there-there, 2019

Press Release

Suprematist Composition in Red and Black with Political Cartoons [Amplifiers] (After Kazimir Malevich, Painterly Realism: Boy with a Knapsack-Color Masses in the Fourth Dimension, 1915; “Corporate Speech”, Dan Wasserman, The Boston Globe, January 23, 2010; Matt Wuerker illustration from “Does Free Speech Exist?”, medium.com March 11, 2018), Archival pigment print with shaped matte. 36”x24”. 2019

Suprematist Composition in Red and Black with Political Cartoons [Constitution] (After Kazimir Malevich, Croixe et Rouge en Voi, 1916; Adam Zyglis illustration from “Supreme Beings”, hcn.org February 10, 2010 via The Buffalo News; Adam Zyglis, “Getting Crafty With The Constitution”, from Austin Daily Herald April 1, 2014 via The Buffalo News), Archival pigment print with shaped matte. 36”x24”. 2019

Suprematist Composition in Black and Blue with Political Cartoons [Living Monster] (After Kazimir Malevich, Suprematist Painting: Black Rectangle, Blue Triangle,1915; “Corpenstein”, Matt Wuerker, movetoamend.org March 6, 2012; Brian Duffy illustration from “Tea Party vs. Occupy Wall Street”, Colorado Springs Independent November 3, 2011), Archival pigment print with shaped matte. 36”x24”. 2019

Suprematist Composition in Red with Political Cartoon [Corporate Personhood] (After Kazimir Malevich, Pictorial Realism of a Peasant Woman in Two Dimensions, Called Red Square, 1915; artist unknown, illustration from “Corporate Lobbying”, salem-news.com February 12, 2010), Archival pigment print with shaped matte. 36”x24”. 2019

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