'"ON YOUR FEET" IS THE PERFECT TITLE FOR THIS BROADWAY SHOW
photo courtesy of Broadwayin Tucson
Cuban entertainers Emilio (Ektor Rivera) and Gloria Estefan (Christie Prades) live their American dream.

If you've ever dreamed of dancing in the aisles at the University of Arizona's Centennial Hall, now is the time to check that dream off your list. Broadway in Tucson is presenting the perfectly named “On Your Feet! The Emilio and Gloria Estefan Broadway Musical.”

Not only is the Estefans' Cuban pop music a soaring sugar high (they are jamming on “Conga” and it isn't even intermission yet), but longtime member of the Miami Sound Machine, Clay Ostwald, has the sweaty-hot stage band sounding both crisp and frantic, while dance captain for the Broadway show, Skizzo Arnedillo, keeps eight dancers getting physical with jaw-dropping intensity.

If that's not enough, tropical colors in the sets and costumes combine with a solid mix from the sound crew to pump up Centennial Hall's challenging acoustics.

We're talking a story of exceptional good times here. A Cuban immigrant family makes it safely to Miami after Fidel Castro takes over their country. Cuban teens start a popular band. Gloria Fajardo is a shy girl with a terrific voice. Emilio Estefan is the bold young man who leads that popular band. Gloria's grandmother Consuela gets the two together.

Emilio is played by Ektor Rivera, who had the role on Broadway, giving his performance plenty of sass. Much sweeter is Christie Prades as Gloria. Her part calls for a different kind of determination, an internal bravery inspiring in its own way as she first struggles to be a bold performer, then to be a survivor.

But performance-wise, Broadway veteran Nancy Ticotin as Gloria's mom, also named Gloria, steals the show with a trio of big numbers – one set in Havanna depicting her own career as a young and popular nightclub entertainer robbed of her career when Castro's revolutionaries seized the government and changed everything.

Gloria's mom begins as the villain of this story. Bitter about her own career, she wants a safe and solid life for her daughter. But singing her songs, Ticotin is all about a mother's heart. By the show's end she is melting the audience with her love for her daughterl

The program lists 25 songs, beginning with “Anything For You,” that comprise the soundtrack for this Cinderella story set to Cuban rhythms. Most of the first act deals with the band's struggle to cross over from the Latin music charts to the big money getting hits on the U.S. pop charts.

It is impossible to watch these Cuban immigrants live out the American dream in depicting this true story from the 1980s without thinking of the present hopes of new immigrants gathering on our own southern border with Mexico. Every one of those people has daring hopes, as well.

On Your Feet!” is so good at making the Estefan dream come alive, you will feel the jolt near the end of Act Two when a horrific accident in the band bus nearly ends Gloria's life.

Her struggle and recovery are handled so seriously, the entire cast with all those dancers and musicians jumps in for a celebration to brighten the show's ending with a few extra numbers, an explosion of confetti and irresistible party invitations to keep dancing in the aisles and at your seat.

On Your Feet! The Emilio and Gloria Estefan Broadway Musical” runs through Nov. 18 with shows Wednesday and Thursday at 7:30 p.m., Friday at 8 p.m., Saturday at 2 and 8 p.m., Sunday at 1 and 6:30 p.m. in Centennial Hall, 1020 E. University Blvd on campus. Tickets are $29 to $125 through ticketmaster.com 










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HNAT AWESOME IN "THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME"
photo by Tim Fuller
Hunter Hnat becomes behavior-challenged Christopher in "Curious Incident" at the Rogue Theatre.                    

Hunter Hnat's concentrated performance as behavior-challenged 15-year-old Christopher is astounding in the Rogue Theatre's imagination stretching production of “The Curious Incident of the Dog in the Night-Time.

Adapted to the stage by Simon Stephens from the popular book by Mark Haddon, “Curious Incident” is really about the curious and jaw-dropping determination of Christopher to reach his mom in London. She has been sadly estranged from his dad for quite awhile.

As directed by Cynthia Meier, the tale is told using a considerable amount of theatrical affectations that add fanciful elements, making Christopher's journey feel more like an adventure into the unknown reaches of Outer Space.

In several reviews appearing online much is made of Christopher's afflictions. Is he autistic? Does he have symptoms of Asperger's Syndrome? We don't know. Neither Haddon or Stephens mention a specific medical condition.

We do learn Christopher is a genius in math and equally genius at noting not just the number of cows in a herd beside the road, but  the number of brown ones, black ones and multi-colored ones as well.

But Christopher gets easily startled, panics in the presence of certain bright colors and can't stand to be touched, not in any way, not by anyone. He also has an awkward way of talking, which takes a little getting used to.

All of this Hnat achieves with complete conviction. His creating this combination of brilliance and helplessness is a praiseworthy artistic achievement, earned without any cheap tricks or cheesy sentiments.

“Curious Incident” is set up for a cast of 10. Looking after Christopher are his father Ed (Ryan Parker Knox) and his mother Judy (Holly Griffith) and his special ed counseler Siobhan (Patty Gallagher). Six additional actors sit at the back of the stage to jump into a variety of short roles.

The play opens harshly with the startling image of a large dog lying dead with a garden spade stuck in its chest. Then we meet Christopher, distressed that no one is trying to find out who killed the neighbor's dog.

Wirh his gifted eye for detail and his admiration for the deliberate methodology of Sherlock Holmes, Christopher sets out to uncover the perpetrator.

As Christopher uses deduction to narrow the list of suspects he begins to discover more things about his absent mom. And in the process we become drawn to his endearing determination.

At the same time, we sense the depths of his father's frustration. By intermission all the adults are in a spin, while Christopher with his bountiful innocence turned into confidence, has decided to strike out alone for London in search of his mother.

"The Curious Incident of the Dog in the Night-Time" runs through Nov. 18 with performances at 7:30 p.m. Thursdays through Saturdays, 2 p.m. Saturdays and Sundays, in the Rogue Theatre, 300 E. University Blvd. Some shows are sold out.

Tickets are $35, student rush $15. For details and reservations, 520-551-2053, theroguetheatre.org