Is namhaid í an cheird gan í a fhoghlaim. -- A craft is an enemy if not learned.
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Pennsic happened! I had fun! The East wiped the floor with the Mid (24 points to 3, ouch)! The weather was hot and sticky!
I taught all my classes and they went reasonably well.
My garb class had about 35 people attend, some of whom have attended before. I spurted lots of information, answered the questions that I could and got an idea of what additional research I want to do in the future. Mostly I want to expand the late period stuff and do some more work on accessories. I had scheduled the class for two hours but was wrapped up at just a few minutes under an hour. If I get my act together and do the additional research I may split the class into two one hour classes, one for late period and one for early. If I really get my act together I might expand my research into men's clothing.
I rushed off from there to the A&S display where I showed off my shaggy brat and my psalter. The brat got most of the attention (it is different and there were a lot more fiber people than scribal people, probably because of the scribal meetings that were at the same time) but there was lots of good conversation had on both. I ended up sitting on top of the table since it was very wide and tall and I am short. It was hard to hear and talk to people from the other side. Several other people ended up copying me in my brilliant plan.
The round-table also went reasonably well and had about 20 people attend. I dragged a large portion of my library along with me (I need to remember some sort of wheeled cart next year) and showed off my brat and psalter some more. The first portion of the time was mostly people looking at and discussing the books. Then people settled into a few different conversations. We also had a soon-to-be Knight ask for ideas for his elevation which was pretty awesome. I think next year I will see if someone else is willing to host the round-table though, so I can save that teaching slot for another class.
Both of my knotwork classes went well. The first one had 15 people, pretty much all of whom picked up the knotwork with no problems. The second one had about 18 people (which is really pushing the limit on the number of people the scribal tents can hold), some of whom showed up part way through. This class didn't go quite as smooth but I think by the end it had at least mostly clicked for everyone.
I got questions about an advanced knotwork class in both classes, so next year I am planning on holding my advanced insular scrolls class. Hopefully I will have at least one chance to vet it again between now and then.
I didn't go to very many classes this war for a variety of reasons. There were not that many classes that caught my eye (I was the only one teaching Irish/Celtic classes other than one other knotwork class, and there was a lack of early period classes in general), and most of the ones I wanted to go to conflicted with something else. Also I thoroughly over-peopled myself in the first couple of days of war with my garb/round-table classes and the a&s display, and the weather was not conductive to wanting to get out and about being either hot and sticky or raining.
Overall Pennsic was fun. I was sad to leave but also glad to be home. Looking forward to getting re-focused on getting research and projects done with some renewed Pennsic energy.
Coming soon will be a post on all my books, hopefully followed by a series of posts on individual books. I am also actually doing some tablet weaving and have the pages all lined for the next section of the psalter.
Pennsic is coming and I will be there!
I am teaching/facilitating four classes this year:
My Irish Womens garb class - Noon to 2 on the middle Sunday (8/7) in AS 7
Early Period Irish Roundtable which is scheduled for 11 to 1pm on the Monday of War Week (8/8) in AS 15
And two sessions of Celtic Knotwork 5 dot technique Wednesday and Thursday (8/10 & 8/11) in AEthelmearc Royal 2 from 2 to 3
The handouts for the garb and knotwork classes are already up on the classes page.
In addition I will be displaying on Sunday at the A&S display which runs from 1 to 5 though I will not be able to get to my table until 2 since I am teaching.
Come by, say hi, talk to me about awesome Irish stuffs!
I hope to have a good follow up post after Pennsic with pictures and information and stuff (and you know, maybe actually get the motivation to Update this site!)
So despite my assurances that I would be better about updating this site, I have been mostly silent for the last month. But I promise it was for a good reason!
Over the past month I have been scrambling to get together all of the things that I wanted to display for the Artifacts of a Life Competition (this being the same competition that spurred me to try my hand at bone comb making and my shaggy brat). You can read a report of the competition here: http://eastkingdomgazette.org/2015/09/28/an-account-of-artifacts-of-a-life-ii/
This year I decided to have me entries all being related to the life of a late 8th century Irish Monk. For this I made the first quire of a Psalter, the cover for a Psalter, a sieve for sacramental wine, and a prayer cord.
While I did not win this time, I did receive the prize from Her Excellency Carolingia for being her favorite and 'bringing prayer to life'. Religion was so central to much of people's lives during the SCA period, but it is something which we do not really re-create much of.
Artifacts is my favorite A&S Competition, I love the idea of trying to create a cohesive set of items that could have belonged to/been used by a single person.
