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Clay Gold


Clay Gold is a British sound recording artist with an interest in social cybernetics. Recorded, performance and installation work considers the collection, processing, application, destruction and preservation of information within and away from the constraints of the human mind.

Rosalind Fowler's film 'Tamesa', which features a soundtrack by Clay Gold, was recently nominated in the Best Experimental category at London Short Film Festival. Check out Rosalind's work here:

Rosalind Fowler


Clay Gold's composition 'BIAS' for the amazing MUSARC choir, created as part of the 'Sound & Music' Portfolio scheme, was performed at Christ Church, Spitalfields in December 2014. MUSARC Concert
Clay Gold on New Voices!

Art Collective müllZimmer have released a new book, 'Less Apparent Horizon', which features an extract from Clay Gold's forthcoming work 'The Orangeness of Spaces'. Clay Gold is a regular collaborator and improvisational performer with müllZimmer.

Clay Gold has been in collaboration with Filmgruppe Chaos from Germany for more than a year now. Ten short 16mm + sound films have been completed for projection-plus-5.1 at festivals and galleries in Europe and China. The 60 minute piece Sportfilm for dual-projection and sound will be presented at FilmfestivalKiel on March 20th 2015.

"FESTIVAL INTERNACIONAL DE VIDEOARTE DE CAMAGÜEY" in Cuba will also be presenting the short, "Shoot".

The book: 'Operation of a Complex Fuzzbox' is available to view online at ISSUU and a hardback copy can be purchased directly from the author. Contact

  Throughout November/December 2013 Clay Gold's 'The Opposite of Wilderness' was installed as part of GV Art's 'NOISE and whispers' exhibition of sound art, along with more than 30 other international artists. Read a review here:
ATTN:Magazine - Noise & Whispers Review

Distortion 6 was installed as part of Kent's first Symposium of Acoustic Ecology (November 8/9 2013). The Symposium featured keynote addresses from
Prof. Barry Truax and Dr. Katharine Norman.

Clay Gold's multi-channel sound pieces use location recording, synthesis, Foley, worldizing and spot effects within a live performance context and are part of an exploration into actively collected, suppressed and promoted opinion; or censorship and propaganda.

Clay Gold is also working with Laura Moody from The Elysian Quartet on a theatre performance/installation project called 'The Parallelist'.




Royalty-Free Stock Video at Pond5






Royalty-Free Stock Video at Pond5