Kieran Daly is an American composer and guitarist working in monophonic experimental music: studies in intermittently articulated sliding pitch and cross-rhythmic, chromatic interpretations of jazz standards—work audiences often find unexpectedly funny. Kieran's performances include Artists Space (US), Cafe OTO (UK), Default (NL), Ftarri (JP), Issue Project Room (US), LUMA Foundation (CH), MoMA (US), Pilar (BE), Pioneer Works (US), Reception (IE), The Tranzac (CA), Triple Canopy (US), and You and Me Festival (CN), alongside talks and masterclasses at institutions internationally. His work has been featured in Chicago Reader, HTMLGiant, Jacket2, Pitchfork, and Wire Magazine. He has released dozens of albums internationally on independent labels, including through Madacy Jazz, his own imprint co-founded in 2014 with Sam Sfirri, and has scored several features and shorts by Canadian filmmaker Isiah Medina, most recently Gangsterism (2025).
Madacy Jazz (2014-present)
October 28 • Sadleir House • Peterborough
October 30 • Masterclass at McGill University • Montreal
October 30 • Brassier Beaubien • Montreal
October 31 • The Rex Jazz & Blues Bar • Toronto
November 16 • Nublu • Manhattan
November 20 • Ulrik • Manhattan
If Gliss Insistence Delta Analyses Then Gliss Insistence Delta Analyses (forthcoming, 2026)
KIERAN'S INTERMITTENCY SCHEDULE (Psychic Liberation, 2026)
Live Unison and Unison Continued (with Sam Weinberg) (Stern Records, 2026)
unprompted trio movement or some timbre transfer sequences (Tutorial Island, 2025)
Two pieces for fixed media pitched instruments voice zero build (Party Perfect!!!, 2024)
SYLVESTER ARIAS PLUS TWO (tokinogake, 2024)
Complex envelope functions from nonlinear i/o and feature extraction etc. (split with Luciano Maggiore) (Infant Tree, 2024)
Frequency-to-voltage converter, window comparator, dynamic stochastic synthesis (Trilobite #5, 2022)
Total Orderings for FLEA (Flea, 2022)
Untitled discrete arbitrary input functions—polyphony—for harpsichord after Brianna and Kassidy (Lateral Addition, 2021)
Second-Order Aliasing Artifact Synthesis and The Problem of The Many
(Pulsar.scramble vol. 2, $ pwgen 20, 2020)
CODE573 (CO-DEPENDENT, 2019)
Derrison (with Sam Sfirri) (Marginal Frequency, 2017)
KIERAN IN A HOLE (hibari music, 2017)
Music and Pyrrhonism Without Us (Triple Canopy, 2014)
BGM MNAR (futow, 2014)
Suspended (of) the formal capacity to sample and thereby preserve such samples according to the conditions from which they appeared (LUMA Foundation, 2014)
Plays / For Theatre (bas-books, 2011)
Live Cams (GPDF001) (Gauss PDF, 2010)
And Death I Think Is No Parenthesis (Tigerasylum, 2008)