REEVE FLOORING - REEVE

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Reeve Flooring


reeve flooring
    flooring
  • The boards or other material of which a floor is made
  • building material used in laying floors
  • (floored) provided with a floor
  • floor: the inside lower horizontal surface (as of a room, hallway, tent, or other structure); "they needed rugs to cover the bare floors"; "we spread our sleeping bags on the dry floor of the tent"
    reeve
  • A female ruff
  • fasten by passing through a hole or around something
  • female ruff
  • pass a rope through; "reeve an opening"
reeve flooring - Mortal Engines
Mortal Engines (The Hungry City Chronicles)
Mortal Engines (The Hungry City Chronicles)
London is hunting
The great Traction City lumbers after a small town, eager to strip its prey of all assets and move on. Resources on the Great Hunting Ground that once was Europe are so limited that mobile cities must consume one another to survive, a practice known as Municipal Darwinism.
Tom, an apprentice in the Guild of Historians, saves his hero, Head Historian Thaddeus Valentine, from a murder attempt by the mysterious Hester Shaw -- only to find himself thrown from the city and stranded with Hester in the Out Country. As they struggle to follow the tracks of the city, the sinister plans of London's leaders begin to unfold ...

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The Reeve's Muntjac
The Reeve's Muntjac
The Reeve's Muntjac Muntiacus reevesi Measurements: Head-Body Length- 90 to 110 cm Shoulder height- 40 to 55 cm Tail length- 15 cm Weight- 10 to 20 kg Physical Description The Reeve's Muntjac gets its name from John Russell Reeves, who introduced the deer into Britain in the 1830s. They are also known as Chinese Muntjac and as the Barking Deer. The Reeve's Muntjac is one of several very similar species belonging to the Muntiacinae subfamily of deer. Muntjac deer are considered primitive to the other kinds of deer, and are characterised by their small size, distinctive hunched back and long elongated upper fangs. The Reeve's Muntjac is one of the larger Muntjac species. The coat is a dark brown colour, being longer and scruffier in appearance during the winter, while in the summer it is shorter and sleeker. The underparts are usually paler in colour, being a creamy white. The tail is long, and has a white underside. Only the bucks have antlers. These are short and just simple spikes, which grow from long bony pedicles at the top of the head. The antlers grow to a maximum length of 20 cm. Females do not have antlers, but do possess short bony knobs where the anlters are present in the males. The antlers are not the main weapons of the males; instead the well-developed upper canines are used in preference during fights. These upper canines are up to 5 cm long and hang down below the upper lip, and resemble fangs or tusks. The does also have well-developed canines but these are not as long as those of the males and so are not as noticeable. Bucks are slightly larger and heavier than the does. A noticeable feature of this deer are the dark facial stripes, which run from the front of the eyes down the front of the face. These are most prominent in the males, and form a 'V' shape. The face of the females is flatter, with the facial shaped forming a diamond like shape. These frontal facial stripes emphasise the tear glands, which are located directly in front of the eyes and which are well developed. Reeve's Muntjac are well known for the distinctive bark like calls they give out. These can be emitted for prolonged periods of time. Barking is most common around the main breeding time, but can be given out at any time of year. Distribution and Habitat Like the other species of muntjac, the Reeve's Muntjac is found in Asia. It is found in the countries of China, India, Malaysia and other Southeast Asian countries. It is a relatively common species. The Reeve's Muntjac has been introduced into a number of European counties, including France and Britain. In Britain they are many found in the south, but have spread further north, mainly because of introductions by man. The Reeve's Muntjac is a deer of dense woodland thickets, preferring areas with thick dense undergrowth and good cover. Its small size allows it to move quickly around the forest floor. Diet The Reeeve's Muntjac is mostly a browser, it feeds mainly on foods found on the forest floor, such as leaves, fruits, berries, and grasses. Most feeding is done at dawn and dusk. Lifespan The Reeve's Muntjac has a maximum lifespan of 16 years, although normally they live no more than 10 years in the wild. Breeding Unlike other deer species Reeve's Muntjac are capable of breeding throughout the year, and are not restricted to a narrow rutting period. Males normally mate with females that are present within or close to their own territories, but sometimes two or three males may compete to mate with a receptive female. This results in ritualised fighting contests between the males using their antlers and canine teeth. These fights can become fierce and lead to severe injuries. After a 210-day gestation period between 1 and 3 young are born, although twins are most common. The fawns are dark brown in colour, with a number of white spots along their flanks. After being born the female leaves the young in thick vegetation and goes off to feed. She returns regularly to suckle and care for the young. When they are old enough the young begin to accompany her as she feeds. Females are able to mate soon after giving birth, and so can be almost constantly pregnant. The spots of the young fade with age, disappearing completely by the time the fawn is 2 months old. The fawn is weaned at 4 months of age. Shortly before the mother is due to give birth again she evicts her previous young from her territory. Young females become sexually mature at about 10 months of age, the males slightly later. Behaviour Reeve's Muntjac live in small territories, which they defend from others. The territories are marked with secretions from the eye glands, with urine and faeces, and by marking vegetation. The male's territories overlap a number of female territories. Males will fight intruding males fiercely using their antlers and canines to stab and bite their opponent. Reeve's Muntjac tend to be fairly solitary in behaviour, although females are often see
