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Alfred Lord Tennyson

Alfred Tennyson, 1st Baron Tennyson, FRS (6 August 1809 – 6 October 1892), much better known as "Alfred, Lord Tennyson," was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language.
 
Tennyson excelled at penning short lyrics, "In the valley of Cauteretz", "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as Ulysses, although In Memoriam A.H.H. was written to commemorate his best friend Arthur Hallam, a fellow poet and fellow student at Trinity College, Cambridge, who was engaged to Tennyson's sister, but died from a cerebral hemorrhage before they were married. Tennyson also wrote some notable blank verse including Idylls of the King, Ulysses, and Tithonus. His use of blank verse, rare in his day, may be related to his complete tone deafness which made it hard for him to follow the conventional rhythms of the poetry of his day.[1] During his career, Tennyson attempted drama, but his plays enjoyed little success.

Tennyson wrote a number of phrases that have become commonplaces of the English language, including: "Nature, red in tooth and claw", "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". He is the second most frequently quoted writer in The Oxford Dictionary of Quotations after Shakespeare.[2]

 Early life

Tennyson was born in Somersby, Lincolnshire, a rector's son and fourth of 11 children. He was a descendant of King Edward III of England.[3] Reportedly, "the pedigree of his grandfather, George Tennyson, is traced back to the middle-class line of the Tennysons, and through Elizabeth Clayton ten generations back to Edmund, Duke of Somerset, and farther back to Edward III."[4]

His father, George Clayton Tennyson (1778–1831), was a rector for Somersby (1807–1831), also rector of Benniworth and Bag Enderby, and vicar of Grimsby (1815). The reverend was the elder of two sons, but was disinherited at an early age by his own father, the landowner George Tennyson (1750–1835) (who belonged to the Lincolnshire gentry as the owner of Bayons Manor and Usselby Hall), in favour of his younger brother Charles, who later took the name Charles Tennyson d'Eyncourt. Rev. George Clayton Tennyson raised a large family and "was a man of superior abilities and varied attainments, who tried his hand with fair success in architecture, painting, music, and poetry."Rev. Tennyson was "comfortably well off for a country clergyman and his shrewd money management enabled the family to spend summers at Mablethorpe and Skegness, on the eastern coast of England."[4] His mother, Elizabeth Fytche (1781–1865) was the daughter of Stephen Fytche (1734–1799), vicar of St. James Church, Louth (1764) and rector of Withcall (1780), a small village between Horncastle and Louth. Tennyson's father "carefully attended to the education and training of his children."

Tennyson and two of his elder brothers were writing poetry in their teens, and a collection of poems by all three was published locally when Alfred was only 17. One of those brothers, Charles Tennyson Turner later married Louisa Sellwood, the younger sister of Alfred's future wife; the other poet brother was Frederick Tennyson. One of Tennyson's other brothers, Edward Tennyson, was institutionalised at a private mental asylum, where he died.

Education and first publication

Tennyson was first a student of Louth Grammar School for four years (1816–1820)[4] and then attended Scaitcliffe School, Englefield Green and King Edward VI Grammar School, Louth. He entered Trinity College, Cambridge in 1827,[5] where he joined a secret society called the Cambridge Apostles. At Cambridge Tennyson met Arthur Henry Hallam, who became his best friend. His first publication was a collection of "his boyish rhymes and those of his elder brother Charles" entitled Poems by Two Brothers published in 1827.[4]

In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuctoo".[6][7] Reportedly, "it was thought to be no slight honour for a young man of twenty to win the chancellor's gold medal."[4] He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which later took their place among Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge.

Return to Lincolnshire and second publication

Tennyson with his wife Emily (1813-1896) and his sons Hallam (1852-1928) and Lionel (1854-1886).

In the spring of 1831, Tennyson's father died, requiring him to leave Cambridge before taking his degree. He returned to the rectory, where he was permitted to live for another six years, and shared responsibility for his widowed mother and the family. Arthur Hallam came to stay with his family during the summer and became engaged to Tennyson's sister, Emilia Tennyson.