Pictures from the Wexford National Heritage Park in Ireland from the Monastic site
Life of a late 8th Century Irish Monk - The story connecting my items
A young monk lives at a monastery in the heart of Ireland during the late 700s. There he is learning a great many things and practices his devotion to his faith. He works most of his days in the scriptorium where he has recently moved up from aiding in the preparation of materials to being able to actually work on a transcription of his own manuscripts. A patron of the monastery has commissioned a psalter for his household which will both aid in the practice of their faith and be used to teach his children to read.
In addition to the work in the scriptorium, where religious texts are scribed alongside accounts of the history, learning, and culture of the land, our young monk must also spend some of his days aiding in the more mundane tasks of the monastery. Cooking, planting, and caring for animals are all essential to the function of the monastery, as is teaching those who come seeking the knowledge this place holds.
Each day, regardless of the tasks being performed, revolves around a cycle of prayer and worship. Part of this cycle of prayer revolves around the reciting of all of the psalms, broken up throughout the day in three sets of 50. While our young friend has the psalms committed to memory, he does use a knotted cord to enable him to keep track of which psalm he is reciting. Additionally sometimes he helps his elders with the blessing of the sacramental wine. He is working hard to learn all he can in the hopes that he might one day rise in the ranks of his brothers.
8th Century Psalter
Here we have the beginnings of a psalter. This first quoire contains the first 24 psalms with each psalm beginning with an illuminated capital. We see a highly decorated carpet page at the front of the psalter and the first word of psalm 1 has been fully illuminated as was traditional.
My psalter’s formatting is based primarily off of the recently found Faddan More Psalter with illumination and calligraphy more closely matching the Book of Kells . Following the standard decoration practice of the time, each psalm in the Faddan More Psalter begins with an illuminated capital and the opening words of psalms 1, 51, and 101 are more highly decorated. There also appears to be a more highly decorated initial page. The text of the psalter is the Vulgate Latin version of the psalms. The Faddan More consisted of 60 sheets of vellum and was written around 800 AD. The Book of Kells also dates to approximately 800.
The Making and Learning
I am happy with how this came out overall. It is my first experience working with iron gall ink and period pigments and I havn't died (which is actually a concern as orpiment contains arsenic, and red lead isn't great for you either). I will continue working on this psalter and will provide updates as I get more of it finished
Wrapped around the first quoire of the psalter was a cover. This cover would have been used for the whole psalter once it was complete. The inside was lined with papyrus which came all the way from the holy land with the return of one of the pilgrims from the monastery. On the outside of the cover our young monk appears to have practiced some of the designs which would be used within.
This cover is entirely based on the cover found with the Faddan More Psalter. That cover was found to have three horn buttons, was lined with papyrus, and had practice designs painted on the outside in a carbon based ink.
The Making and Learning
This was by far my favorite of the items I created. While the psalter is shiny and eye catching, this drew me in with its simplicity and its practical-ness. Also it was kind of fun getting to use leather I won at the last competition as part of an item in this one.
Left - My Attempt
Right - Extent example, photo from the Irish Archaeology Twitter page
An important part of Mass is the ritual partaking of the body of Christ. As part of this ritual one drinks the sacramental wine. Part of what made the sacramental wine was the ritual straining of it and as a result we find numerous decorative sieves and ladles which appear to have been used to this purpose.
The early Christian church was still defining the rituals that the holy ceremonies would revolve around. One of these rituals is the blessing of the sacramental wine. According to Isaiah 25:6, "well-strained wines" should be used in the celebration of the rituals. Several decorative sieves and ladles have been found in Ireland and it is believed that they were used for this purpose.
My sieve is based on one which was found in the Moylarg Crannog and is on display in the National Museum of Archaeology in Dublin. The original is brass with a handle of iron which appears to have been a very basic replacement for whatever the original handle was.
The Making and Learning
I was really not very happy with how this turned out, but I am glad I entered it anyway. I got some good tips on how I can make it better and I intend to give it another try. If I can master getting it into the shape I want I will give some thought on what to actually do for handle.
Knotted Prayer String
An important part of the daily life of monks in the monasteries in ireland during the the time after Patrick was the recitation of the psalms in 3 sets of 50. As part of this ritual they would count the psalms on knotted ropes of wool either of a full 150 knots, or of 50 in the breaking up of the psalms. This practice of prayer connected to a physical object eventually transferred to the laity and later becomes was we know of as paternosters and rosaries.
Knotted cords, pebbles, beads, and beaded strings have all been variously used to count prayers, both in the Christian faith and in other religions, notably the Hindus who have been doing so since several centuries BC. In Ireland we see references to this starting in the 7th century, possibly relating to the traditions started by St Columba or brought back by missionaries from contact with the Coptic church.
