Movie Review: Madagascar
A review of an animated movie from the point of view of a cartoonist? What a concept! I had the opportunity to check out this film on opening weekend, something rare for me, and thought you'd all like a peek at the film before going to see it. It's all just my opinion so you can take it for what it's worth.
he next big thing out of the box (or the cage) from the good people at Dreamworks this year is Madagascar. An animated tale (spelled that way on purpose) about four animal friends living in the Central Park Zoo who end up going wild.
In a nutshell: Marty the zebra has visions of a bigger world outside the captivity he knows in the Central Park Zoo. He meets up with four penguins hell-bent on tunneling out and heading to Antarctica. Soon, his own escape plan is hatched. Marty's best pals (Alex the lion - Gloria, the hippo - & Melman, a hypochondriac giraffe) seem content with their surroundings, but when Marty decides to hop a train and visit the "wilds" of Connecticut, his buddies stage a furry intervention. The authorities intervene, and the quartet is packed away on a ship, ostensibly bound for another zoo. Instead, their crates wash up on the lush island of Madagascar. There they meet the resident population of lemurs who adopt their new friends, especially the lion, as protectors of their tribe.
The wild is all about survival, and although Madagascar makes the struggle for survival funny, it doesn't make it any less bleak. The four animals, having been raised in captivity, are confronted by a world in which everybody seems to be eating each other, and it's appalling. One of the best things was the demise of the little duckie. The regular meals that made it possible for the lion and the zebra to be best buddies are no longer being carted in by human handlers, and so new tensions develop leading the lion to see his pal the zebra as food (literally) rather than seeing him as a friend. The rest of the film is really all about a choice for Alex the lion between food and friendship.
What was good: Dreamworks produced their usual fantastic animation technique again which was fun and eye catching. Especially the photo-realistic New York sequences. The animation is visually stunning, and the animals' stylized rendering and friendly look is in keeping with the energetic mood of the movie. Somewhat more "cartoony" then Dreamworks other recent works, but that's okay by me. The voice work is uniformly solid. The jokes and general humor were spot on and kept you laughing at the right times. The penguins. The Penguins sold it. Really.
What was bad: The thin story, which sometimes feels like a series of one-liners strung together, though this is wisely kept short. Once the pack of zoo animals get acclimated to life on Madagascar and win over the restless lemurs, the story seems to stall and lack some direction. It's frustrating to see this wonderful-looking, and quite funny survival tale fall short of its potential. While motivations and situations were clear-cut and energetically rendered back in the urban jungle, the script, falls apart in the real jungle, especially in its attempt to deal with those darker impulses.
Bottom line: After an extremely promising start, this inspired computer-animated comedy gets lost in the wild. Zoo animals bolting their confined quarters doesn't sound like a promising scenario for an animated movie. But in Madagascar, the concept works largely on the strength of the comedic actors who voice the key animal characters. I feel that most people will find "Madagascar" not as "award winning" as the Shrek movies, but an improvement over Shark Tale which did poorly in most peoples opinions and critical reviews. Thanks to the ad-libbed lines of the talented cast, however, parents won't feel held captive during the experience and even with the faults they see in the film they should find this a good comedy, a fine animation, and time well spent. I did.
Contact: Scott Alan
Not just toons, ScotttoonS! Visit ScotttoonS.com to see the work of Scott Alan, performer and freelance cartoonist.
Speaker Review: LiftPort
LiftPort representative Tom Nyugent presented for Cartoonists Northwest in May to a packed room. The audience was eager to learn about LiftPort’s vision for the future, mass transportation systems that will open up access to the solar system. At the center of this vision is the Space Elevator, a revolutionary transportation service that will make expensive and dangerous rocket liftoffs a less significant part of getting into space.
The Space Elevator is essentially a ribbon extending from Earth beyond geosynchronous orbit, the point at which an orbiting object is going at the same speed as the Earth’s rotation. The bottom of the ribbon would be attached to a base in the ocean that can be adjusted to avoid lightning storms and other hazards that might damage its construction. Outward centripetal acceleration and the competing forces of gravity keeps the ribbon under tension, and once it is in a stationary position, it can be ascended mechanically to orbit. The initial Space Elevator would be a thin ribbon made of carbon nanotubes, strong enough to lift objects along its length, and eventually an even stronger, thicker version would be built to carry passengers. For more information about how the Space Elevator would be built, how it would function, and what effects it would have on the environment, visit LiftPort’s FAQ.
We were also treated with a showing of the concept work by LiftPort artist, Nyein Aung. Nyein is an accomplished watercolorist and industrial designer who will be participating in Spawns alongside the members. A full gallery of his work can be seen here.
LiftPort is the proud sponsor of this year’s Cartoonists Northwest Spawns of Insomnia. They will be giving out cash prizes to participants who complete their 24 page comic book stories and a special prize for best story. To participate fully in the race for prizes, contestants must include a science fiction theme in their comic and mention the exciting Space Elevator. Spawns of Insomnia will be held September 1-4 at the Sea-Tac Hilton and will be hosted by Cascadia Con, the Northwest’s most exhaustive science fiction convention.