Prof. Jean-Louis Haguenauer

Professor of Music (piano) 
Indiana University Jacobs School of Music
Bloomington, Indiana
link to IU Bloomington page

Licence de Concerts, Paris École Normale de Musique, 1973
Premier Prix de Virtuosité avec distinction, Geneva Conservatory, 1977


Jean-Louis Haguenauer has performed extensively throughout Europe and the United States. He has appeared as a soloist on virtually every important concert series in France and has performed often on Radio France and French national television. Haguenauer has also participated in numerous summer festivals in Europe and the U.S., including La Roque d'Anthéron, Radio-France Montpellier, Jacobins de Toulouse, Orangerie de Sceaux, les Arcs, Library of Congress Summer Chamber Festival, and Kreeger Museum June Chamber Festival.

As a chamber musician, he has collaborated with the Fine Arts Quartet, Quatuor Ébène, Arriaga Quartet, the Percussions de Strasbourg, Ensemble Accoche-Notes; violinists Alexis Galpérine, Patrice Fontanarosa, Régis Pasquier and Joanna Maurer, violists Pierre-Henri Xuereb, Tasso Adamopoulos, Miles Hofmann and Arnaud Thorette; cellists Cecilia Tsan, Tsuyoshi Tsutsumi, Alberto Parrini and Xavier Gagnepain; flutists Patrick Gallois, Andras Adorjan, Sara Stern and Michel Moraguès; clarinetists Loren Kitt, Michel Arrignon, Philippe Cuper, Armand Angster and Michel Lethiec; bassoonist Pascal Gallois; and horn player Gail Williams, among many others. He is a founding member of the Galpérine-Tsan-Haguenauer Piano Trio, launched in Paris in 1988. From 1991 to 1997, he was a member of the Florence Gould Hall Chamber Players, and from 2003 to 2007, he was the pianist of the American Chamber Players. He has been concertizing with Tenor Gilles Ragon for 20 years, successfully exploring both French and German repertoire.

Haguenauer graduated from the École Normale de Musique in Paris and the Geneva Conservatory, with Germaine Mounier, Louis Hiltbrand, and Jean Fassina as his principal mentors. In addition to his piano studies, he pursued composition and musical analysis with such luminaries as Nadia Boulanger and Henri Dutilleux. He is a Yehudi Menuhin Foundation Prize winner.

Renowned as an interpreter of the French repertoire, Haguenauer's recordings of the complete piano music of Debussy are in progress. He has also recorded solo repertoire by Liszt (transcriptions of the first two Beethoven symphonies) and chamber repertoire by Weber, Bloch, Ropartz, Stravinsky, and many others. His recording of Liszt's transcriptions of both the Beethoven 3rd Concerto and Schumann Songs will be released soon (Accord Universal). A Beethoven and Schumann CD (An die ferne Geliebte, Dichterliebe, Fantasy Op.17), with the French tenor Gilles Ragon, was recently released (Saphir). Forthcoming is the complete recording of Debussy's melodies, in four CDs, with some of the best French singers of the time, as a celebration of Debussy's 150th birthday.

Haguenauer was the subject of the feature film La Spirale du Pianiste, which continues to be shown in theaters throughout France. A DVD of the film will be released soon.

Haguenauer has been a member of the piano faculty at the Jacobs School of Music of Indiana University, Bloomington (USA) since 1998 and previously was professor of piano at the Strasbourg Conservatory.


Piano Faculty
Dr. Mami Hayashida

Associate Professor of Music
Georgetown College

D.M.A. University of Kentucky
M.M.   Indiana University Jacobs School of Music
B.A. and B.M. Oberlin College and Conservatory

Native of Tokyo, Japan, pianist Mami Hayashida has appeared as a soloist and as a chamber musician in the United States, Japan and Europe.  She has collaborated with current and former members of the St. Petersburg String Quartet, Chicago Symphony, Montreal Symphony, Pittsburgh Symphony and appeared at the Hakuba International Chamber Music Festival and the Hampden-Sydney Music Festival among others. 

Dr. Hayashida is currently is an Associate Professor of Music at Georgetown College in Georgetown, KY.  She also keeps a private studio of middle and high school students.  Her former and current students have received various prizes and recognitions at local and state-level competitions and festivals and have been accepted to leading music schools in the country, including IU Jacobs School of Music.  She has adjudicated more than fifteen competitions and festivals in the recent years, including the Dayas/McElroy/Bauer Piano Competition at the College-Conservatory of Music (Cincinnati), Gallaher Competition at Morehead State University, and the Mountain State Senior Piano Competition (WV). 

Dr. Hayashida has received B.M. in Piano Performance and B.A. in History and Philosophy of Science from Oberlin College.  Since then, she has studied at the Hochschule für Musik in Frankfurt, Germany, and Indiana University, where she earned her master’s degree. She completed D.M.A. at the University of Kentucky in 2007. Her teachers include Monique Duphil, Herbert Seidel, Jean-Louis Haguenauer, Cliff Jackson, and Irina Voro.

Musicology Lecturer
Dr. Diana Hallman

Associate Professor of Musicology
University of Kentucky School of MusicLink to UK School of Music page

PhD CUNY Graduate Center
MM University of Maryland
BM Winthrop University

Research Areas:
19th-century studies
Opera and cultural studies
American music and concert life

Prior to joining the University of Kentucky faculty, Diana Hallman received her Ph.D. from CUNY Graduate Center in June 1995. Her dissertation on the French grand opera La Juive and its historical context, for which she was granted a Barry S. Brook Dissertation Award, served as the basis of her book, Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halévy's La Juive (Cambridge University Press, 2002; ppb repr., 2007 http://www.cambridge.org/uk/catalogue/catalogue.asp?isbn=0521650860). Dr. Hallman is author of a number of articles and reviews, including entries on the composer Fromental Halévy and the librettist Ludovic Halévy in Die Musik in Geschichte und Gegenwart and the Dictionary of Literary Biography, and is contributing author to Music, Theater, and Cultural Transfer:  Paris, 1830-1914, (University of Chicago Press, 2009) and Cambridge Companion to Grand Opera (Cambridge University Press, 2003).  She has also written essays for program books of international opera houses, including the Paris Opéra, Metropolitan Opera, Covent Garden, Zürich Opernhaus, and De Nederlandse Opera, and was a featured speaker for the BBC's live broadcast of La Juive from the Vienna Staatsoper (October 1999).  She has presented papers at meetings of the American Musicological Society, Society for French Historical Studies, and Sonneck Society (SAM), as well as the Biennial International Conference on Nineteenth-Century Music and the Colloque Halévy at the Paris Conservatoire.   Her research interests include the history of American concert life and performance, and she is completing a biography of the Austrian-American pianist Fannie Bloomfield Zeisler.

Dr. Hallman regularly teaches graduate and undergraduate courses centered on the music and culture of the 18th and 19th centuries, the history of opera, symphonic music, chamber music, and music research methods, as well as seminars on historiography and epistemology, music and gender, and performance practice.  She has also served as adjunct lecturer at Fordham University, Baruch College-CUNY, Catholic University, and the Smithsonian Institution.  Her interests in performance stem in part from her training as a pianist, which included a bachelor's degree in piano performance and graduate work in piano.