Lucilla Reeve
Lucilla Reeve
Tottington, Norfolk This lost village is within the Norfolk Battle Training Area. Access to this zone by members of the public is forbidden. These daffodils on the edge of the graveyard of St Andrew's church, a mile within the zone, mark the last resting place of Lucilla Reeve, who killed herself as a protest on Remembrance Day 1950. The former council houses beyond have been adapted into an Irish village complete with IRA graffiti, for practicing house -to-house fighting during an insurgency. Tottington: All around, the wind ruffles the waves of coarse grass. Oblivious sheep wander slowly, their new lambs skittering in their wake. As we approach the church up what was, sixty years ago, the village high street, I see a handsome buck deer standing among reeds beyond the trackside. He doesn't flinch. Here, a row of council houses still stands, refurbished as a northern Irish village during the time of the conflict there, but the Norfolk clunch cottages have otherwise gone back to ground, melting down as the decades pass. Here and there, a chimney stands defiantly, but that is all. St Andrew stands at what would have been the top of the village, and the mound to the east is the old Rectory. To the south was the village pub. The roofs of the church are curious; they are not tiles at all, but blast-proof sheets installed to protect the building. These accentuate the lowness of the pretty Victorian clerestory, but otherwise the tower and nave put me in mind of neighbouring Thompson, outside the battle area. On this bright spring day the church is full of light. The roof tiles are stored inside, awaiting reuse, and also here are the medieval benches, their dusty ends rounded with animals. After the evacuation here, they were taken to nearby Rockland, where they were altered to fit one of the churches there. Now returned, they are too small for this wide open space, and so they sit here, awaiting an uncertain future. The chancel seems small after this wideness. The Victorian decalogue boards still stand where the altar once was. This must have been a busy place in medieval times, because as well as the elegant sedilia and piscina in the chancel, there is a dropped-sill sedilia at the eastern end of the south aisle, and a pretty little piscina in an angle at the eastern end of the north aisle. In the floor are 18th century ledger memorials to Knopwoods and Farrers; wall memorials remember Duffields and Hares. High above, patient faces stare from the corbels of the arcades. Silence. Time passes. Outside are more silent attendants, Leggates and Suttons, Boughens and Oldfields. And there are surprises. One, a headstone for a member of the famous Guinness family; their country estate was a few miles to the south of here at Elveden. Charlotte Guinness died while on a visit to the Rectory here in 1924. She was 75 years old. And in the south-east corner of the graveyard, daffodils fly in the spring breeze above the last resting place of Lucilla Reeve. This remarkable woman lived at Bagmore Farm on the edge of the village, and continued to tear a living from the harsh Breckland soil even after the military takeover. She killed herself on Remembrance Day 1950, and was buried here on the edge of the graveyard. After the war, the Tottington war memorial was moved to neighbouring Thompson, on a road that led once to the now-lost village. You can still see it there to this day. Arthur Mee came here to Tottington in the 1930s when there were still people living here. In his flowery way, he recalled something that is now often forgotten. Tottington was the home village of Abbot Sampson, who made the Abbey of St Edmundsbury one of the most powerful in Europe, and is remembered still today as the symbol of the Greene King brewery. The Norfolk Battle Training Area: On Ordnance Survey maps the Norfolk Battle Training Area appears as a patch of white mist, like a ghost among the green forests and winding Norfolk lanes. Roads that enter the zone become tracks and multiply, as if this is still the 19th century, and the land is still measured by walking across it rather driving through it. Leaving the area, the tracks disappear or merge into busy modern roads. For a moment, they had been lost in time. But the lanes must travel through the time warp alone, for this strange area of Breckland (God knows, a curious enough landscape in itself) has been used by the British Army for the last sixty years as a battle training area. As this involves the firing of live ammunition, nobody lives in the zone, and the six former villages there have been able to softly and silently vanish. The soft Norfolk clunch out of which many of the buildings were made has melted into the ground, leaving mounds of flint, chimney stacks and the occasional cellar. Some buildings have been demolished, others adapted for training purposes. Plaques mark the locations of formerly significant buildings: the pubs, the schools, the post office

reeve flooring
reeve flooring
Pathfinder: A Major Ariane Kedros Novel
Wars may end. But vengeance is forver.

Reserve Major Ariane Kedros needs a shot at redemption-and the mysterious aliens known as the Minoans need an extraordinary human pilot with a rejuv-stimulated metabolism like Ariane for a dangerous expedition to a distant solar system. But there's a catch. The Minoans have to implant their technology in Ariane's body, and it might not be removable. Ariane is willing, but as she begins the perilous journey, there is an old enemy hiding within the exploration team who is determined to see them fail...

Wars may end. But vengeance is forver.

Reserve Major Ariane Kedros needs a shot at redemption-and the mysterious aliens known as the Minoans need an extraordinary human pilot with a rejuv-stimulated metabolism like Ariane for a dangerous expedition to a distant solar system. But there's a catch. The Minoans have to implant their technology in Ariane's body, and it might not be removable. Ariane is willing, but as she begins the perilous journey, there is an old enemy hiding within the exploration team who is determined to see them fail...

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