The Silent Way is a language teaching method created by Caleb Gattegno that makes extensive use of silence as a teaching technique. It is not usually considered a mainstream method in language education. It was first introduced in Gattegno's book Teaching Foreign Languages in Schools: The Silent Way in 1972. Gattegno was skeptical of the mainstream language education of the time, and conceived of the method as a special case of his general theories of education.
The method emphasises the autonomy of the learner; the teacher's role is to monitor the students' efforts, and the students are encouraged to have an active role in learning the language. Pronunciation is seen as fundamental; beginning students start their study with pronunciation, and much time is spent practising it each lesson. The Silent Way uses a structural syllabus, and structures are constantly reviewed and recycled. The choice of vocabulary is important, with functional and versatile words seen as the best. Translation and rote repetition are avoided and the language is usually practiced in meaningful contexts. Evaluation is carried out by observation, and the teacher may never set a formal test.
The teacher uses silence for multiple purposes in the Silent Way. It is used to focus students' attention, to elicit student responses, and to encourage them to correct their own errors. Even though teachers are often silent, they are still active; they will commonly use techniques such as mouthing words and using hand gestures to help the students with their pronunciation. Teachers will also encourage students to help their peers.
Silent Way teachers use some specialized [eaching materials. One of the hallmarks of the method is the use of Cuisenaire rods, which can be used for anything from introducing simple commands to representing abstract objects such as clocks and floor plans. The method also makes use of color association to help teach pronunciation; there is a sound-color chart which is used to teach the language sounds, colored word charts which are used to teach sentences, and colored Fidel charts which are used to teach spelling.
Gattegno was a rank outsider to language education when Teaching Foreign Languages in Schools was first published in 1972. The book was conspicuously lacking the names of most prominent language educators and linguists of the time, and Gattegno's works were only cited rarely in language education books and journals. He was previously a designer of mathematics and reading programmes, and the use of color charts and colored Cuisenaire rods in the Silent Way grew directly out of this experience.
Gattegno was openly sceptical of the role linguistic theory of the time had in language teaching. He felt that linguistic studies "may be a specialization, [that] carry with them a narrow opening of one's sensitivity and perhaps serve very little towards the broad end in mind". The Silent Way was conceived as a special case of Gattegno's broader educational principles, rather than a method specifically aimed at teaching languages. Gattegno developed these ideas to solve general problems in learning, and he also applied them to his work in the teaching of mathematics and the mother tongue. Broadly, these principles are:
These principles situate the Silent Way in the tradition of discovery learning, that sees learning as a creative problem-solving activity.
Aims and goals
The general goal of the Silent Way is to help beginning-level students gain basic fluency in the target language, with the ultimate aim being near-native language proficiency and good pronunciation. An important part of this ability is being able to use the language for self-expression; students should be able to express their thoughts, feelings, and needs in the target language. In order to help them achieve this, teachers emphasize self-reliance. Students are encouraged to actively explore the language, and to develop their own 'inner criteria' as to what is linguistically acceptable.
The role of the teacher is that of technician or engineer. The teacher's task is to focus the students' attention, and provide exercises to help them develop language facility; however, to ensure their self-reliance, the teacher should only help the students as much as is strictly necessary. As Gattegno says, "The teacher works with the student; the student works on the language." For example, teachers will often give students time to correct their own mistakes before giving them the answer to a question. Teachers also avoid praise or criticism, as it can discourage students from developing self-reliance.
In the Silent Way students are seen as bringing a vast amount of experience and knowledge with them to the classroom; namely, their first language. The teacher capitalizes on this knowledge when introducing new material, always building from the known to the unknown. The students begin their study of the language by studying its sound system. The sounds are associated to different colors using a sound-color chart that is specific to the language being learned. The teacher first introduces sounds that are already present in the students' native language, and then progresses to sounds that are new to them. These sound-color associations are later used to help the students with spelling, reading, and pronunciation.
