August 4, 2024
Local Music Round Up:
Salt Lake City’s Hottest New Releases
Written By: Lexi Hall
August 4, 2024
Written By: Lexi Hall
Welcome to your ultimate guide to the best local music coming out of Salt Lake City this summer. Our vibrant music scene is buzzing with new releases that capture the essence of our city’s indie and rock roots. From punk rock anthems to dreamy indie ballads, and even a splash of hip hop, our upcoming local artists are serving up something for everyone.
Salt Lake City’s music scene is a treasure trove of talent. Whether you’re a die-hard fan of head-banging guitar riffs or prefer to lose yourself in the soothing tones of indie rock, this roundup has got you covered on . So put on your headphones, turn up the volume, and dive into the latest sounds that make us love SLC’s music scene.
Here are 10 new releases you won’t want to miss:
Smith & Weston – July 12
“We’ve been trying to dive more and more into 80s new wave for our upcoming album, “Mirror”, and this song is on the surfy / jangly end of that spectrum. Austin recently found his old iDog in a closet in his mom’s house that had been stowed away for years. This song is kind of about feeling some sort of strange guilt for abandoning a toy that you loved as a kid. I guess that’s just called hoarding, but it’s symbolic of the pain you go through as a young adult, where you start giving up the things you loved as a kid and feel this weird guilt for moving on. The 2 characters in the story are Smith (the iDog) and Weston (The Boy) but we did a play on words, kind of referencing the Smith and Wesson Revolver and using a gun as symbolism to represent killing off your youth. It’s trivial yet really sad at the same time.” – Indigo Waves
“Smith & Weston” feels like a song from the indie 2020 quarantine era. The beginning of the song creates a beautiful entrance for the compelling story the lyrics encompass. The lyrics, “I was just a boy,” reflects a sense of innocence and simplicity from childhood and the “why does it tear me apart” portion speaks to the unexpected and intense feelings of guilt and loss that comes with growing up. This mesmerizing juxtaposition represents the guilt and emotional conflict that comes with letting go of something you’ve grown out of.
The instrumentals are characterized by their ethereal, high pitched guitar riffs that exude an otherworldly quality. The guitar’s shimmering sound is perfectly paired with a lively drum pattern that provides a sense of urgency and movement, contrasting beautifully with the dreamlike quality of the guitars.
Be sure to check out their upcoming album “Mirror” that will be out before their spring European tour! You can find updates on their Instagram
Yard Dog – July 26
“Yard Dog is all about pushing through adversity and tough times with the intention of breaking ties both real and metaphorical and getting to where you want to be. We’re super stoked to put this out as part of our third project and can’t wait for everyone to hear what’s next. Thanks 4 tuning in.” – Bad Luck Brigade
“Yard Dog” will immediately grab your attention with its intriguing blend of instrumental elements. A smooth yet steady drumbeat lays down the foundation, creating a groove that is both consistent and hypnotic. An interesting, jazzy guitar riff weaves its way over this beat and adds a breathtaking layer of sophistication and flair. As the song transitions into the chorus, the energy ramps up. The riffs become more exciting and aggressive, injecting a burst of intensity and passion into the track.
Toward the end of the song, there’s a really cool guitar solo that stands out. It starts with a light drum bass underneath, allowing the guitar to shine. The solo progresses, the riff becomes more complex and difficult, which builds the song's intensity. As the solo reaches its peak, the guitar suddenly becomes faster and more aggressive, creating an exhilarating climatic build up that is a powerful and memorable moment in the song.
Be sure to check out the band's Instagram @badluckbrigade for updates on their upcoming EP!
12:30 – July 25
“12:30 is about meeting up with your younger self and wondering if they would recognize you and be happy with who you are today. The line in the chorus references a younger version of you talking to yourself asking if you remember your childhood and who you were.” – Cardinal Bloom
Beginning with a slow comforting indie guitar rhythm, “12:30” sets a mellow mood for listeners. The atmospheric guitar tones create a sense of calm and wonder. This serene introduction is abruptly interrupted by a crash into a gunning, high energy beat, where loud guitars and fast drums take over.
The line, “Do you remember me?” conveys a deep sense of wonder and introspection within the speaker, resonating with anyone who has contemplated their own evolution and identity. This line is followed by “because I can’t remember myself” portraying the emotional turmoil that comes with feeling lost.
This song masterfully balances dreamy elements with high-energy, playful bursts. These shifts represent the dynamic nature of self-discovery, unveiling the vibrant contrast between past and present.
