• LinkedIn profile
• Magic Leap
• DTS / Xperi: DTS:X | Headphone:X | Virtual:X
• Creative: THX TruStudio Pro | SBX Pro Studio | X-Fi | EAX
• IRCAM: Spat (documentation)
• Telecom ParisTech | ENSTA ParisTech

Digital audio effects | Artificial reverberation | Feedback Delay Networks (FDN) | Energy Decay Relief (EDR)

• J.-M. Jot and A. Chaigne, "Digital Delay Networks for Designing Artificial Reverberators," 90th Conv. Audio Engineering Society (1991 Feb.).
• J.-M. Jot, “An Analysis/Synthesis Approach to Real-Time Artificial Reverberation," IEEE ICASSP International Conf. Acoustics, Speech and Signal Processing (1992 March).
• J. Laroche and J.-M. Jot, "Analysis/Synthesis of Quasi-Harmonic Sounds by Use of the Karplus-Strong Algorithm," 2nd French Congress on Acoustics (1992 April). pdf
• J.-M. Jot, Étude et réalisation d'un spatialisateur de sons par modèles physiques et perceptifs, Doctoral dissertation (in French), Telecom Paris (1992 Sept.).
• J.-M. Jot, “Efficient Models for Reverberation and Distance Rendering in Computer Music and Virtual Audio Reality," ICMC International Computer Music Conf. (1997 Sept.). [Paper award] pdf
• J.-M. Jot, L. Cerveau, and O. Warusfel, “Analysis and Synthesis of Room Reverberation Based on a Statistical Time-Frequency Model," 103rd Conv. Audio Engineering Society (1997 Sept.). [Reprinted in AES Anthology Spatial Sound Techniques, Part 1, ed. Durand R. Begault.] pdf
• L. Dahl and J.-M. Jot, “A Reverberator Based on Absorbent All-Pass Filters," DAFx International Conf. Digital Audio Effects (2000 Dec.). pdf
• M. Walsh, E. Stein, and J.-M. Jot, “Adaptive Dynamics Enhancement,” 130th Conv. Audio Engineering Society (2011 Oct.).
• J.-M. Jot, B. Smith and J. Thompson, “Dialog Control and Enhancement in Object-Based Audio Systems,” 139th Conv. Audio Engineering Society (2015 Oct.).
• R. Oliver and J.-M. Jot, “Efficient Multi-Band Digital Audio Graphic Equalizer with Accurate Frequency Response Control,” 139th Conv. Audio Engineering Society (2015 Oct.).
• J.-M. Jot, “Proportional Parametric Equalizers – Application to Digital Reverberation and Environmental Audio Processing,” 139th Conv. Audio Engineering Society (2015 Oct.).

Spatial audio reproduction | Binaural 3D audio

• J.-M. Jot, O. Warusfel, E. Kahle, and M. Mein, “Binaural Concert Hall Simulation in Real Time," IEEE Workshop on Applications of Digital Signal Processing to Audio and Acoustics (1993 Oct.). html
• M. Marin, A. Gilloire, J. Lacoume, O. Warusfel, J.-M. Jot, "Environnement de Simulation pour l'Evaluation Psychoacoustique des Systèmes de Prise et de Restitution du Son dans un Contexte de Téléconférence," 3rd French Congress on Acoustics (1994 May). pdf
• J.-M. Jot, V. Larcher, and O. Warusfel, “Digital Signal Processing Issues in the Context of Binaural and Transaural Stereophony," 98th Conv. Audio Engineering Society (1995 Feb.). [Reprinted in AES Anthology Spatial Sound Techniques, Part 1, ed. Durand R. Begault.]
• J.-M. Jot, S. Wardle, and V. Larcher, “Approaches to binaural synthesis," 105th Conv. Audio Engineering Society (1998 Sept.). [Invited]
• V. Larcher, J.-M. Jot, and G. Vandernoot, “Equalization Methods in Binaural Technology," 105th Conv. Audio Engineering Society (1998 Sept.).
• J.-M. Pernaux, P. Boussard, J.-M. Jot, "Virtual Sound Source Positioning and Mixing in 5.1. Implementation on the Real-Time System Genesis," DAFx International Conf. Digital Audio Effects (1998 Nov.). ps
• J.-M. Jot, V. Larcher, J.-M. Pernaux, "A Comparative Study of 3-D Audio Encoding and Rendering Techniques," 16th International Conf. Audio Eng. Society (1999 March). [Invited] [Reprinted in AES Anthology Spatial Sound Techniques, Part 2, ed. Francis Rumsey]
• V. Larcher, J.-M. Jot, J. Guyard, and O. Warusfel, “Study and Comparison of Efficient Methods for 3-D Audio Spatialization Based on Linear Decomposition of HRTF Data," 108th Conv. Audio Engineering Society (2000 Feb.).
• Jost and J.-M. Jot, “Transaural 3-D Audio With User-Controlled Calibration," DAFx International Conf. Digital Audio Effects (2000 Dec.). pdf
• V. Larcher, J.-M. Jot, and O. Warusfel, “Individualization of HRTF by Spectral Warping,” International Congress on Acoustics (2001 Sept.).
• M. Walsh and J.-M. Jot, “Loudspeaker-Based 3-D Audio System Design Using the M-S Shuffler Matrix,” 121st Conv. Audio Engineering Society (2006 Oct.).
• J.-M. Jot and M. Walsh, “Center-Channel Processing In Virtual 3-D Audio Reproduction over Headphones or Loudspeakers,” 128th Conv. Audio Engineering Society (2010 May.).

