Cinematographer David M Dunlap shot the film on 35mm Kodak film 

Arricam LT, Cooke S4 Lenses

Cinematographer Jess Hall

ARRICAM Lite (LT) Camera

Cinematographer Bill Pope

ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera and Panavision B Series Anamorphic Lenses.

Cinematographer Bill Pope 

35 mm photochemical film and used Panavision AWZ2 40-80 mm T2.8 Lens 

Cinematographer Bill Pope

Panavision Panaflex Millennium XL2 cameras with G-Series, T-Series, and C-Series anamorphic lenses. 

Cinematographer Chung Hoon Chung

35mm and stock was Kodak Vision3 250D 5207, Vision3 500T 5219.

Arri Alexa Mini, Panavision Primo, C-, G- and T-Series Lenses Panavision Panaflex Millennium XL2, Panavision C-, G-, T-Series, ATZ and AWZ2 Lenses.