Be sure to check them out on Instagram @cardinalbloomofficial
Stranger Again – June 7
“By far the hardest song on our album to get right. We re-recorded it at LEAST 6 times, but I think we nailed it. It’s so heartbreaking to find that somebody you were so close to, is now a stranger again. We knew there needed to be a song about that.” – Sunhills
“Stranger Again” begins with a space-like sound that creates an otherworldly atmosphere. The synth driven sound has a sense of cosmic wonder and isolation, drawing the listener into a realm that feels both distant and intimate.
The song transitions into a beautifully calm section, where the lyrics are delivered with a languid quality, stretching out the words in a way that emphasizes their emotional weight. The sound is slightly reminiscent of musical elements from Coldplay and Radiohead, capturing a melancholic yet melodically rich style.
Self Improvement Is Hard – July 18
“This song came so quick, materialized in my hands in a matter of minutes but I didn’t think it was very good. It was only until the bass line and slide guitar were added that we realized we had something really special, now one of our all-time favorites.” – Sunhills
Opening with a folky acoustic guitar, “Self Improvement Is Hard” sets a raw, earthy tone. The vocalist enters and delivers lyrics infused with deep emotion. As the song progresses, a sudden shift introduces a psychedelic guitar, adding a layer of rich, swirling textures. This transition feels like stepping through a portal into a different realm, where the soundscape opens and transforms.
You can find Sunhills on Instagram @sunhillsband
Imposter Syndrome – June 28
“The band actually started because of my decision to produce this song. Recently, I started my music production journey, and I was experimenting on how to record electric guitar. One night I shared my demo on my Instagram story; my friend Will Sangster heard my guitar loop and hit me up – suggesting that we collaborate. I invited a couple of friends over, who played bass and drums, and from our first session, it was decided we were a band. I had just gotten out of a bad relationship and another band breakup. In my low place, I didn't really know whether I should continue trying to get my music out there. I had lost my voice and my reason to create, leading to a growing sense of imposter syndrome infecting my subconscious. Ironically, fighting that feeling became my reason to create. It brought me to this song and to my band. Through working with these incredible musicians and battling through the creative process, I gained a new appreciation for my art. I found my reasons and myself again.” – The Magpipes
“Imposter Syndrome” opens with a slow, contemplative guitar that sets a reflective tone from the start. A jazzy piano introduces high, delicate notes that bring an elegant yet dreamy quality to the sound.
The lyrics “my oldest friend / until we meet again” are delivered with a deep, melancholy voice that is both raw and emotionally charged. The vocalist’s performance is both heartfelt and poignant, infusing the song with a sense of longing and nostalgia. Toward the end, the song undergoes a dramatic transformation into a fast paced, intriguing rock tone, introducing a vibrant, upbeat energy that propels the song into an engaging finale.
Follow The Magpipes on Instagram @the_magpipes to learn more about them!
Making Out At Butt Rock – April 10
“Our most recent EP was a big deal for us. I feel like this was a really motivating project to work on, because it was the most comfortable, we’ve felt with our sound, and just something we had a lot of fun working on. The EP was especially fun cause a big part of our music is just being silly when we feel like it. Which is why we decided to name it after the song ‘Making Out at Butt Rock’ I definitely feel like ‘Vampire Girlfriend’ is one of the best tracks and has a lot of the energy we’re trying to go for. The song was super quick and easy for us to record, mix, and master. The entire process took about half a day.” – Mopsy
“Making Out At Butt Rock” has an addicting, rebellious punk rock energy. The album features fast-paced guitars and energetic drumbeats that drive the music forward with intensity.
One standout track, “Vampire Girlfriend,” starts off with a surfy vibe that merges seamlessly into a blend of surf indie rock and punk rock. The lyrics of this song are playful and add a fun and cool element to the album’s overall vibe.
Throughout the album, Mopsy demonstrates their ability to fuse different musical influences, adding unique melodic elements that set them apart. While the core of the record is rooted in the essence of punk rock, the incorporation of surf rock, indie, and even hints of pop punk, showcase the band’s versatility and creativity.
Learn more about Mopsy at @mopsy_band on Instagram!
The Grand Idea – May 9
“The Grand Idea is a project all about transition periods in life. For me it was figuring out what I wanted to do and work towards as I was growing up and starting college. There’s a lot of mentions about uncertainty in the album and I feel like emotions like that are what really drove the writing process.” – Blue Rain Boots
While most songs on “The Grand Idea” maintain a slower pace and reflective tone, some tracks start off soft and have a beautiful energetic ending. The album’s character is enhanced by subtle jazz influences that blend perfectly with the indie rock foundation, creating a classic and timeless feel.