The Making and Learning
Handspun (not by me) Wool Yarn braided in 3 strand braid using technique similar to whipcording (3 strands chosen to represent the trinity)
Larger knots made to indicate each 10 and 50 knots
This was a fun simple addition that I think gave a really tangible feel to the persona I was creating. Next time if I make one of these it will be with my own homespun yarn (my only current string, all of which is currently on the spindle is a slightly darker shade then the back cloth in the picture, it just didn't seem like it would convey the right feeling).
I have just returned home from a fabulous War and really am going to make good on my promise to be better about updating this site because I met some fabulous people at war and there was a lot of reinvigorating of focus and energy for research and doing things.
First of foremost my Irish Women's Dilemma Class went astoundingly well. Thank you to the over 40 people who showed up and helped to make it an engaging class and keeping me rolling be asking great questions. At the request of several I am working on setting up a group over on the book of faces for those of us looking for resources for Early Christian and Viking Age Irish personas, particularly in clothing but other resources are great too. The group is SCA Irish - Early Christian and Viking Age there aren't many people or resources there yet but hopefully that will change soon as people settle in and return from war.
I also got a lot of people started on the addicting journey of celtic knotwork and have helped some people with the basics start toward more period and complicated designs. I learned a lot about how to teach the advanced class that I hope will help me to improve it for next year.
I also took an awesome class that has gotten me started with period pigments, I look forward to trying them out soon!
Overall war was great and look for a flurry of new posts from me in the coming weeks I hope!
At my garb class at Pennsic, I mentioned that there are a bunch of awesome Facebook groups for research and such and that is really the only reason I am still there. I was asked to provide a list of the groups I follow, so here they are (minus household and regional specific ones)
Ask the Laurels - Group for non-Laurels to ask about what it is like to be a Laurel and questions about the path to becoming a Laurel
Apprentices' Alley - Group for those in a relationship with a Laurel who would like a safe place to talk the Laurels will not see
SCA Heraldry Chat - Want help with your heraldry or want to do Heraldry, this is a good place to start
Artisan Support Network - Group for help in documentation for SCA A&S
SCA Library of Alexandria - Research Help Group
SCA Ask A Librarian - Another Research Help Group
SCA Anthropology - Group looking at the differences between kingdoms and the history behind why things are the way they are
SCA Persona Research - Group to help people looking to develop their personas
Historic Tablet Weaving - This is a wonderfully supportive group for anyone wanting to try their hand at tablet weaving
Historic Hand Embroidery - Similarly awesome group for embroidery of all time periods
Historic Fabric Weaving - Similarly useful group for larger scale weaving
SCA Garb - General Garb Group
SCA Scribes - General Scribal Group
SCA Scribes and Illumination - General Scribal Group
SCA Scroll Gallery - General Scribal Picture Group
SCA Arts and Sciences - General A&S Group
Arts and Sciences of the "Current" Middle Ages - General A&S Group
Artisans of the Society For Creative Anachronism - General A&S Group
Period Costuming Support Group - Non SCA Specific, but lots of knowledgeable people
Vikings of the SCA - General Viking SCA Group
Viking Clothing - This group is for serious reenactors (ie don't mention the SCA and try to stay away from questions on how to cheat authenticity), but is a great source of knowledge
Viking Clothing (SCA-style) - The slightly more forgiving version of the above group
Viking Era Textiles and Fiber Arts - great group for early fiber stuff
Bone, Antler, Ivory, and Horn Carving - great group for those interested in the mentioned types of craving
Luceteers - small group for those interested in Lucet
Irish SpecificDark Ages SCA (Post Roman Britain Discussion and Research) - I just found this group and it covers the whole British Isles, it looks useful, though quiet
Éire of the Middle Ages (SCA) - Ok group on Ireland, but it tends to be a bit all over
The Photographic Archive of Irish Archaeology - pretty Irish archaeology photos and info
Caislean na Cnamha - Gallowglass Irish Group
SCA Celts and Early Period - reasonably good group that runs the gamut of way early through later period.
UCD Experimental Archaeology - University College Dublin's Experimental Archaeology School's group where they post the fascinating things they are doing and make me wish I went into academia...
Togher: Irish Raised Bog Archaeology - Interesting group with the latest on archaeology for raised bogs in IrelandEMVARG (Early Medieval and Viking Age Research Group) - Great group for research and archaeology from the UCD Archaeology School
Cherrymount Crannog Crisis - Originally set up in response to issues with a Crannog dig, now a place for archaeology info
Pages - in addition to the groups, there are a number of pages I follow
EMAP - Early Medieval Archaeology Project - these people are awesome!
