Lolicon Stories

    lolicon
  • (aka loli) – works which involve pre-teenage females, though can sometimes include older, but still underage, female minors ranging in themes from mildly suggestive to erotic; should not be confused with the more general usage of loli.
  • short for 'Lolita Complex'; someone who is sexually attracted to little girls.
  • The sexual attraction to young girls; An individual fixated on young, generally prepubescent, girls; Erotic or suggestive art depicting prepubescent females
    stories
  • (story) narrative: a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program; "his narrative was interesting"; "Disney's stories entertain adults as well as children"
  • A report of an item of news in a newspaper, magazine, or news broadcast
  • A plot or story line
  • (story) floor: a structure consisting of a room or set of rooms at a single position along a vertical scale; "what level is the office on?"
  • An account of imaginary or real people and events told for entertainment
  • (story) a piece of fiction that narrates a chain of related events; "he writes stories for the magazines"
lolicon stories
lolicon stories - Eudora Welty
Eudora Welty : Stories, Essays & Memoir (Library of America, 102)
Eudora Welty : Stories, Essays & Memoir (Library of America, 102)
"Stories, Essays, and Memoir" contains all of Welty's collected short stories, her first book, "A Curtain of Green and Other Stories" (1941), stories based on her travels, and the ever-popular memoir, "One Writer's Beginnings" (1984).

It's small wonder that the Library of America chose Eudora Welty as the first living (at that time) author published in this prestigious series. Welty was the kind of writer people routinely call "an American institution." But don't let the sweet white-haired-old-lady image fool you: Welty's work is anything but benign. For more than 50 years, Welty spoke with a fierce and uncompromising literary voice. Or, rather, voices: the stories collected in this volume feature a dizzying array of characters, each of whom seems to whisper directly into the reader's ear. From the toxic rage of "Where Is the Voice Coming From?" to the jazzy rhythms of "Powerhouse," these tales blaze with intensity and a comic energy that's both gentle and fierce. Even that bane of junior-high-school speech tournaments everywhere, "Why I Live at the P.O.," benefits from rereading; as far as this brand of down-home farce goes, Welty does it better than anyone. Bringing together the contents of Welty's four short-fiction collections, this Library of America volume also includes several essays as well as Welty's very fine 1984 memoir, "One Writer's Beginnings." In it she speaks of connections, continuities, the way both her fiction and her experiences emerged gradually into focus over time:
...suddenly a light is thrown back, as when your train makes a curve, showing that there has been a mountain of meaning rising behind you on the way you've come, is rising there still, proven now through retrospect.
This volume is that light thrown back; the full import of Welty's enormously influential work is perhaps apparent only now, in this substantial and rewarding retrospective of her career. --Mary Park

Second story man
Second story man
This is my shot of the homestead focused in on the second story. I thought the method of setting the floor beams into notches in the lower log was to keep the beams in alignment was interesting. You should know that solid lumber is not terribly great as "R" resistance to heat transfer. That is why some builders try to build without through-wall studs. I assume the floor is tied into the end walls of the structure somehow. I should have looked. A second floor helped retain heat during the winters. They were used for sleeping lofts. I don't know if I could stand the dark, closed-in look. The small panes of glass for windows were packed across the prairie in the wagons, along with the craftsman planes. Certain skill-sets would have been requisite for the settlers. What an endeavor for the pioneers! Nothing went to waste. Once past the museum building, we made a beeline for the 1860 section of the farm and were delighted by truly authentic early structures. I marveled at the structure of the chimney, wondering how it could hold up over the decades. Oscar the cat was on mouse patrol, earning his keep. Eddie was in a rush to get to Doudy before sunup, the bike track by 10:00 and the Littleton Farm Museum after that. The museum was a place that I never heard about before found it to be an excellent experience. We kept expecting good skies but only those shots aimed properly could take advantage of any opening in the clouds. The rest were in flat light. This was major work to dig out this angle. Lighting is everything and needed to pop up pictures. I admired the daisy sculpture outside but marveled at the farm exhibits. This museum is free and the one place you must take the kiddies. They were concerned about Eddie's camera and didn't want us shooting indoor or commercial shots. They would only be so lucky if they had Eddie to do their shooting for them! Oh well rentless onward. This is a treasure trove of old agricultural exhibits and far better than others I've encountered. Plenty to keep the young occupied as we discovered them bouncing from exhibit to exhibit. This is outside, before we got in! I waited and shot and waited for the skies to start clearing; they didn't. I know what you are thinking; enough skies already! All kinds of skies are great though. This one is barely worth it.
lolicon 04
lolicon 04
Foto de Lolicon SG paseando por el Port Olimpic de Barcelona.
lolicon stories