Musician • Chicago, IL
Co-operator of Madacy Jazz with Sam Sfirri
Bookings, inquiries: kierod@gmail.com
Untitled sound synthesis composition for quadraphonic audio (two-channel reduction) • Quartet polyphony demonstration for double bass, guitar, piano, and violoncello (ii, 2022) •
Lag processing of low-frequency chaotic pulse-train jitter (xii, 2021) •
Untitled antiphonal sequence for variable portamenti and twelve instruments (xi, 2021) •
A few sequential electroacoustic contributions (vii, 2021)
• Very logical monophonic compositions for synthesized sound (vi, 2021)
• Patriarchal Music (v, 2021)
• Untitled discrete arbitrary input functions—polyphony—for harpsichord after Brianna and Kassidy (xii, 2020)
• Emended several kerplunk masking techniques without oeuvre (x, 2020)
• Low-frequency pulse-train jitter as compositional determinant (viii, 2020)
• chamber music mmxviii-mmxx (ii, 2020) •
Plays Standards (xii, 2019) •
CODE573 (xi, 2019) •
Untitled (xi, 2018) •
Slate—Early (with Jason Roebke) (iii, 2018)
• Derrison (with Sam Sfirri) (v, 2017) • KIERAN IN A HOLE (xi, 2017)
• untitled pluff BGM w ossias (xi, 2016)
• Apsirs Invariant (vii, 2015)
• Music and Pyrrhonism Without Us (xii, 2014)
• BGM MNAR (x, 2014)
• Suspended (of) the formal capacity to sample and thereby preserve such samples according to the conditions from which they appeared (i, 2014)
• Apsirs Rehearsal (vi, 2013)
• Plays / For Theatre (viii, 2011)
• And Death I Think Is No Parenthesis (viii, 2008)