Reviews


Gustaf Nyblaeus, Performance of Méhul's opéra-comique Une Folie (under the title Målaren och modellerna) at the Royal Opera, Stockholm

Edward Klorman, Mozart's Music of Friends: Social Interplay in the Chamber Works, in the Newsletter of the Society for Eighteenth-Century Music, No. 29 (2017), 8–9; prepublication version in Academia.edu

The Oxford Handbook of Topic Theory, ed. Danuta Mirka, Journal of the American Musicological Society 68 (2015), 446–53

Janet K. Page, Convent Music and Politics in Eighteenth-Century Vienna, in Early Music 42 (2014), 646–47

Clive McClelland, Ombra: Supernatural Music in the Eighteenth Century, in Early Music 41 (2013), 674–75

The Music Library of a Noble Florentine Family, ed. Susan Parisi, in Music and Letters 94 (2013), 519–20

Christoph Wolff, Mozart at the Gateway to His Fortune: Serving the Emperor, 1788–1791, in Mozart Society of America Newsletter 16 (2012), No. 2, 12–13

Carl Philipp Emanuel Bach: The Complete Works, Series VIII, Volume 4, Portrait Collection, ed. Annette Richards, in Society for Eighteenth-Century Music Newsletter, Fall 2012

Ian Woodfield, The Vienna ‘Don Giovanni’, in Journal for Eighteenth-Century Studies 3 (2012), 281

Ian Woodfield, Mozart’s Così fan tutte: A Compositional History, in Eighteenth-Century Music 7 (2010), 128–30

Stephen Storace, Gli equivoci, ed. Richard Platt, Musica Britannica 86 (London, 2007), in Early Music 38 (2010), 606-8

Bernhard Waritschlager, Die Opera Seria bei Joseph Haydn, in Music and Letters 88 (2007), 660–61

Kinderman, William, Mozart’s Piano Music, in Early Keyboard Journal 24 (2006), 97–99

John Spitzer and Neal Zaslaw, The Birth of the Orchestra: History of an Institution, 1650–1815, in Current Musicology No. 77 (Spring 2004 [but actually published Summer 2005]), 137–45

Giancarlo Rostirolla, Il “Mondo novo” musicale di Pier Leone Ghezzi, in Eighteenth-Century Music 2 (2005), 148–50

Wolfgang Amadeus Mozart, Music from Nannerl’s Notebook and Other Keyboard Works, Bernard Brauchli, clavichord and square piano, CD, in Newsletter of the American Musical Instrument Society 33, No. 2 (Summer, 2004)

De Nora, Tia, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792–1803, in The Eighteenth Century: A Current Bibliography, vols. 22–24 (New York, 2003), 415–16

Ballet Music at the Mannheim Court, ed. Floyd K. Grave et al., in Music & Letters 83 (2002), 669–71

Smallman, Basil, The Piano Quartet and Quintet: Style, Structure, and Scoring, in The Eighteenth Century: A Current Bibliography, vols. 20–21 (New York, 2001), 385

Giovanni Paisiello, Il barbiere di Siviglia, ed. Francesco Paolo Russo, in Rivista italiana di Musicologia 86 (2001), 394–96

John Irving, Mozart’s Piano Sonatas: Contexts, Sources, Style, in Mozart-Jahrbuch 2000, 317–20

Maynard Solomon, Mozart: A Life, in Mozart-Jahrbuch 2000, 337–41

Ignaz von Mosel, Über das Leben und die Werke des Anton Salieri, ed. Rudolf Angermüller, in Mozart-Jahrbuch 1999, 140–42

Cliff Eisen, Addenda zu Mozart: Die Dokumente seines Lebens (Neue Mozart Ausgabe), in Notes 56 (1999), 877–79

Alan Tyson, Wasserzeichen-Katalog (Neue Mozart Ausgabe), in Notes 54 (1997), 473–75

Alberto Basso, L’invenzione della gioia: musica e massoneria nell’età dei Lumi, in Music and letters 77 (1996), 617–18

Heinz Gärtner, John Christian Bach: Mozart's Friend and Mentor, in Opera Quarterly 13 (1996), 86–87

Marcello De Angelis, Melodramma, spettacolo e musica nella Firenze dei Lorena; Robert Lamar Weaver and Norma Wright Weaver, A Chronology of Music in the Florentine Theater, 1751-1800, in Notes 52 (1995), 68–72

Cliff Eisen, New Mozart Documents: a Supplement to O. E. Deutsch’s Documentary Biography; William Stafford, The Mozart Myths: a Critical Reassessment, in Opera Quarterly 11 (1994), No. 1, 122–5

Bruce Alan Brown, Gluck and the French Theatre in Vienna, in Notes 50 (1993), 130–3

Ivan Nagel, Autonomy and Mercy: Reflections on Mozart’s Operas, in Music and Letters 74 (1993), 90–91

Eugene K. Wolf and Edward H. Roesner, eds., Studies in Musical Sources and Style: Essays in Honor of Jan LaRue, in Notes 49 (1992), 74–7

Albi Rosenthal and Alan Tyson, Mozart’s Thematic Catalogue: a Facsimile; Frank Ziegler,Wolfgang Amadeus Mozart: Autographenverzeichnis; and Neal Zaslaw, The Compleat Mozart, in Notes 48 (1991), 484–6

Baird Hastings, Wolfgang Amadeus Mozart: a Guide to Research; Peter J. Davies, Mozart in person: His Character and Health; and Alexander Wheelock Thayer, Salieri, Rival of Mozart, in Notes 47 (1991), 1128–30

Ruth E. Müller, Erzählte Töne: Studien zur Musikästhetik im späten 18. Jahrhundert, in Music and Letters 72 (1991), 109–10

Comments