COUNTER DEPTH ALL REFRIGERATOR - COMMERCIAL DOUBLE DOOR REFRIGERATOR - 30 DAY FREEZER MEALS
Counter Depth All Refrigerator
- An appliance or compartment that is artificially kept cool and used to store food and drink. Modern refrigerators generally make use of the cooling effect produced when a volatile liquid is forced to evaporate in a sealed system in which it can be condensed back to liquid outside the refrigerator
- A refrigerator is a cooling apparatus. The common household appliance (often called a "fridge" for short) comprises a thermally insulated compartment and a heat pump—chemical or mechanical means—to transfer heat from it to the external environment (i.e.
- white goods in which food can be stored at low temperatures
- Refrigerator was an Appendix Quarter horse racehorse who won the Champions of Champions race three times. He was a 1988 bay gelding sired by Rare Jet and out of Native Parr. Rare Jet was a grandson of Easy Jet and also a double descendant of both Depth Charge (TB) and Three Bars (TB).
- Speak or act in opposition to
- speak in response; "He countered with some very persuasive arguments"
- Give a return blow while parrying
- in the opposite direction; "run counter"
- antagonistic: indicating opposition or resistance
- Respond to hostile speech or action
- the extent downward or backward or inward; "the depth of the water"; "depth of a shelf"; "depth of a closet"
- degree of psychological or intellectual profundity
- Used to specify the distance below the top or surface of something to which someone or something percolates or at which something happens
- The distance from the top or surface of something to its bottom
- (usually plural) the deepest and most remote part; "from the depths of darkest Africa"; "signals received from the depths of space"
- Distance from the nearest to the farthest point of something or from the front to the back
Depth of field -- study
We rented a lens last week, which had a very shallow depth-of-field. That is to say, when the aperture was all the way open (~2.8-3), when I focused on something, only elements within a few millimeters of that focus spot would remain in focus. Everything else had a nice blur. This is very useful when I want to highlight a particular element in a photo -- the rest of the photo is much less distracting when it is blurry, and your eye goes right to the spot where I want it. Another thing that influences depth of field is the aperture setting. When the aperture is wide open, the depth of field is very narrow. When I close it down to a smaller hole, though, the depth of field grows. In this picture, there are two examples. On the left, I closed the aperture to f9. I focused on the rim of the bowl, and a lot of the plate and table are also in focus. I also had a much slower shutter speed because the smaller hole lets in less light. On the right, I opened up the aperture to f3 -- only the lip of the bowl is in focus, while the plate and the table are very blurry (in a good way). I also had a much faster shutter speed because the larger aperture lets in more light. Enough geekery for one post! Aren't these dishes gorgeous? We bought them last week while we were splurging on household fun items. I think I'll be using them in a lot of food photos in the near future ...
Depth of Field -- f 5.6
The camera is focused on the girl closest to the camera, about 12-inches from the lens. At f-5.6 the depth-of-field is shallow, meaning areas in front of and behind the point of sharpest focus are softer. Even the second girl, only two or three inches behind the one in front, is outside the sharp focus range. The effect is increased the closer the object is to the camera. Notice that the second girl, who is only two or three inches behind the first one, is much fuzzier. The girl in the background, about 2 feet away from the camera, one foot behind the front girls, is completely out of focus. The distant background is completely out of focus. Compare this photo to the previous photo, also shot at f-5.6, but focused on the girl in the background. If this lens could open up more, to f 2.8 or lower, focus would become extremely critical. Depth of field would be so shallow that if the point of focus was the face of the figure, the back of the head and hair would probably be out of focus.