The Silent Way uses a structural syllabus. The teacher will typically introduce one new language structure at a time, and old structures are continuously reviewed and recycled. These structures are chosen for their propositional meaning, not for their communicative value. The teacher will set up learning situations for the students which focus their attention on each new structure. For example, the teacher might ask students to label a floor plan of a house in order to introduce the concepts of inside and outside. Once the language structures have been presented in this way, learners learn the grammar rules through a process of induction.
Gattegno saw the choice of which vocabulary to teach as vital to the language learning process. He advised teachers to concentrate on the most functional and versatile words, to help students build a functional vocabulary.
Translation and rote repetition are avoided, and instead emphasis is placed on conveying meaning through students' perceptions, and through practicing the language in meaningful contexts. In the floor plan example, the plan itself negates the need for translation, and the teacher is able to give the students a lot of meaningful practice simply by pointing to different parts of the house. The four skills of active listening, speaking, reading, and writing are worked on from the beginning stages, although students only learn to read something after they have learned to say it.
Evaluation in the Silent Way is carried out primarily by observation. The teacher may never give a formal test, but he is constantly assessing students by observing their actions. This allows him to respond straight away to any problems the students might have. The teacher may also gain feedback through students' errors; errors are seen as natural and necessary for learning, and can be a useful guide as to what structures need more practice. Finally, the teacher may gain feedback by asking the students at the end of the lesson. When evaluating the students, teachers expect them to learn at different rates, and students are not penalized for learning more slowly than their classmates. Teachers look for steady progress in the language, not perfection.
Just as the name implies, silence is a key tool of the teacher in the Silent Way. From the beginning levels, students do 90 percent or more of the talking. Being silent moves the focus of the classroom from the teacher to the students, and can encourage cooperation among them. It also frees the teacher to observe the class. Silence can be used to help students correct their own errors. Teachers can remain silent when a student makes a mistake to give them time to self-correct; they can also help students with their pronunciation by mouthing words without vocalizing, and by using certain hand gestures. When teachers do speak, they tend to say things only once so that students learn to focus their attention on them.A Silent Way classroom also makes extensive use of peer correction. Students are encouraged to help their classmates when they have trouble with any particular feature of the language. This help should be made in a cooperative fashion, not a competitive one. One of the teacher's tasks is to monitor these interactions, so that they are helpful and do not interfere with students' learning.
The Silent Way makes use of some specialized teaching materials: colored Cuisenaire rods, the sound-color chart, word charts, and Fidel charts. The Cuisenaire rods are wooden, and come in ten different lengths, but identical cross-section; each length has its own assigned color. The rods are used in a wide variety of situations in the classroom. At the beginning stages they can be used to practice colors and numbers, and later they can be used in more complex grammar. For example, to teach prepositions the teacher could use the statement "The blue rod is between the green one and the yellow one". They can also be used more abstractly, perhaps to represent a clock or the floor plan of a house.
The sound-color chart consists of blocks of color, with one color representing one sound in the language being learned. The teacher uses this chart to help teach pronunciation; as well as pointing to colors to help students with the different sounds, she can also tap particular colors very hard to help students learn word stress. Later in the learning process, students can point to the chart themselves. The chart can help students perceive sounds that may not occur in their first language, and it also allows students to practice making these sounds without relying on mechanical repetition. It also provides an easily verifiable record of which sounds the students and which they have not, which can help their autonomy.
The word charts contain the functional vocabulary of the target language, and use the same color scheme as the sound-color chart. Each letter is colored in a way that indicates its pronunciation. The teacher can point to the chart to highlight the pronunciation of different words in sentences that the students are learning. There are twelve word charts in English, containing a total of around five hundred words. The Fidel charts also use the same color-coding, and list the various ways that sounds can be spelled. For example, in English, the entry for the sound /ey/ contains the spellings ay, ea, ei, eigh, etc., all written in the same color. These can be used to help students associate sounds with their spelling.