CRANK MOVIE RINGTONE - CRANK MOVIE

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Crank Movie Ringtone


crank movie ringtone
    crank movie
  • Crank is a 2006 American action/thriller film, written and directed by Mark Neveldine and Brian Taylor, and starring Jason Statham, Amy Smart, Jose Pablo Cantillo, Efren Ramirez, and Dwight Yoakam.
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  • Ringtone is a 2010 Malayalam film by Ajmal starring Suresh Gopi, Bala and debutant Megha Nair.
  • A sound made by a mobile phone when an incoming call is received
  • A ringtone or ring tone is the sound made by a telephone to indicate an incoming call or text message. Not literally a tone, the term is most often used today to refer to customizable sounds used on mobile phones.
  • Internet Leaks is the third EP from "Weird Al" Yankovic. It was released digitally on August 25, 2009, although all of the songs were initially released as separate digital singles between October 2008 and August 2009.
crank movie ringtone - Crank (Widescreen
Crank (Widescreen Edition)
Crank (Widescreen Edition)
There are a thousand ways to raise your adrenaline, and today hit many Chev Chelios (Jason Statham) will need every one! He has one hour to settle the score and say good-bye to his girl and go out with a little style! The only question is, will he stay alive long enough to see it happen?

Action anti-hero Jason Statham is competing with himself to make the most relentless, non-stop action flick imaginable. In Crank, Statham stars as a hit man named Chev Chelios who's been poisoned by some Chinese toxin; the only way to stave it off is to keep his adrenalin flowing, which requires him to drive at top speeds through crowded traffic, start fights in bars, and run pell-mell down hospital corridors while wearing one of those humiliating smocks that tie in the back. In other words, Crank is high-end pop-trash, filled with many preposterous/ingenious stunts and over-the-top performances (Dwight Yoakam, Sling Blade, is downright droll as a doctor offering Chev assistance), marred by an unpleasant attitude towards women (Amy Smart, Outside Providence, will not look back on this as one of her signature roles). This is a movie for the audience who enjoyed Transporter and Transporter 2 but wanted Statham's perpetual scowl to become a kind of theatrical mask, a perpetual signifier of intensity that begs--nay, demands--that everything around it rise to a mutual level of absurdity. Fans of Luc Besson (Leon/The Professional, District 13) will find Crank to be simpatico. --Bret Fetzer

82% (17)
Amy Smart Crank 2 High Voltage
Amy Smart Crank 2 High Voltage
Amy Smart is very hot and sexy in Crank 2 High Voltage.She shows her assets in this movie.And any film that did not so much sexy.hot Amy Smart,Amy Smart hot in crank,Amy Smart sexy,Amy Smart hot pics,Amy Smart in crank high voltage,Amy Smart in Crank 2 High Voltage pictures,Amy Smart high voltage pictures,Amy Smart hot images in crank 2,Amy Smart sexy in crank movie.
Crank
Crank
While high on just about everything, Chev Chelios (Jason Statham) surfs his stolen police bike through the streets of Westwood before crashing into a sidewalk cafe in the movie "Crank" (top). Outdoor cafes line this street so I could only assume that at the time of shooting this stunt, this storefront was most likely an actual cafe.

crank movie ringtone
crank movie ringtone
The Wobbling Crank: A Completely Redundant History of the Early Movies


The Wobbling Crank is a book about the movies and their beginnings by the best unknown film scholar of his generation-- Cuthbbert Cuthbbertson. Cuthbbertson does for the movies what P.D.Q. Bach has done for classical music, Monty Python for large snakes, Dame Edna for cross-dressing and haute couture.

This is the second edition of The Wobbling Crank. The first edition (3 copies), printed on cigarette paper and bound in clapboards, appeared and disappeared in 1985 when left behind by Cuthbbertson in the Stanley Theater, Jersey City, after a revival showing of The Last Days of Pompeii. The present edition (2 copies) has been reconstructed with ridiculous fidelity from the original unoriginal handwritten manuscript (carpenter's pencil on foolscap).

To understand why the movies and why serious writing about the movies are today in such a sorry state one must read this book. Wobbling Crank takes us back to the beginnings of the whole mess, focusing ruthlessly on the "prehistory" of the movies and the so-called silent film error.

"The only way to understand what happened in the past ('history')," writes Cuthbbertson in this ground breaking (pothole) work, "is to focus on what did not happen ('prehistory'). Mine is a 'prehistory.'"

The Wobbling Crank documents with uncommon honesty the "prehistoric" experiments, discoveries, accidents, bad personal habits, and criminal behaviors that led to the invention of the moving pictures (the felonious activities of Thomas Edison and his assistant, Black Maria; the poor dietary habits of the Lumiere brothers; violin recitals by Georges Melies at beheadings, and more). Not the kind of stuff you'll find in your ordinary paperback history of the movies.

The Wobbling Crank is mainly devoted, however, to an exhaustive (exhausting) oral "prehistory" of the silent film error--the recorded stories of movie pioneers who were there although not all there in the beginning. This senseless remnant includes: a studio laundress, a sausage maker, a ghost town projectionist, a porter-inventor-dramatist, a giant camerawoman, some wardrobe mistresses, an incendiary cinematographer, a Hollywood ventriloquist-dentist, a producer's mother, a bordello proprietress, a not-so-special effects man, and others equally strange or insignificant.

Cuthbbertson makes no claim for the absolute (or even minimal) accuracy of the recorded accounts of these obscure witnesses, especially given their age and mental and physical condition (few ambulatory, all over 90, some dead). Then, again, these interviews were transcribed from scratchy audio tape and memory onto scraps of brittle yellow foolscap using a carpenter's pencil, adding considerably to the problem. But these are small matters.

The Wobbling Crank remains a hugely entertaining account of the early movies, no matter how distorted, unreliable, or downright untrue that narrative may be. This forgotten and forgettable work can thus confidently be expected to take its place among the many cinematic studies of its kind that continue to be published at an alarming rate in America, Europe, the Near and Far East, and parts of Africa--by academic scholars, journalists, film historians, critics, reviewers, and other comic writers.

The Wobbling Crank marks the end of film scholarship as we know it. Finally, some good . . .