INSTRUMENTAL MUSIC HISTORY - INSTRUMENTAL MUSIC

Instrumental music history - Conn trumpet mouthpiece.

Instrumental Music History


instrumental music history
    instrumental music
  • music intended to be performed by a musical instrument or group of instruments
  • Most of the scores of these works are deposited in the University of Laval archives and /or in the library of the Semaire du Quebec.
    history
  • The study of past events, particularly in human affairs
  • the discipline that records and interprets past events involving human beings; "he teaches Medieval history"; "history takes the long view"
  • The past considered as a whole
  • a record or narrative description of past events; "a history of France"; "he gave an inaccurate account of the plot to kill the president"; "the story of exposure to lead"
  • The whole series of past events connected with someone or something
  • the aggregate of past events; "a critical time in the school's history"
instrumental music history - Classical Form:
Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

87% (18)
Dom Salvador
Dom Salvador
Copacabana Palace + musica instrumental + Rio de Janeiro, uma mistura nada incomum, marcas da nossa historia, elementos que ecoam e nos identificam a milhas e milhas daqui. Mistura que comecou com o SOM DO BECO das garrafas, reduto inspirador da nossa musica, Copa Fest quer permanecer classica sem engessar-se no passado, mostrando e provocando os novos contornos da musica instrumental. Musica brasileira, musica do mundo, do nosso tempo. TRUPE FESTIVAL: IDEALIZACAO: Bernardo Vilhena e Isabel Seixas DIRECAO MUSICAL: Bernardo Vilhena e Carolina Rosman DIRECAO DE ARTE: M?Baraka Experiencias Relevantes CENOGRAFIA: Diogo Rezende e Richard Veerdorn PROJETO GRAFICO: Analu Menezes e Diogo Rezende M?Baraka ILUMINACAO: Fernanda Mantovani COORDENACAO DO PROJETO: Isabel Seixas COORDENACAO DE PRODUCAO: Marise Lima PRODUCAO EXECUTIVA: Erika Candido e Beatriz Tafner ASSISTENTE DE PRODUCAO: Rodolpho Faria PRODUCAO ADMINISTRATIVA: Mariana Ximenes REALIZACAO: M?BARAKA Experiencias Relevantes ASSESSORIA DE IMPRENSA: Monica Ramalho e Marcelo Pacheco (Belmira Comunicacao) SONORIZACAO: Alexandre Vargas
O bar do Lounge
O bar do Lounge
Copacabana Palace + musica instrumental + Rio de Janeiro, uma mistura nada incomum, marcas da nossa historia, elementos que ecoam e nos identificam a milhas e milhas daqui. Mistura que comecou com o SOM DO BECO das garrafas, reduto inspirador da nossa musica, Copa Fest quer permanecer classica sem engessar-se no passado, mostrando e provocando os novos contornos da musica instrumental. Musica brasileira, musica do mundo, do nosso tempo. TRUPE FESTIVAL: IDEALIZACAO: Bernardo Vilhena e Isabel Seixas DIRECAO MUSICAL: Bernardo Vilhena e Carolina Rosman DIRECAO DE ARTE: M?Baraka Experiencias Relevantes CENOGRAFIA: Diogo Rezende e Richard Veerdorn PROJETO GRAFICO: Analu Menezes e Diogo Rezende M?Baraka ILUMINACAO: Fernanda Mantovani COORDENACAO DO PROJETO: Isabel Seixas COORDENACAO DE PRODUCAO: Marise Lima PRODUCAO EXECUTIVA: Erika Candido e Beatriz Tafner ASSISTENTE DE PRODUCAO: Rodolpho Faria PRODUCAO ADMINISTRATIVA: Mariana Ximenes REALIZACAO: M?BARAKA Experiencias Relevantes ASSESSORIA DE IMPRENSA: Monica Ramalho e Marcelo Pacheco (Belmira Comunicacao) SONORIZACAO: Alexandre Vargas

instrumental music history
instrumental music history
Anthology of Romantic Music (The Norton Introduction to Music History)
This anthology is designed to accompany Romantic Music, the second offering in the Norton Introduction to Music History series. It will serve as a score resource for all the works discussed in depth in that volume, and will also be valuable independently as a well-balanced collection for students of nineteenth-century music.
To that end, the editor has ranged widely throughout the gamut of forms and genres typical of the Romantic period. The symphony is reprenseted by one early and one late work; literature of the piano includes several sonatas and short lyric pieces; the virtuoso performer is acknowledged in a Liszt paraphrase and a Brahms concerto. Examples of chamber music, the tone poem, and the oratorio are all included. The lied is introduced through works by Schubert, Schumann, and Hugo Wolf. The opera is lavishly represented by excerpts from Rossini, Wagner, Verdi, and Musorgsky masterpieces.

For each of the thirty-eight selections in this anthology, the very best edition currently available has been reproduced. Wherever possible, Professor Plantinga has included complete pieces; given the mammoth proportions of many nineteenth-century works this has not always been practical. All texts have been given in the original language and in English translation.

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