multiple trailers for the film and is on the movie soundtrack. In 2014 7Horse released its second record Songs For a Voodoo Wedding. That year they toured opening for Kenny Wayne Shepherd and later Whiskey Meyers. in 2016 7Horse released its third record Living In a Bitch of a World. They subsequently toured that year headlining in the U.S.

I heard this song in a store, but it ended before I could try and record it and the only lyrics I heard were "dada da dadadada" around 3 times in the beginning, middle, and end, but that's all I could hear. It is definitely a newer song and is very cheery, happy, catchy, and maybe a little mellow with an acoustic guitar(?) I think in the background possibly (not 100% sure), but it's not too old and neither is it rap, trap, or 80s kind of song

Side note: from remembering it a little more, it's probably more of an indie/alternative song with more emphasis on acoustics, so it's probably not much of a pop song. Although it's definitely not too old and sounds a bit recent

Bad Boy Bill used it on one of his banging the box mixes back in the mid nineties. I'm actually after two things. First the classic song title and second, I recently heard a Pitbull song which uses the same sample. Thank you!!!

Maybe I've lost my mind, but I heard some buskers doing this song the other day and it sounded familiar and I'm pretty sure it's a real thing, but I can't figure out what it's called. At first I thought maybe it was Vivaldi's Spring, but it's not.

Those four covers come from the volatile mix of influences our generation along the Charles was putting together: VU, the Animals, Pere Ubu, and (in a secret bonus track on the CD, you\u2019ll have to get the physical media for this one) the Stooges. Not just any tracks by these bands, mind you. They are the soupiest: Sister Ray, When I Was Young, Final Solution, We Will Fall. All are drone/raga heavy, even for these exceptionally heavy bands. They\u2019re each the type of song you\u2019d close a set with. Yet they\u2019re all in one set.

"Can you say mama, mama, can you say mama's name?" Oklahoma mom Alyssa Smythe sings to her 11-month-old daughter Aria in a TikTok video with 8 million views. Smythe was singing a song by Rachel Griffin Accurso, aka Ms. Rachel, an educator and songwriter behind the popular account Songs For Littles.

The unconditional love for a child is one of the most special feelings in the world. This sweet sing-along song encapsulates the pure joy of love shared with little ones with cute names and tasty treats, personifying this beautiful bond.

This song teaches us the dangers of speaking badly about anybody behind their backs. It encourages us to strive to be a better person by holding one's tongue instead of engaging in gossip and slander. An important lesson for all of us, in a fun and easy way to learn.

Teaching children the beauty of always being caring and considerate, this simple song allows kids to learn how to be of benefit to those around them, no matter where they are. 

 

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Whenever I listen to this song, it serves as a reminder for me to prioritize my own well-being, stand my ground, and chase after my dreams with unwavering determination. The lyrics encourage me to assert my boundaries and not let anything or anyone disrupt my path to success.

A preview of "Tic, Tic, Tic" premiered at PopMatters and a sample of the song can be heard below. The song itself is boasts a danceable rhythm with all of the modern electronic elements in play from catchy, burst melodies to sing-along "Whoa-oh-oh" parts courtesy of Lzzy Hale. Her gritty voice always carries plenty of attitude and the same gusto is applied on the Dada Life track, showcasing her vocal diversity.

The concert takes place before a screen on which tech mastermind Sergio R. Samayoa projects images specific to the songs: shots of nebulae and star clusters from the Hubble Space Telescope, trippy abstract footage  la 2001: A Space Odyssey, computer-modeled water droplets and hearts, antique robot toys, and half-century-old 8mm film of flora and vistas in national parks (home movies of a home planet that make the number "Space Hobo" all the more poignant). The visuals are key to transporting us beyond our terrestrial home, but what truly beams us up are the cosmic contributions of the band members. Rachel Fuhrer's explosive drums are the Titan rocket propelling the songs into orbit, where Samayoa's bass work creates an interstellar foundation, deep and steady, like the universal hum left over from the Big Bang, and Chad Salvata's celestial synth echoes the music of the spheres. Then there is the jumpsuit-clad Jewell, looking like Neil Diamond channeling Neil Armstrong, exuding the old-school cool of the coffeehouse bard as he tosses out astronomy-class factoids that blow your mind and sagas of jealous robots and interplanetary wanderers and aliens who are like flawless versions of ourselves. As in vintage sci-fi, Jewell is simultaneously shooting us up to other worlds and bringing us down to Earth, imagining fantastic, futuristic exteriors that excite our minds but that cover the same tender hearts and bruised souls that we've always harbored inside and no doubt always will, no matter what planet we're on. 006ab0faaa

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