Small Axe People


Small Axe People – ‘Creation’ Small Axe People - (2008)

‘Creation’ is a particularly appropriate title for the new Small Axe People release. This CD is a trip through both the micro and macro aspects of musical space and marks a distinctly new direction for the London-based team. While retaining the minimal aspects of version, ‘Creation’ veers into darkened and brooding musical areas currently being explored by such artists as Rhythm & Sound, kode9 and Burial. This is particularly evident in the incredibly intense and menacing sound of the bass lines – which in their sheer bone-rattling density are reminiscent of the work of Flabba Holt. In addition, the CD occasionally brings to mind the production techniques of Errol Thompson – particularly when oscillating synthesizer notes go unexpectedly panning across the soundscape. ‘Creation’ is complemented by a flowchart on the inner sleeve which traces the now forty year old Small Axe trajectory – a rich history that includes writing and publishing as well as music making. This CD is still more evidence of the ongoing Small Axe quest to explore the space of music in a multitude of dimensions. ‘Creation’ is an interesting and engaging leap into yet another otherworldly time and place.

Jim Dooley

 

Small Axe People – ‘Generation Version’ - Small Axe People

‘Generation Version’ marks yet another new release from the prolific Small Axe People. While last year’s ‘The Wildest Version’ may have dabbled in TV and film sci-fi themes, this CD marks a return to a sound more overtly influenced by the likes of Augustus Pablo, Glen Adams and Lloyd Charmers. However, this time around the skanking and bubbling sound of the Now Generation band is also clearly in the mix. Not an easy trick given that there are no overt guitar sounds on this CD. In Small Axe tradition the songs remain very minimal – there is not even a fragment of vocal on this release. What the sound does have is a hypnotic sense of mystery which is built up via subtle variation. Other songs such as the piano-driven ‘Deh’ are more playful and bouncy. This is the bare-bones type of music that supplies open spaces and thus allows listeners to either enjoy it as is or imagine potential augmentations or remixes (there is already a dub companion CD released under the title ‘Area X – Dub One’). As with previous Small Axe People productions the sound of ‘Generation Version’ seems to be simultaneously looking backwards and forwards.

Jim Dooley

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