Use the navigation links to discover what we are reading now, what we have read and what we plan to read.
This is the website of the Books on the Broad reading group which meets in the centre of the city of Oxford, on the first Monday of each month.
We first met in January 2005 at Blackwell's bookshop on Broad Street, in a room overlooking the Old Bodleian library, an ideal place for broadening our bookish horizons.
In 2007, we won the then Penguin-Orange Broadband Prize for Readers’ Groups for the originality, energy and breadth of our approach to reading, which remains unaltered.
A few of us write as well as read and you will find on this site some of our book reviews. You will also find lists of the books we have read and the books we plan to read.
We read (mainly) literary fiction across many sub-genres, including literature in translation, but we also keep an eye on the latest bestsellers. Occasionally, we invite a published author to come and discuss their work with us.
We are open to anyone who enjoys reading, thinking and talking about books. Contact us for details.
Penguin-Orange Broadband Readers' Group Prize
The Books on the Broad Reading Group won the 2007 Penguin-Orange Broadband Readers' Group Prize.
After visiting the group, author Naomi Alderman wrote in The Guardian:
Oxford. A quiet room overlooking Broad Street, with views of theof Sheldonian Theatre and the Bodleian Library. I am surrounded by academics, teachers, publishers, a school governor and several graduate students all posing searching questions, asking me to justify a piece of my writing. They have notes in front of them, outlining points of weakness, possible strengths. It feels like a flashback to university days, to tutorials for which I hadn't done quite enough reading, at which it transpired that I hadn't honed my arguments quite well enough. Read more
Read Our Most Recent Reviews Below
Much Ado about Nothing
A review of Jesse Burton’s The Miniaturist by Kate Wilson
Before she became an author at the age of 33, Jesse Burton had trained as an actress and it certainly shows in her debut The Miniaturist, one of a number of contemporary novels set in the Netherlands of the 17th century . With her penchant for performance, there is plenty of sexed-up melodrama, plus the entire gamut of human feelings at a pace to make your nerves tingle- the ones in your teeth, that is. The novel is mixed genre, boasting a combination of period romance, supernatural thriller and moral tale, and true to its theatrical influences, progresses scene by scene with several sensation-inducing set pieces along the way to its awkwardly choreographed tragic conclusion. more
Dancing in the White House
Civil Rights now and in To Kill a Mockingbird
A Review by Kate Wilson is what we soothe ourselves into thinking is a validation of Lee’s iconic message in To Kill a Mocking Bird (1960) - that the only way to understand the meaning of freedom and equality is to put yourselves in the shoes of those who have neither. more
A hero for the modern world?
Changing attitudes to men and masculinity in
Far from the Madding Crowd
All Hardy’s stories are love stories. Far from the Madding Crowd is Hardy’s first and only love story with a happy ending. In no other novel of his do we have such an impression of light and life and rising sap, of tragedy and death brushed aside for a season, as the green shoot might shoulder away the dead leaves on the floor of a Wessex Wood. Hardy needed a clean sweep after the relative failure of A Pair of Blue Eyes and in this, his fourth, yet first fully-realized novel under his own name, there is the sense of his going all out to show his strengths and to please his readership, even at the expense sometimes of his own aesthetic judgement. And what most certainly pleased Hardy the man as well as the writer, was to have in his sights the vision of a beautiful young woman. read more
With a new film of Hardy’s ‘Far from the Madding Crowd’ released this year, it’s time to reassess what keeps people revisiting this author.
Orange Award Winner,
Francesca Kay, visits Books on the Broad
New Generation Writing from the Iraq War
... war is just us
making little pieces of metal
pass through each other.
TheYellow Birds is Kevin Powers’ debut novel, written out of his experience of the war in Iraq where he was deployed as a machine gunner in 2004-5 to Nineveh Provence. The book brought him immediate recognition in the shape of a lucrative advance from Little, Brown and a whole raft of literary prizes, notably The Guardian First Book Award 2012, The Hemingway/PEN Award 2102, and several significant Book of the Year Awards. Powers has been likened to Hemingway, Norman Mailer, Cormac McCarthy and –a more recent connection- the war writer Tim O’Brien, Pulitzer Prize finalist for his collection of short stories about an American platoon in the Vietnam War The Things They Carried(1990).
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What makes a Good Novel?
Can you predict a Classic?
Call it reader ego, but I like to think that what I as an individual find ‘memorable’ in a book will generally align with what is thought about it collectively, because we all have similar cognitive processes and aesthetic instincts. If after six months I can’t remember anything about a book I have spent several hours reading, except for maybe part of the title and a few vagueimpressions, then that shouldn’t bode well for the book in the long term.
Life after Life
Just to set the record straight, since the nature of Time is the inspirational idea behind the storyline of Kate Atkinson’s new book, Life after Life, (or to be more precise, the central character, Ursula Todd’s idiosyncratic experience of Time during the course of her hapless multiple deaths and re-births), I’d like to begin, in the manner of Bill Bryson, with a clear statement of what we all know, viz, that each of us has run a circa four billion year-long evolutionary gamut of risk and opportunity to be here and, however much we might lament it or deny it, we are here only once.
The Great Gatsby
F. Scott Fitzgerald
For first–time readers of The Great Gatsby, Fitzgerald’s story about ill-fated love in the nouveau riche community of Long Island around 1922 is as startling and compelling and relevant today as Fitzgerald himself intended when he said that he wanted to “write something new, something extraordinary and beautiful and simple and intricately patterned.”
Au Bonheur des Dames
With a wave of his pen Zola turns products of the textile industry into objects of desire, and you will find your our consumer gullibility tested as he points out an endless choice of silks, taffetas, velvets, chiffons, muslins, fine cotton lawns and satins of every texture and hue from the milky white of petunias to the tender blush of a young girl's skin, to bold pinks and blues and geranium reds to the deepest velvet black. There is yet more! The clever displays under the artful fingers of the window-dressers, magic up delicate silks folded into shell-shapes or provocatively draped round the arched torso of a mannequin whilst, on another counter symmetrically arranged gloves, ‘creaseless and virginal’ in their newness impress with their untouchable perfection.
Jerusalem the Golden
No sense of an ending
A review of Margaret Drabble’s ‘Jerusalem the Golden’ and ‘Possession’ by A.S. Byatt
by Kate Wilson
You will need to take a deep breath before reading this book...
February 2013 Review
January 2013 Review
Check Our Earlier Reviews
F Scott Fitzgerald
E M Forster
Gabriel Garcia Marquez
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