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 Paint for metal on aluminium
 
 



 
 

 


                  Espace Periple March 2015





                 

  
                        
 
 
 
 
 
 
 
 
 
 
 
 




 
 
 

The human element is fundamental to my paintings, even when it is absent. My pictures express feelings, action, thought, sentiments, communication, and the development of a situation.

Themes developed: communication, action, purpose, exchange of intention. And this is what I want to come out of a picture. 

I study the behaviour of the crowd in different circumstances. I find it interesting to see how people move around in the space. In the same way birds and insects use the space following the logic of the crowd, the logic of their intent. This gave origin to works on pigeons and ant

 
 
 


Piazza San Marco, 80 x 100 cm, beeswax on panel, 2009
 

 

 

Encaustic is a technique used in ancient Egypt by
Greek artists. Beeswax is used as a medium,
when molten it allows pigments to be
incorporated, with the result of highly preserved
quality and good brilliance of colours. 


 



Espace Victoire, March 2010





 

Crowd, beeswax on board, 30 x 35 cm, 2007







 
cafeteria Tate Modern, 72 cm x 42 cm, beeswax,




 Espace Périple 2015
 
 
 
 Pigeons in Piazza San Marco, 80 cm x 120 cm,
  beeswax on panel
 
 
 


 
 Château Jourdain, Kraainem, March 2013     

La représentation de l’élément humain, seul, ou fondu dans la foule, est un point central de mes œuvres. Parfois l’objectif recherché est de dégager les sentiments et l’action humaine dans un environnement, tel que les gares, parfois mis en évidence par l’absence de personnages. Ainsi se crée la perception que les passagers soient partis tous ensemble ou qu’ils soient prêts à revenirLe principal thème développé est celui de la  communication, thème décliné sous diverses facettes: l’action, l’échange, l’intention d’agir et parfois la violence  





Woluwé Saint Pierre, participation  Prix des Arts 2009



 

 
 


12th Exhibition Art Perspectives International



 


 
  Riots, beeswax on board, 30 x 35 24 x 32 cm, 2008








The Waste Land, encaustic on panel, 100 x 80 cm, 2009