Cameras
Panasonic Lumix S1H
The Panasonic Lumix S1H was the first mirrorless camera to be approved by Netflix, allowing it to become one of the most affordable and accessible cameras permitted to film content to be shared onto the streaming platform.
The S1H became the world’s first full-frame mirrorless camera with 6K/24p (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio) and 10-bit 60p 4K/C4K video recording capabilities.
Specs & Features
High resolutions up to 6K for multiple formats
Having a range of various different formats and frame sizes allows filmmakers to experiment with those said formats without the loss of detail and quality in the image provided
Wide colour space virtually equal to cinema cameras
Can precisely capture dark - light areas & reproduce colour and texture of human skin
Allows unlimited video recording under certified operating temperature
Dust, splash and freeze resistant down to -10 degrees
Human & animal recognition.
Low-light performance
What’s good about the S1H, is that it allows the filmmaker to have a lot of freedom due to the ability to film in many different formats. This enables the user to have full control over their filming and will help to enhance the tone and feeling of the scene. Together with the Netflix approved image quality, it is a brilliant option to have.
Sony R4 IV A7
The Sony R4 IV A7 is a full-frame mirrorless camera built for a high-resolution capture. It can shoot at up to 10 frames per second with full autofocus.
Specs & Features
Real-time focus and monitoring of the subject and eyes (Humans, animals, birds)
Precisely and effortlessly track subject while taking time to frame
Improved protection against dust and splashes
Extra sealing around doors and battery compartment
Stabilisation system
Smooths jitters and jumps in handheld footage
Sensor size - 24 x 36mm
The R4 IV A7 has the ability for the filmmaker to capture any subject from landscapes to close ups. This allows for more control and enhancement for certain shots, creating the feel and tone that the user wants.
Sony FS5 M II
The Sony FS5 M II is a super 35mm lightweight camera/camcorder that is enabled in both 4K HDR (High Dynamic Range) and SDR (Standard Dynamic Range)
Specs & Features
240fps in 2K, 120fps continuous recording in HD
Captures internally to SD cards
UHD 4K etc
Fingertip grip rocker
Easy to attach
Easy to operate
Lightweight
Allows for easier filming in high and low angles
Slow-motion recording
Possible to record in 1960x1080
Full HD
The FS5 II captures great quality video and is praised for its electronic ND filter. (Neutral-Density - Automatically adjusts the density so exposure will remain same no matter how light levels change)
Kinefinity Mavo LF M II
The Kinefinity Mavo LF M II is another high-performing, lightweight camera body. Features 6K full frame 3:2 CMOS (complementary metal-oxide semiconductor - used for converting light into electrical signals) enabling the camera to retain more details and making it ideal for shooting in complex lighting environments.
Specs & Features
6K Full-Frame imaging sensor
Compact & Lightweight
Up to 6K 96fps Resolution
Broad range of lens compatibility
Advanced colour processing architecture
Low noise & HDR
The Mavo LF M II offers an organic, pleasing image suitable for users who want a more realistic look to their film. Due to the large sensor, it offers less depth of field, therefore creating more of a range of design possibilities.
Canon R6 M II
The R6 M II is a full-frame hybrid camera provided with faster shooting and performance.
Specs & Features
In-Body Image Stabiliser
Intelligent subject detection
Burst rate of up to 40fps
Comprehensive Autofocus
Ai algorithm so tracking is more accurate and sticks to the subject.
Can recognise larger variety of animals
4K 60p & 6K 60p
Soul of the Camera
The soul of the camera is less about how the camera works and the footage captured, it is more about the deeper meaning and how the user approaches it.
As a form of universal language, the material needs to contain a “soul”, because if it lacks a soul and deeper meaning, it will fail to connect and resonate with others. They need to be able to capture people’s feelings and emotions, not just “look pretty”.
The camera and lenses shouldn’t be looked at as the ones who “need to learn”/adapt, but rather the user themselves and how they use the tools to produce something that has a deep connection to themselves and others.