CONTEMPORARY FURNITURE DEALERS. CONTEMPORARY FURNITURE

Contemporary Furniture Dealers. Furniture Into A Small

Contemporary Furniture Dealers


contemporary furniture dealers
    contemporary
  • a person of nearly the same age as another
  • Living or occurring at the same time
  • belonging to the present time; "contemporary leaders"
  • Dating from the same time
  • Belonging to or occurring in the present
  • characteristic of the present; "contemporary trends in design"; "the role of computers in modern-day medicine"
    furniture
  • Large movable equipment, such as tables and chairs, used to make a house, office, or other space suitable for living or working
  • A person's habitual attitude, outlook, and way of thinking
  • Small accessories or fittings for a particular use or piece of equipment
  • Furniture is the mass noun for the movable objects ('mobile' in Latin languages) intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things.
  • Furniture + 2 is the most recent EP released by American post-hardcore band Fugazi. It was recorded in January and February 2001, the same time that the band was recording their last album, The Argument, and released in October 2001 on 7" and on CD.
  • furnishings that make a room or other area ready for occupancy; "they had too much furniture for the small apartment"; "there was only one piece of furniture in the room"
    dealers
  • (dealer) a seller of illicit goods; "a dealer in stolen goods"
  • (dealer) a firm engaged in trading
  • A person who buys and sells drugs
  • (dealer) trader: someone who purchases and maintains an inventory of goods to be sold
  • A person or business that buys and sells goods
  • A person who buys and sells shares, securities, or other financial assets as a principal (rather than as a broker or agent)
contemporary furniture dealers - Build Your
Build Your Own Contemporary Furniture (Popular Woodworking)
Build Your Own Contemporary Furniture (Popular Woodworking)
Contemporary furniture's great appeal comes from its simple, understated elegance and subtle details - from sleek black drawer-pulls to gracefully bevelled shelf edges. It's no secret that woodworkers love building these pieces! They're suited to just about any room, no matter what the decorating style. This book presents 20 original contemporary furniture projects, hand-picked from the pages of Popular Woodworking - America's No. 1 wood project magazine. Each one comes with step-by-step instructions, high-quality diagrams, cutting lists, colour photos and detailed, easy-to-follow assembly techniques.

