Conclusion
Conclusion
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From These Lands marks the 150th anniversary of Treaty No. 6 by featuring the work by Indigenous artists in the University of Alberta Museums Art Collection. This online exhibition provides a glimpse into the diversity of artists and art practices from Treaty No. 6 territory and the continued impact of treaties in their work. Treaties are important agreements that put relationship building into practice. They remind us of the ongoing need to honor the promises made between Indigenous Nations and the Crown (representing the Canadian people). From These Lands shows how artists have grappled with the historic implications of treaties and their current consequences.
Nehiyaw Iskwe-w multidisciplinary artist Joi T. Arcand specializes in installation, photography and subversive design in her wide-ranging artistic practice. In the work, ᐁᑳᐏᔭ ᐸᑭᒌ (ēkāwiya pakicī/Don’t give up), Arcand uses neon lighting to bring text, specifically Cree syllabics, into public spaces. Through her work, Arcand aims to reclaim spaces through the use of Cree syllabics in order to bring greater visibility to the Plains Cree language.
In addition to drawing attention to Nehiyawewin, the text “don’t give up” along with the material use of neon, also offers viewers (especially readers of Cree syllabics) a lighthearted note of encouragement. Arcand’s text-based works introduce viewers to the continued use and importance of Nehiyawewin.
From Muskeg Lake Cree Nation, Arcand’s work continues to draw on her own relationship to language and place-naming, and her upbringing in Treaty No. 6 territory.
ᐁᑳᐏᔭ ᐸᑭᒌ (ēkāwiya pakicī /Don’t give up), 2023Sculpture; Neon sign Joi T. ArcandBorn Hafford, Saskatchewan, 1982 University of Alberta MuseumsUniversity of Alberta Museums Art Collection2024.3.1
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