Interactive 3D audio for computer music, games, VR, AR | IRCAM Spat | Creative EAX, OpenAL

• J.-M. Jot and O. Warusfel, "Spat~: a Spatial Processor for Musicians and Sound Engineers," CIARM'95 Conf. (1995 May). html
• J.-M. Jot and O. Warusfel, "Le Spatialisateur," GRAME Conf. "Le Son et L'Espace" (1995) html
• J.-M. Jot, T. Caulkins, and R. Gottfried, Spatialisateur - User Manual, IRCAM (1995, revised 2012). pdf
• J.-M. Jot, “Real-Time Spatial Processing of Sounds for Music, Multimedia and Interactive Human-Computer Interfaces," ACM Multimedia Systems Journal 7(1) (1999 Jan). [Invited] pdf
• J.-M. Jot et al., 3D Audio Rendering and Evaluation Guidelines Level 2 (a.k.a. I3DL2), 
  Interactive Audio Special Interest Group
   (Oct. 1999) pdf
• J.-M. Jot, "Efficient Models for Interactive Environmental Audio Spatialization," DAFx International Conf. Digital Audio Effects (2000 Dec.) [Invited]
• J.-M. Jot. "Perceptual and Statistical Models for Virtual Audio Environments," ACM Campfire: Acoustic Rendering for Virtual Environments (2001 May). [Invited]
• J.-M. Trivi and J.-M. Jot, “Rendering MPEG-4 AABIFS Content Through a Low-level Cross-platform API,” IEEE ICME International Conf. Multimedia & Expo (2002 Aug.).
• T. Funkhouser, J.-M. Jot and N. Tsingos, “Sounds Good to Me! Computational Sound for Graphics, VR, and Interactive Systems,” SIGGRAPH Course Notes (2002 July). pdf
• J.-M. Jot and J-.M. Trivi, “Scene Description Model and Rendering Engine for Interactive Virtual Acoustics,” 120th Conv. Audio Engineering Society (2006 May).
• J.-M. Jot, M. Walsh and A. Philp, “Binaural Simulation of Complex Acoustic Scenes for Interactive Audio,” 121st Conv. Audio Engineering Society (2006 Oct.).
• J.-M. Jot, "Efficient Description and Rendering of Complex Interactive Acoustic Scenes", DAFx International Conf. (2007 Oct.). [Keynote] pdf
• J.-M. Jot, “Interactive 3D Audio Rendering in Flexible Playback Configurations,” IEEE APSIPA Conf. (2012 Dec.). [Invited]
• J.-M. Jot, “Immersive Audio Processing and Effects for Games," 139th Conv. Audio Engineering Society (2015 Oct.).
• J.-M. Jot, "Environmental Audio Effects in Games, VR and AR," Audio Eng. Soc. 61st Conf. - Audio for Games (2016 Feb.).
• J.-M. Jot and Keun Sup Lee, "Augmented Reality Headphone Environment Rendering," Audio Eng. Soc. Conf. - Audio for Virtual and Augmented Reality (2016 Oct.).

Multi-channel audio coding, upmix and format conversion | Spatial Audio Scene Coding (SASC)

