Composer • Chicago, IL
Co-operator of Madacy Jazz with Sam Sfirri
Bookings, inquiries: kierod@gmail.com
YouTube

Frequency-to-voltage converter, window comparator, dynamic stochastic synthesis (xi, 2022) • Plays Standards with Henry Fraser and Tom Rainey (x, 2022) • My debut schedule and then a polyphony foray (x, 2022) • Live Concert (Single-Sided Split) (with Sam Weinberg) (ix, 2022) • Seven compositions for direct sound synthesis, fixed media, and musical instruments (viii, 2022) • Total Orderings for FLEA (iv, 2022) • Pre-recorded guitar monophony with unaccompanied improvisations (iii, 2022) • Quartet polyphony demonstration for double bass, guitar, piano, and violoncello (ii, 2022) • 
Lag processing of low-frequency chaotic pulse-train jitter (xii, 2021) • 
Untitled antiphonal sequence for variable portamenti and twelve instruments (xi, 2021) • 
A few sequential electroacoustic contributions (vii, 2021)
 • Very logical monophonic compositions for synthesized sound (vi, 2021)
 • Patriarchal Music (v, 2021)
 • Untitled discrete arbitrary input functions—polyphony—for harpsichord after Brianna and Kassidy (xii, 2020)
 • Emended several kerplunk masking techniques without oeuvre (x, 2020)
 • Low-frequency pulse-train jitter as compositional determinant (viii, 2020)
 • chamber music mmxviii-mmxx (ii, 2020) • 
Plays Standards (xii, 2019) • 
CODE573 (xi, 2019) • 
Untitled (xi, 2018) • 
Slate—Early (with Jason Roebke) (iii, 2018)
 • Derrison (with Sam Sfirri) (v, 2017) • KIERAN IN A HOLE (xi, 2017)
 • untitled pluff BGM w ossias (xi, 2016)
 • Apsirs Invariant (vii, 2015)
 • Music and Pyrrhonism Without Us (xii, 2014)
 • BGM MNAR (x, 2014)
 • Suspended (of) the formal capacity to sample and thereby preserve such samples according to the conditions from which they appeared (i, 2014)
 • Apsirs Rehearsal (vi, 2013)
 • Plays / For Theatre (viii, 2011)
 • And Death I Think Is No Parenthesis (viii, 2008)