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Joseph Santarromana & William Roper,
Joseph Santarromana & William Roper,
Nancy Buchanan and; Joseph Santarromana Present in association with Phantom Galleries LA: The Long Weekend Installations and Performances Jordan Biren and Corrina Peipon, Ashley McLean Emenegger, MaryLinda Moss and Nikii Henry, Danial Nord, Cielo Pessione & John O'Brien, Astra Price, Natasa Prosenc, Joseph Santarromana & William Roper, Evelyn Serrano, Suzanne Siegel, Kyungmi Shin & Todd Gray Organized by Nancy Buchanan & Joseph Santarromana Phantom Galleries LA in Pasadena 680 E. Colorado Boulevard, Pasadena 91101 Friday, March 28, Saturday March 29, Sunday March 30 7 to 10 pm For information: Liza Simone Phantom Galleries LA Executive Director PhantomGalleriesLA.com 213.626.2854 Examining themes of fashion and consumption, we will present durational performances and installation works in this former furniture store's windows. Questions regarding the relationship of art and commerce today are myriad, and while there are no simple answers, most observers agree that there are many troubling implications of the influences of speculation, branding and celebrity on the current climate. Giving away the aesthetic experience through such a temporary event is a return to earlier, more idealistic times, yet placing the work within a shopping district anchors it to the realistic present. We imagine this to be an exciting event which will attract art audiences, as well as provide an unusual experience to passers-by. Jordan Biren and Corrina Peipon present a tableau/performance, "The Exchange of the Avant-Garde" inspired by quotes taken from a recent Norman Klein discussion of the late Jean Baudrillard: "...avant-garde strategies are now central to the branding of all products... ...The simulacrum was simply the original itself. It had emerged as the glowing center of all global branding...It was simply the mood that sold anything. " The tableau represents the "look" of a business transaction, while an inner dialogue belies conflicted psychological realities of personal negotiation through a world of branded transactions. With the supporting text contradicting the appearance of the action, only the image of the event remains, an image meant to draw attention to the presumptions, or "branded" recognition, of what is taking place. A search for what defines in what we see that which we are told we are seeing. _ Nancy Buchanan's "3 Fates" sees myth reduced to marketing; throughout cultural history, sacred and mythic women have appeared in threes, sometimes also merging into one mythic figure. In Greek mythology, the three Fates personified destiny and controlled the thread of life from birth to death (and beyond). The Greek word moira (_____) translates as a part or portion—and so, one's fate is the part one is destined to play in life. While their forerunners were draped in white, could the gowns worn by these fashionable "Fates" hint at what lies beyond fashion? Siren-red satin, prison-jumpsuit orange, camouflage (with glitter). In Ashley McLean Emenegger's "Judgment Day," colorful felt cut out dolls hang in the balance above a miniature, faux mythological environment, the Garden of Eden meets a metaphoric apocalyptic collapse, where the yearning for sincere expression clashes with the expectation and imposition of compliance to the contemporary notion of aesthetics. Beckoned by the allure and idealization of the Promised Land below, the dolls, both identical and unique, are naturally confused by the conundrum of self declaration versus the desire to fit in. MaryLinda Moss collaborates with Nikii Henry to create a Performative Installation. Through the evening figures moving through space will leave an imprint, a record of the presence of the body in the world. Using gauze and plaster, 'clothing" will be formed on the body. As the body moves on, it's image is left behind to create a record of the journey through time and space Danial Nord addresses the troubling relationships between art and commerce, and the implications and influences of speculation, branding and celebrity on the current art-making climate. His inspiration comes from Hollywood's historical misrepresentation of artists, and overheard dialogues between dealers and potential clients at recent Art Fairs. Nord's installation centers on a projected clip from the film "On the Town" which shows a ballerina as an artist, described in the film as "the perfect urban woman", making a painting. Cielo Pessione & John O'Brien create a tableau in which two personages appear in the dark at the center of the space, like a players in a theatre. The female personage will have a pile of rags or fashion magazines under her She could be a Queen, he a Poet. Each has a different style of dress, which means different ways to live and to consider the capitalism of attire. Astra Price addresses what food we have and what food we use. Inspired
Evelyn Serrano
Evelyn Serrano
Nancy Buchanan & Joseph Santarromana Present in association with Phantom Galleries LA: The Long Weekend Installations and Performances Jordan Biren and Corrina Peipon, Ashley McLean Emenegger, MaryLinda Moss and Nikii Henry, Danial Nord, Cielo Pessione & John O'Brien, Astra Price, Natasa Prosenc, Joseph Santarromana William Roper, Evelyn Serrano, Suzanne Siegel, Kyungmi Shin & Todd Gray Organized by Nancy Buchanan & Joseph Santarromana Phantom Galleries LA in Pasadena 680 E. Colorado Boulevard, Pasadena 91101 Friday, March 28, Saturday March 29, Sunday March 30 7 to 10 pm For information: Liza Simone Phantom Galleries LA Executive Director PhantomGalleriesLA.com 213.626.2854 Examining themes of fashion and consumption, we will present durational performances and installation works in this former furniture store's windows. Questions regarding the relationship of art and commerce today are myriad, and while there are no simple answers, most observers agree that there are many troubling implications of the influences of speculation, branding and celebrity on the current climate. Giving away the aesthetic experience through such a temporary event is a return to earlier, more idealistic times, yet placing the work within a shopping district anchors it to the realistic present. We imagine this to be an exciting event which will attract art audiences, as well as provide an unusual experience to passers-by. Jordan Biren and Corrina Peipon present a tableau/performance, "The Exchange of the Avant-Garde" inspired by quotes taken from a recent Norman Klein discussion of the late Jean Baudrillard: "...avant-garde strategies are now central to the branding of all products..." "...The simulacrum was simply the original itself. It had emerged as the glowing center of all global branding...It was simply the mood that sold anything. " The tableau represents the "look" of a business transaction, while an inner dialogue belies conflicted psychological realities of personal negotiation through a world of branded transactions. With the supporting text contradicting the appearance of the action, only the image of the event remains, an image meant to draw attention to the presumptions, or "branded" recognition, of what is taking place. A search for what defines in what we see that which we are told we are seeing. _ Nancy Buchanan's "3 Fates" sees myth reduced to marketing; throughout cultural history, sacred and mythic women have appeared in threes, sometimes also merging into one mythic figure. In Greek mythology, the three Fates personified destiny and controlled the thread of life from birth to death (and beyond). The Greek word moira (_____) translates as a part or portion—and so, one's fate is the part one is destined to play in life. While their forerunners were draped in white, could the gowns worn by these fashionable "Fates" hint at what lies beyond fashion? Siren-red satin, prison-jumpsuit orange, camouflage (with glitter). In Ashley McLean Emenegger's "Judgment Day," colorful felt cut out dolls hang in the balance above a miniature, faux mythological environment, the Garden of Eden meets a metaphoric apocalyptic collapse, where the yearning for sincere expression clashes with the expectation and imposition of compliance to the contemporary notion of aesthetics. Beckoned by the allure and idealization of the Promised Land below, the dolls, both identical and unique, are naturally confused by the conundrum of self declaration versus the desire to fit in. MaryLinda Moss collaborates with Nikii Henry to create a Performative Installation. Through the evening figures moving through space will leave an imprint, a record of the presence of the body in the world. Using gauze and plaster, 'clothing" will be formed on the body. As the body moves on, it's image is left behind to create a record of the journey through time and space Danial Nord addresses the troubling relationships between art and commerce, and the implications and influences of speculation, branding and celebrity on the current art-making climate. His inspiration comes from Hollywood's historical misrepresentation of artists, and overheard dialogues between dealers and potential clients at recent Art Fairs. Nord's installation centers on a projected clip from the film "On the Town" which shows a ballerina as an artist, described in the film as "the perfect urban woman", making a painting. Cielo Pessione & John O'Brien create a tableau in which two personages appear in the dark at the center of the space, like a players in a theatre. The female personage will have a pile of rags or fashion magazines under her She could be a Queen, he a Poet. Each has a different style of dress, which means different ways to live and to consider the capitalism of attire. Astra Price addresses what food we have and what food we use. I

contemporary furniture dealers
contemporary furniture dealers
Black Frame and Clear Glass VTI HFR 403 Flat Panel TV Stand Screen Rack
This stylish Flat Panel Stand is adjustable to fit and mount most Flat Panel TVs up to 55 or 130 lbs. While it has a sleek design it has sturdy build metal poles that can hold up to 350 lbs. . Features: Dual function and can be used with or without TV mount poles Sturdy twin post mounting design for stability and easy mounting construction Height adjustable universal TV mount for most flat panel TV up to 55 or up to 130 pounds Gorgeous looking tempered glass shelves Handsome, oval shape, heavy-gauge metal poles hold up to 350 pounds Extra thick glass shelves 0.4" ( 10 mm ) for heavy load support Extra large shelves for equipment needs Adjustable leveling foots for balancing and all flooring need with rolling caster as an option Wire management system accommodation Specifications: Approx. overall dimension: 42 1,8W x 25 3,4D x 59 1,2H Weight: 160 lbs.

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