• C. Avendano and J.-M. Jot, “Ambience Extraction and Synthesis from Stereo Signals for Multi-channel Audio Up-mix," IEEE ICASSP International Conf. Acoustics, Speech and Signal Processing (2002 April).
• C. Avendano and J.-M. Jot, “Frequency Domain Techniques for Stereo to Multichannel Upmix,” 22nd International Conf. Audio Eng. Society (2002 June).
• J.-M. Jot and C. Avendano, “Spatial Enhancement of Audio Recordings," 23rd International Conf. Audio Engineering Society (2003 May). [Invited]
• C. Avendano and J.-M. Jot, “A Frequency-Domain Approach to Multichannel Upmix,” Journal of the Audio Engineering Society 52(7/8) (2004 July/Aug.).
• M. M. Goodwin and J.-M. Jot, “A Frequency-domain Framework for Spatial Audio Coding Based on Universal Spatial Cues,” 120th Conv. Audio Engineering Society (2006 May).
• M. M. Goodwin and J.-M. Jot, “Analysis and Synthesis for Universal Spatial Audio Coding,” 121st Conv. Audio Engineering Society (2006 Oct.).
• M. M. Goodwin and J.-M. Jot, “Multichannel Surround Format Conversion and Generalized Upmix,” 30th International Conf. Audio Engineering Society (2007 March).
• M. M. Goodwin and J.-M. Jot, “Primary-Ambient Decomposition and Vector-Based Localization for Spatial Audio Coding and Enhancement,” Proc. IEEE ICASSP 2007 International Conf. on Acoustics, Speech, and Signal Processing (2007 Apr.).
• M. M. Goodwin and J.-M. Jot, “Binaural 3-D Audio Rendering Based on Spatial Audio Scene Coding,” 123rd Conv. Audio Engineering Society (2007 Oct.).
• J.-M. Jot et al., "Spatial Audio Scene Coding in a Universal Two-Channel 3-D Stereo Format," 123rd Conv. Audio Engineering Society (2007 Oct.).
• J. Merimaa, M. M. Goodwin, and J.-M. Jot, "Correlation-Based Ambience Extraction from Stereo Recordings," Proc. 123rd Conv. Audio Eng. Soc., preprint 7282 (2007 Oct.).
• J.-M. Jot, "Prospects in Format-Agnostic Spatial Audio," 2nd SpACE-Net Spatial Audio Workshop (2008 Jan.). [Keynote]
• M. M. Goodwin and J.-M. Jot, “Spatial Audio Scene Coding,” 125th Conv. Audio Engineering Society (2008 Oct.).
• J.-M. Jot, “Two-Channel Matrix Surround Encoding for Flexible Interactive 3-D Audio Reproduction,” 125th Conv. Audio Engineering Society (2008 Oct.).
• J. Thompson, B. Smith, A. Warner, and J.-M. Jot, “Direct-Diffuse Decomposition of Multichannel Signals Using a System of Pairwise Correlations,” 133rd Conv. Audio Engineering Society (2012 Oct.).

Immersive object-based audio coding (DTS:X) | Multi-Dimensional Audio (MDA)

• J. D. Johnston, J.-M. Jot, Z. Fejzo, and S. Hastings, “Beyond Coding - Reproduction of Direct and Diffuse Sounds in Multiple Environments,” 129th Conv. Audio Engineering Society (2010 Nov.).
• J.-M. Jot, “Next-Generation 3-D Audio – Creation, Transmission and Reproduction,” ATSC Symposium on Next Generation Broadcast Television (2011 Feb.).
• J.-M. Jot and Z. Fejzo, “Beyond Surround Sound - Creation, Coding and Reproduction of 3-D Audio Soundtracks,” 131st Conv. Audio Engineering Society (2011 Oct.).
• J.-M. Jot, “Enhancing the 3D TV Experience through Next-Generation 3D Audio Coding and Processing Technology,” NAB Broadcast Engineering Conf. (2012 April).
• J.-M. Jot, “Object-Based Audio Content Authoring and Distribution for Interactive and Linear Soundtracks," 133rd Conv. Audio Engineering Society (2012 Oct.).
• J.-M. Jot, “Multichannel 3D Audio Encoding and Reproduction,” Forum International du Son Multicanal (2012 Nov.).
• J.-M. Jot, “Object-Based Immersive Audio Content Format for Next-Generation Broadcast,” IEEE Broadcast Symposium (2013 Oct.).
• J.-M. Jot, “MDA – an Open Content Format for Next-Generation Immersive Audio,” Forum International du Son Multicanal (2013 Nov.).
• J.-M. Jot, “Object-Based Immersive Audio for Next-Generation Broadcast," NAB Broadcast Engineering Conf. (2014 April).
• J.-M. Jot, “Next-Generation Immersive Audio Content Standard and Consumer Format," IEEE International Symposium on Broadband Multimedia Systems and Broadcasting (2014 June).
• J.-M. Jot, “DTS:X Next-Generation Consumer Audio Delivery Solution," AES 57th Conf. on The Future of Audio Entertainment Technology (2015 Feb.).
• J.-M. Jot, B. Smith and J. Thompson, “Dialog Control and Enhancement in Object-Based Audio Systems,” 139th Conv. Audio Engineering Society (2015 Oct.).
• J.-M. Jot, "MDA – Open Standard for Immersive Audio Content Creation and Distribution," Immersive Experience IX Symposium (2016 June.).
• J.-M. Jot, "New immersive and object-based multichannel audio formats for cinema, entertainment and cinematic VR," IEEE SPS Chapter talk (2017 Apr.). pdf