Selected publications

Catherine Grant Film Studies researcher and writer


On world cinema:



  • 'Auteur machines? Auteurism and the DVD' in James Bennett and Tom Brown (eds), Film and Television After DVD (London and New York: Routledge, 2008)
  • Screening World Cinema: A Screen Reader, London and New York, Routledge, 2006 (coedited with Annette Kuhn)
  • 'Introduction' in Screening World Cinema: A Screen Reader (London and New York, Routledge, 2006, coedited with Annette Kuhn)
  • 'Home Movies: The Curious Cinematic Collaboration of Anne-Marie Mieville and Jean-Luc Godard', in For Ever Godard (eds) Temple, Williams, Witt (London: Black Dog Press, 2004), pp. 100-117.
  • 'Still Moving Images: Photographs of the Disappeared in Films about the Dirty War in Argentina', Phototextualities: Intersections of Photography and Narrative, ed. Alex Hughes and Andrea Noble (Albuquerque: University of New Mexico Press, 2003)
  • Link to: 'Recognizing Billy Budd in Beau Travail: Epistemology and Hermeneutics of an Auteurist "Free" Adaptation', Screen Vol. 43, No. 1, 2002, pp. 57-73.
  • 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites', Revista Iberoamericana, Vol. LXVIII, Núm, 199, Abril-Junio 2002, pp. 253-268.
  • Link to:  'The "Author Function" in Transnational Film Adaptation: the Case of El lugar sin límites'(Ripstein, Puig, Donoso' - English language translation of above article
  • Restricted link to: 'Secret Agents: Feminist Theories of Women's Film Authorship', Feminist Theory Vol. 2, No. 1, April 2001, pp. 113-130.
  • 'Intimista Transformations: María Luisa Bemberg's First Feature Films', An Argentine Passion: The Films of María Luisa Bemberg ed. John King, Sheila Whittaker and Rosa Bosch (London: Verso, 2000).
  • Link to: '', Screen Vol. 41, No. 1, 2000, pp. 101-108.
  • Link to fragment from: 'Camera Solidaria', Screen Vol. 38, No. 4, 1997, pp. 311-328
  • Screen 'Special Issue on Latin American Cinemas', Vol. 38, No. 4, 1997, (co-edited with Jackie Stacey)
  • Link to: 'Giving up Ghosts: Eliseo Subiela's Hombre mirando al sudeste and No te mueras sin decirme a dónde vas', Changing Reels: Latin American Cinema against the Odds, ed. Rob Rix and Roberto Rodríguez-Saona (Leeds: Leeds Iberian Papers - Trinity and All Saints/University of Leeds, 1997), pp. 89-120