OSC 50: TAL-U-NO

  • Status: Finished
  • Forum threads: Submissions and gossip - Voting and Results
    General OSC Discussion (not related to this competition)

  • Prizes:
    Cactoos and Z.Prime : 3 separate cash prizes: 1 x $60, 1 x $40, 1 x $20
    KV331 Audio : Synthmaster 'factory'
    Wusik : Wusik Station V6 Complete + Wusik EVE Full
    MaxSynths : Free choice of either Crisalys, Cryologic, Teutonic Tension or aPiano
    Rob Lee Music : A soundset for either: Sylenth1, Predator, Largo, Blofeld, PPGV3 or Dune
    Electric Himalaya
    : Free choice of one soundset as sold directly via the website
    Luftrum
    : Free choice of one soundset for either DIVA, Glass Viper, Roland Gaia SH-01, Animoog or Reason
    Kreativ Sound
    : 1 RAW Bundle (RAW Bass, RAW Drums, RAW TranSID, RAW Textures)
    Aiyn Zahev Sounds : 2 Soundsets of choice (uplifting trance presets)
    Studio 13.37 : Pro audio studio on a USB stick
    Pooya Payvar (Stonail) : 1 custom made Max for [Ableton] Live: controller, midi or audio effect
    Dream Audio Tools : 1 Platinum Bundle
    Ghostwave Audio : 2 Soundsets of choice
    Bjulin : Inspire soundset for Zebra²

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  • Synth info: 
    TAL-U-NO-LX by Togu Audio Line is a complete rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL_U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off, emulated inaccuracy and a very smooth filter sound gives this synth the typical sound. The synth was calibrated after a hardware device that's property of TAL.

  • TAL-U-No-62 by Togu Audio Line
    is a polyphonic virtual analogue synth with a unique filter sound. An original JUNO 60 is used as reference for the oscillators and filters.

Like the original, the plugin is capable of self-resonance and thus could be used to some degree as a tone generator. The filter section also features controls for envelope amount and polarity, LFO modulation and keyboard tracking. In addition, a non-resonant highpass filter is provided to thin out lower frequencies.
The U-NO-60, notwithstanding, few parameters, can make a wide range of different and exciting sounds.