In 1833, Tennyson published his second book of poetry, which included his well-known poem, The Lady of Shalott. The volume met heavy criticism, which so discouraged Tennyson that he did not publish again for 10 more years, although he continued to write. That same year, Hallam died suddenly and unexpectedly after suffering a cerebral haemorrhage while on vacation in Vienna.[8] Hallam's sudden and unexpected death in 1833 had a profound impact on Tennyson, and inspired several masterpieces, including "In the Valley of Cauteretz" and In Memoriam A.H.H., a long poem detailing the 'Way of the Soul'.[9]

Tennyson and his family were allowed to stay in the rectory for some time, but later moved to Essex. An unwise investment in an ecclesiastical wood-carving enterprise soon led to the loss of much of the family fortune. He then moved to London.

Third publication and recognition

In 1842, while living modestly in London, Tennyson published two volumes of Poems, the first of which included works already published and the second of which was made up almost entirely of new poems. They met with immediate success. Poems from this collection, such as Locksley Hall, "Tithonus", and "Ulysses" have met enduring fame. The Princess: A Medley, a satire of women's education, which came out in 1847, was also popular for its lyrics. W. S. Gilbert later adapted and parodied the piece twice: in The Princess (1870) and in Princess Ida (1884).

It was in 1850 that Tennyson reached the pinnacle of his career, finally publishing his masterpiece, In Memoriam A.H.H., dedicated to Hallam. Later the same year he was appointed Poet Laureate in succession to William Wordsworth. In the same year (13 June), Tennyson married Emily Sellwood, whom he had known since childhood, in the village of Shiplake. They had two sons, Hallam Tennyson (b. 11 August 1852) — named after his friend — and Lionel (b. 16 March 1854).

Farringford - Lord Tennyson's residence on the Isle of Wight

The Poet Laureate

After William Wordsworth's death in 1850, Tennyson succeeded to the position of Poet Laureate, which he held until his own death in 1892, by far the longest tenure of any laureate before or since. He fulfilled the requirements of this position by turning out appropriate but often uninspired verse, such as a poem of greeting to Alexandra of Denmark when she arrived in Britain to marry the future King Edward VII. In 1855, Tennyson produced one of his best known works, "The Charge of the Light Brigade", a dramatic tribute to the British cavalrymen involved in an ill-advised charge on 25 October 1854, during the Crimean War. Other esteemed works written in the post of Poet Laureate include Ode on the Death of the Duke of Wellington and Ode Sung at the Opening of the International Exhibition.

Statue of Lord Tennyson in the chapel of Trinity College, Cambridge.

Queen Victoria was an ardent admirer of Tennyson's work, and in 1884 created him Baron Tennyson, of Aldworth in the County of Sussex and of Freshwater in the Isle of Wight. Tennyson initially declined a baronetcy in 1865 and 1868 (when tendered by Disraeli), finally accepting a peerage in 1883 at Gladstone's earnest solicitation. He took his seat in the House of Lords on 11 March 1884.[4]

Tennyson's life at Freshwater features in Virginia Woolf's play of the same name, in which Tennyson mingles with his friend Julia Margaret Cameron and G.F.Watts.[10] He was the first English writer raised to the Peerage.[dubious – discuss] A passionate man with some peculiarities of nature, he was never particularly comfortable as a peer, and it is widely held that he took the peerage in order to secure a future for his son Hallam.[citation needed] Recordings exist of Tennyson declaiming his own poetry, which were made by Thomas Edison, but they are of understandably poor quality. These were made in the last few years of Tennyson's life and include recordings of The Charge of the Light Brigade, and excerpts from "The splendour falls" (from The Princess), "Come into the garden" (from Maud), "Ask me no more", "Ode on the death of the Duke of Wellington", "Charge of the Heavy Brigade", and "Lancelot and Elaine".

Sketch of Alfred Tennyson published one year after his death in 1892, seated in his favourite arbour at his Farringford House home in the village of Freshwater, Isle of Wight.

