2016

January 2016

  • 1.13.2016, Cuatro Corridos (chamber opera), Susan Narucki (soprano), Aleck Karis (piano), Pablo Gomez (guitar), Ayano Kataoka (percussion), Conrad Prebys Concert Hall, University of California, San Diego, La Jolla, CA

  • 1.14.2016, Serashi Fragments (string quartet), Mivos Quartet, Museum of Chinese in America, New York, NY

February 2016

  • 2.14.2016, Trans (percussion solo and audience), Cantata Profana, Doug Perry, percussion, Spectrum NYC, New York, NY

  • 2.14.2016, Against Piano (for 2 pianists), Cantata Profana, Doug Perry, Lee Dionne, Spectrum NYC, New York, NY

  • 2.14.2016, My Windows (piano), Cantata Profana, Lee Dionne, piano, Spectrum NYC, New York, NY

  • 2.27.2016, Luminous (chamber concerto for contrabass), Mark Dresser, contrabass solo, red fish blue fish, Steven Schick, conductor, Conrad Prebys Concert Hall, University of California, San Diego, La Jolla, CA

March 2016

  • 3.29.2016, Song Recollections (string quartet), world premiere, commissioned by Art of Elan for the Formosa Quartet, San Diego Museum of Art, San Diego, CA

April 2016

  • 4.1.2016, Verge (string orchestra), Oberlin Contemporary Music Ensemble, Timothy Weiss, conductor, Warner Concert Hall, Oberlin College and Conservatory, Oberlin, OH

  • 4.20.2016, Song Recollections (string quartet), Formosa Quartet, University of California, San Diego, La Jolla, CA

  • 4.25.2016, Lakescape II (percussion trio), USC Percussion Ensemble, Joseph Pereira, director, Alfred Newman Recital Hall, Thornton School of Music, University of Southern California, Los Angeles, CA

  • 4.25.2016, Lake (for two flutes), Molly Barth, Music Department, San Diego State University, San Diego, CA

May 2016

  • 5.7.2016, Deriving Worlds (film, Lei Liang as producer), The Filmatic Festival, Calit2/Qualcomm Institute, University of California, San Diego, La Jolla, CA

  • 5.13.2016, The moon is following us (piano solo), Aleck Karis, Aichi University of the Arts, Nagoya, Japan

  • 5.14.2016, Hearing Landscapes (multi-channel electro-acousitc work), Center for Interesting Noises, Ayala Science Library, University of California, Irvine, Irvine, CA

  • 5.19.2016, The moon is following us (piano solo), Aleck Karis, East China Normal University, Shanghai, China

  • 5.20.2016, The moon is following us (piano solo), Aleck Karis, Shanghai Conservatory of Music, Shanghai, China

  • 5.22.2016, Xiaoxiang (concerto for saxophone and orchestra), Chien-Kwan Lin, saxophone solo, Beijing Symphony Orchestra, Jose Serebrier, conductor, Opening Concert, Beijing Modern Music Festival, The Concert Hall of National Grand Theatre, Beijing, China

June 2016

July 2016

  • 7.8-18.2016, Beijing International Composition Workshop, masterclass and lectures, Central Conservatory of Music, Beijing, China

  • 7.14.2016, Aural Hypothesis (sextet), New Music Concerts Ensemble (Toronto), Central Conservatory of Music, Beijing, China

September 2016

  • 9.24.2016, Song Recollections (string quartet), Formosa Quartet, Chamber Music Columbus, Columbus, OH

  • 9.25.2016, Song Recollections (string quartet), Formosa Quartet, Heidelberg University, Tiffin, OH

  • 9.30.2016, Aural Hypothesis (sextet), New Music Concerts Ensemble (Toronto), Music Gallery, St. George the Martyr Anglican Church, Toronto, Canada

October 2016

  • 10.5.2016, The moon is following us (piano solo), Aleck Karis, Conrad Prebys Concert Hall, University of California, San Diego, La Jolla, CA

  • 10.7.2016, The moon is following us (piano solo), Aleck Karis, Performing Arts Center, Ruth Gant Recital Hall, St. Cloud State University, St. Cloud, MN

  • 10.12.2016, Serashi Fragments (string quartet), Mivos Quartet, Conrad Prebys Concert Hall, University of California, San Diego, La Jolla, CA

  • 10.14.2016, The moon is following us (piano solo), Aleck Karis, Sala Manuel M. Ponce (INMA), Mexico City, Mexico

  • 10.15.2016, Brush-Stroke (chamber orchestra), Callithumpian Consort, Stephen Drury, conductor, the International Cervantino Festival, Guanajuato, Mexico

  • 10.16.2016, The moon is following us (piano solo), Aleck Karis, the International Cervantino Festival, Guanajuato, Mexico

  • 10.25.2016, Gobi Canticle (violin and cello), Peter Burwik, Director, Radiokulturhaus, Vienna, Austria

November 2016

  • 11.1.2016, Lake (version for saxophone and viola), patchtax (Mary Joy Patchett, saxophone; Eve Boltax, viola), Center for New Music, San Francisco, CA

  • 11.3.2016, Lake (version for saxophone and viola), patchtax (Mary Joy Patchett, saxophone; Eve Boltax, viola), Vermillion Art Gallery, Seattle, WA

  • 11.6.2016, Trans (percussion solo and audience), Steven Schick, Mazzoleni Concert Hall, The Royal Conservatory, Toronto, Canada

  • 11.7.2016, Lake (version for saxophone and viola), patchtax (Mary Joy Patchett, saxophone; Eve Boltax, viola), Gold Saucer Studio, Vancouver, Canada

  • 11.7.2016, Lakescape II (percussion trio), Boston University Percussion Ensemble, Samuel Solomon, Director, Concert Hall, Boston University, Boston, MA

  • 11.7.2016, Garden Eight (arranged for percussion sextet), Boston University Percussion Ensemble, Samuel Solomon, Director, Concert Hall, Boston University, Boston, MA

  • 11.12.2016, Trans (percussion solo and audience), Nuno Aroso, percussion, Usina del Arte, XX Ciclo de Conciertos de Musica Contemporanea de Buenos Aires, Buenos Aires, Argentina

  • 11.16.2016, Lecture at the Composers' Colloquium, Columbia University, New York, NY

  • 11.17.2016, Portrait Concert at Miller Theatre, Serashi Fragments (string quartet), Ascension (brass quintet and percussion), Luminous (chamber concerto for contrabass), and New Work (quartet), JACK Quartet, loadbang, Steven Schick, Mark Dresser, Miller Theatre, New York, NY

  • 11.25.2016, Trans (percussion solo and audience), Nuno Aroso, percussion, Adams Percussion Festival, Adams Headquarters, Ittervoort, Netherlands