Know of others that might be of interest? list them in the comment and I will check them out!
I am off to the Pennsic War(if you are unfamiliar, this is a great article about it http://citypaper.net/cover/reports-from-a-medieval-war/) later today and will be teaching classes and talking to people, which will likely draw at least a few people to this site. I promise that once I get back from war I will work on updating this site and working on actually recording some of the research I have been doing. If you have any questions, feel free to post on the discussion board
In the meantime, here are the handouts for the 3 classes I am teaching next week:
I have moved my links to a spreadsheet (which can be seen below) it is easier to update and sort and such.
I will also be putting it over on the books and links page. I should also have the books updated in a few days or so...
Since I forgot to get around to it, I should really write up the other things I made for the Artifacts of a Life Event. These are my not very well documented pieces which is why I never got around to it.
The first is a simple drawstring bag for the comb. The bag is made of wool with cotton thread embroidery. the string for the bag is a lucet cord which we are fairly certain were made in the viking age (). I also added Posament as a decoration which is a form of wire ornamentation found in the viking graves at Birka: Meisterinne Katheryn Hebenstreitz (© Annika Madejska): Posament: Pretty knots from Birka http://textiletimetravels.org/documentations/. If I do posament again I will attach them to the cloth so that they are not hanging off Because I have quickly learned that they get caught on everything!
My justification for the bag is fairly slim. We know that many if not most people of this period (10th Century) would have had a comb of either wood or bone (based on how many we find and their common occurrence as a grave good) . We also know that they would likely have kept them on their person. Some combs have holes in either their cases or themselves indicating that they were hung from a string, but others do not. This indicates they would have been carried in another manner, such as a bag or in a work basket. I decided that a small bag, embroidered with my family initials, would be a good way to carry the comb.
The second is a simple inkle woven belt. Inkle weaving is not really of the correct period but I had never done any weaving before and it was a lot less intimidating that tablet weaving (which I am currently learning, but that is another post.) I got my instructions how to start here: Heroldt, Heather. Beginning Inkle Weaving PDF. My next belt will be tablet woven, but this serves me well in the meantime.
Lucky for us bone is one of the few things to survive for us to look at from medieval Ireland, so we have lots of examples of combs. Since this is one of the most common things found, there are lots of resources talking about them.
Probably the most comprehensive is Dunlevy's Classification of Early Irish Combs in the Proceedings of the Royal Irish Academy. This article goes through a large portion of the combs found in Ireland and groups them by various characteristics. While really useful and fascinating it is a bit dense to and scholarly to be used in recreating a comb.
This article gives a good overview of combs and has really useful diagrams on how they would be put together. Additionally these two scholarly reports give some additional incites.
After reading over these sources I decided to jump right in to my attempt at making a comb with no prior experience at making anything out of bone or antler this was going to be quite the learning experience. Because I have it readily available I used antlers from white tail deer.
My First step was to rough cut the antler into pieces of the appropriate size. To do this I primarily used a coping saw and a whole lot of energy and patience. *NOTE* When sawing, or sanding or otherwise working with bone or antler is creates a lot of dust which in addition to not smelling very good is also not good for your lungs so please wear protection *END NOTE* The main thing I learned from this part is that it is very difficult to get flat pieces from a round thing.
I then got to work on the tedious part, using my fancy new dremel to sand and cute all the pieces down more precisely. In period this likely would have been done with various saws and knives. Additionally they would have done the smart thing and let the pieces soak for a while in water to soften them up. Next time I am going to give that a try because the hours of sanding were not fun. The face protection only saves you from the dust, not the smell.. .
Once I got the pieces down to the right size I drilled holes in the pieces and riveted them together using some very large leather rivets (what I could get at the time). Sorry for the lack of intermediate pictures here. There was a whole bunch of attempting to fit things together and then additional sanding because my rivets weren't long enough . . . all in a panic to get this done in time for the event the next day. Next time I will try using some small finishing nails and peening the ends as rivets. All of the rivets on the extent examples are quite a bit smaller than my giant shiny things (good thing I won some leather at the event that I can use the extra rivets on!)
I eventually got the pieces riveted together. I then set to work with the dremel to cut out the teeth.. . which as you can see resulted in a few of them breaking. Oh well, more authentic this way. I then added some very basic cross hatch and straight line ornamentation. Overall I am fairly please with my first attempt at working with antler. I learned a lot and hope to do better next time.
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