ABOUT THE CONFERENCE
Hosted by: The Department of Music at the University of California, Berkeley
Conference Organizers: Anicia Timberlake and Emily Richmond Pollock
In the year 1949, Germany was split into two nations; the year 1989 saw them brought back together. Yet despite the political acts that severed and then sutured them, the East and the West were never really culturally disentangled, and even now remain in some ways warily distinct. The complexity of musical and cultural life in the two Germanys over these four decades yields a rich potential for dialogue across disciplinary and methodological boundaries. Scholarly discussion in this area is forced to contend with the fever pitch of debates saturating this period, concerning such questions as the proper relationship between artistic and political expression; the values that inform high art, middlebrow, and popular cultures; the legitimacy of modernism and the role of the academy; and the relationship between contemporary politics and stylistic revolution, retrenchment, and restoration. For the conference this September we have assembled an international group of scholars working on music in either or both East and West Germany to discuss these issues as well as the following areas of particular relevance:
The conference will feature a keynote session on Saturday afternoon, "Musical Ghosts of Divided Germany: Past, Present, Future," with position papers by Amy Beal (University of California, Santa Cruz), Joy Calico (Vanderbilt University), and Anne Shreffler (Harvard University). Please see here for the full program and here for a list of presenters.
The organizers wish to thank the Graduate Assembly, the UC Berkeley Department of Music, the UC Berkeley Department of German, the Doreen B. Townsend Center for the Humanities, the UC Berkeley Institute of European Studies, the UC Berkeley Institute of Slavic, East European, and Eurasian Studies, and the DAAD (Deutscher Akademischer Austauschdienst) for their generous financial support.