Towards the end of his life Tennyson revealed that his "religious beliefs also defied convention, leaning towards agnosticism and pandeism":[11] Famously, he wrote in In Memoriam: "There lives more faith in honest doubt, believe me, than in half the creeds." [The context directly contradicts the apparent meaning of this quote.] In Maud, 1855, he wrote: "The churches have killed their Christ." In "Locksley Hall Sixty Years After," Tennyson wrote: "Christian love among the churches look'd the twin of heathen hate." In his play, Becket, he wrote: "We are self-uncertain creatures, and we may, Yea, even when we know not, mix our spites and private hates with our defence of Heaven." Tennyson recorded in his Diary (p. 127): "I believe in Pantheism of a sort." His son's biography confirms that Tennyson was not an orthodox Christian, noting that Tennyson praised Giordano Bruno and Spinoza on his deathbed, saying of Bruno, "His view of God is in some ways mine," in 1892.[12]

Tennyson continued writing into his eighties, and died on 6 October 1892, aged 83. He was buried at Westminster Abbey. A memorial was erected in All Saints' Church, Freshwater. His last words were; "Oh that press will have me now!".[13]

He was succeeded as 2nd Baron Tennyson by his son, Hallam, who produced an authorised biography of his father in 1897, and was later the second Governor-General of Australia.

The art of Tennyson's poetry

Tennyson used a wide range of subject matter, ranging from medieval legends to classical myths and from domestic situations to observations of nature, as source material for his poetry. The influence of John Keats and other Romantic poets published before and during his childhood is evident from the richness of his imagery and descriptive writing. He also handled rhythm masterfully. The insistent beat of Break, Break, Break emphasizes the relentless sadness of the subject matter. Tennyson's use of the musical qualities of words to emphasize his rhythms and meanings is sensitive. The language of "I come from haunts of coot and hern" lilts and ripples like the brook in the poem and the last two lines of "Come down O maid from yonder mountain height" illustrate his telling combination of onomatopoeia, alliteration and assonance:

The moan of doves in immemorial elms

And murmuring of innumerable bees.

Tennyson was a craftsman who polished and revised his manuscripts extensively. Few poets have used such a variety of styles with such an exact understanding of metre. He reflects the Victorian period of his maturity in his feeling for order and his tendency towards moralizing and self-indulgent melancholy. He also reflects a concern common among Victorian writers in being troubled by the conflict between religious faith and expanding scientific knowledge. Like many writers who write a great deal over a long time, he can be pompous or banal, but his personality rings throughout all his works—work that reflects a grand and special variability in its quality. Tennyson possessed the strongest poetic power; he put great length into many works, most famous of which are Maud and Idylls of the King, the latter one of literature's treatments of the legend of King Arthur and The Knights of the Round Table.[citation needed]

Partial list of works

  • From Poems, Chiefly Lyrical (1830):
    • The Dying Swan
    • The Kraken
    • Mariana
  • Lady Clara Vere de Vere (1832)
  • From Poems (1833):
    • The Lotos-Eaters
    • The Lady of Shalott (1832, 1842)
  • From Poems (1842):
    • Locksley Hall
    • Tithonus
    • Vision of Sin
    • The Two Voices (1834)
    • "Ulysses" (1833)
  • The Princess (1847)
    • "Tears, Idle Tears"
  • In Memoriam A.H.H. (1849)
  • Ring Out, Wild Bells (1850)
  • The Eagle (1851)
  • The Sister's Shame
  • The Charge of the Light Brigade (1854) - an early recording exists of Tennyson reading this
  • Maud (1855/1856)
  • Enoch Arden (1862/1864)
  • Flower in the crannied wall (1869)
  • The Window - Song cycle with Arthur Sullivan. (1871)
  • Harold (1876) - began a revival of interest in King Harold
  • Idylls of the King (composed 1833-1874)
  • Locksley Hall Sixty Years After (1886)
  • Crossing the Bar (1889)
  • The Foresters - a play with incidental music by Arthur Sullivan (1891)
  • Now Sleeps the Crimson Petal - it appeared as a song in the film Vanity Fair, with musical arrangement by Mychael Danna
  • Kapiolani (published after his death by Hallam Tennyson)[14]
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