One standout track named after the album “The Grand Idea,” closes the record with a contrasting yet exciting energy. The song encapsulates the essence of the album, exploring themes of love and growth with heartfelt lyrics such as “Love is such a grand idea / waiting just to throw my heart away.”
This is a beautiful ode to the innocence and passion of teenage love. Overall, this album is a beautiful and emotionally charged collection of songs that captures life’s transitional moments with authenticity and heart.
To hear more about Blue Rain Boots, visit their Instagram @blue.rain.boots
Mouth – July 16
“This is our first album in 5 years. Also, our first time self-recording anything.” – Head Portals
“Mouth” kicks off with a burst of loud, chaotic guitars that immediately grab your attention. The consistent riffs fluctuate wildly between octaves, creating an addictive and electrifying sound that embodies pure punk rock energy.
The song features plenty of pauses and crashes, adding a layer of unpredictability that keeps you on the edge of your seat. Overall, this song is a standout track with relentless energy that defines Head Portals’ rock sound. Be sure to look out for their upcoming album!
You can find updates @headportals on Instagram!
Loop De Loop Miracle Ministries Lords Of Glory – July 10
“Loop de Loop Miracle Ministries Lords of Glory is our little, tiny dream come true. An oasis of tasty treats, savory bits and warm milk all rolled into one in this marvelous banquet that we present to you for your listening and dare I say dining pleasure. PLZ LISTEN TO OUR ALBUM PLEASE” – Dad Bod
This album masterfully blends indie-psych rock with surprising elements of country and grunge, creating a captivating and eclectic listening experience. This is somewhat stark departure from the band’s previous album, truly showcasing their versatility. Each song offers a unique vibe, contributing to the overall cohesive feel despite their distinctive styles.
Despite the varied genres, “Loop De Loop Miracle Ministries Lords of Glory” maintains a psychedelic rock foundation throughout, tying all the songs together. The result is a genre-spanning collection that feels both cohesive and diverse, with each track contributing to the album’s unique character. Yet another amazing standout edition to their discography.
Be sure to check them out at @officialdadbod on Instagram!
Everley – May 31
“Everley, for me, was written the excitement of feeling grounded, centered, and finally at peace with personal growth. I think because of all of these emotions, I was able to freely write and embrace love and every emotion associated, good and bad. The song was also written in the immediate aftermath of seeing UK pop duo Jockstrap at soundwell and fumbling through conversation with Georgia Ellery after the show.”
“Everley” combines a blend of indie and emo tones with an energetic yet grounded feel. Lyrically, this song is a heartfelt exploration of emotional release. I think Hurtado’s ability to channel their experiences into their music really shines through in this song. The song’s structure mirrors the journey of finding peace and embracing love in all its forms.
Check out Hurtado on Instagram @hurtadoslc
Hoodie Sundress – July 9
“For a while now I’ve just been locking myself in my little studio tinkering with different sounds and processes, mostly with my little tape recorder and guitars. Regarding “Hoodie Sundress,” it’s funny to me because all these songs were just supposed to be demos, but I figured f*ck it they’re done enough. I just wanted to get these ideas down, so they’re not recorded very properly sometimes with one song especially that was recorded fully through my laptop microphone (Tell Me No). I hope when people listen, they can miss the person they love most. Anyways give it a listen if you want! Godbless. – Marshall Van Leuven.
“Hoodie Sundress” is a brand-new EP that you don’t want to miss. A track that stood out to me was the EP’s opener, “Throat.” It opens with a dreamy, hypnotic intro that caught my attention with the lyrics, “yeah we got a long way to go.” This song is similar to the melancholic, experimental tones of the late band Her’s. From the outset, it’s clear that the recording process was all about experimentation and exploration. The vocal effects in particular stand out as a testament to this creative freedom.
Check out Marshall Van Leuven on Instagram @marshall_v
And there you have it! Salt Lake City’s music scene has some epic upcoming talent, ready to take your playlists to the next level. Whether you’re an indie aficionado, a punk rock rebel, or a hip-hop head, there’s something here for everyone. Keep supporting local artists and stay tuned for more incredible music coming out of our amazing city. We hope to see you at the next local gig!
l.hall@ustudentmedia.com