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An account of the two women convicted of assassinating Kim Jong-un's half-brother, Kim Jong-nam. The film follows the women's trials in an attempt to understand whether they are trained killers or simply pawns.

The audacious murder of the brother of North Korea’s Supreme Leader Kim Jon Un in a crowded Malaysian airport sparked a worldwide media frenzy. At the center of the investigation are two young women who are either cold-blooded killers or unwitting pawns in a political assassination. ASSASSINS goes beyond the headlines to question every angle of this case, from human trafficking to geo-political espionage to the secretive dynamics of the North Korean dynasty.

Genre: Documentary

Original Language: English

Director: Ryan White

Producer: Jessica Hargrave, Ryan White

Release Date (Theaters): Dec 11, 2020 Limited

Release Date (Streaming): Jan 15, 2021

Runtime: 1h 44m

A fascinating and exhaustive journalistic investigation that allows you to understand both the humane and political consequences of a chilling event. Full review in Spanish

Ryan White's fascinating documentary chronicles plays like a political thriller with tragic consequences for the two women at its center.

Director Ryan White masterfully breaks down the complex mechanics of North Korean politics and the Malaysian justice system in a fascinating thriller.

By the end, we have been transported into a tale of conspiracy and espionage, with a fair measure of social justice thrown in, too.

"Assassins" finds its pulse in the fact that it was filmed in media res, before the dust had settled on this strange ordeal, and the perspective of Siti's counsel proves invaluable during the trial.

It's a Kafka-esque and sometimes darkly comic tale of deception and exploitation that makes for a smartly assembled and eminently topical film that arrives at a crucial juncture in world https://twitter.com/AssassinsMovi

Another 'can you believe it' story that I suspect will captivate people wherever they can see it.

This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale.

The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role.

Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond Movie: it felt like that was missing.

Talking about Music, its awesome. I dont think you will miss Hans Zimm er’s score. Ludwig has done a sufficient job. There is no lack of good score in the Movie

Gotta love the editing and post production which has been put into th is Movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the Movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the Movie. Oth er Nolan Movies had loud BGM too. But Audio and dialogues weren’t a problem