THE MYSTERY OF PERSIAN CARPET. THE MYSTERY OF

The Mystery Of Persian Carpet. Wooden Rugs.

The Mystery Of Persian Carpet


the mystery of persian carpet
    persian carpet
  • A carpet or rug woven in Iran in a traditional design incorporating stylized symbolic imagery, or made elsewhere in such a style
  • The Persian carpet (Pahlavi bobNouri-Zadeh, Sh., Persian Carpet; The Beautiful Picture of Art in History Persian fars ???, meaning "to spread" and qali)Savory, R., Carptes,(Encyclopaedia Iranica); accessed January 30, 2007. is an essential part of Persian art and culture.
    mystery
  • a story about a crime (usually murder) presented as a novel or play or movie
  • something that baffles understanding and cannot be explained; "how it got out is a mystery"; "it remains one of nature's secrets"
  • (mysterious) cryptic: of an obscure nature; "the new insurance policy is written without cryptic or mysterious terms"; "a deep dark secret"; "the inscrutable workings of Providence"; "in its mysterious past it encompasses all the dim origins of life"- Rachel Carson; "rituals totally mystifying
  • A handicraft or trade
the mystery of persian carpet - "A Guide
"A Guide to Rugs and Carpets"
"A Guide to Rugs and Carpets"
Rugs and carpets can make a home look appealing to the eye. However, to make the room look appealing you would have to consider style,texture,fabric,color and more. Choosing the best rugs and carpets for your home is ideal, especially if you want the area to look nice. To choose carpets and rugs you would need to consider many factors, which also included scanning your home for he best fit.

Home improvement is easy if yu lay out your plans, choose the right colors and take the time to have what you need on hand. You will need tools, materials and other supplies, unless it is a throw rug you will need to properly install your carpets or rugs.

To help you get started we have composed 5o related articles on rugs and carpets, which will provide you with tips on home improvement,choosing carpets and rugs, oriental rugs, price comparing and more.

Order today, the details we provide hopefully you can use to pick the best rugs and carpets for your home.

Rugs and carpets can make a home look appealing to the eye. However, to make the room look appealing you would have to consider style,texture,fabric,color and more. Choosing the best rugs and carpets for your home is ideal, especially if you want the area to look nice. To choose carpets and rugs you would need to consider many factors, which also included scanning your home for he best fit.

Home improvement is easy if yu lay out your plans, choose the right colors and take the time to have what you need on hand. You will need tools, materials and other supplies, unless it is a throw rug you will need to properly install your carpets or rugs.

To help you get started we have composed 5o related articles on rugs and carpets, which will provide you with tips on home improvement,choosing carpets and rugs, oriental rugs, price comparing and more.

Order today, the details we provide hopefully you can use to pick the best rugs and carpets for your home.

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Inventing the Middle Ages - 2
Inventing the Middle Ages - 2
[...] “With the loss of this dome alone,” says Illig, “the tradition of Charlemagne’s giant empire crumbles to dust.”[3] Others who’ve taken up the Phantom Time Hypothesis find evidence from further east. Uwe Topper and Manfred Zeller use the PTH to resolve such problems as why the architecture of the Umayyads has untypical character­istics;[4] why Arab coins under the caliph Abd al Malik bear the portrait of a dead King; and why the famous historical epic, the Shahnameh, wraps up in the mid 7th century AD, with a gap of 300 years to its time of writing in AD 1010, and has no allusions to Islam. From this they discern a phantom time period of 78 years that came into being “through artificial separation of the Persian and Umayyad history which in reality was contemporan­eous”.[5] This puts the origin of Islam in a bit of an awkward spot, but may at least remove some of the mystery from its near-miraculous success. The history of the dynasty of Harun al-Rashid, greatest of the Abassid caliphs, with all the expedit­ions he led and the diplomatic gifts he gave to Charlemagne (including a clock that dropped bronze balls into a bowl, and two albino elephants) were dreamt up at a scribe’s desk. Phantom Time is also borne out by Jewish history, which “totally disapp­eared together with the breakdown of the Roman Empire”, not resurfacing in evid­ence until the Carolingian period.[6] The difficulty Dr Hans-Ulrich Niemitz sees with arch?ological sources, for which he cites the absence of German town stratigraphies from the relevant era and the achingly slow development of north German ceramics from the 7th–9th cent­uries AD, is that it is not dated independently of written sources. This contravenes proper arch?ological method. Specialists referring to neighbouring disciplines to solve their problems, Neimitz argues, fall into circular reasoning, discounting the whole situation and thus missing the bigger picture. Also discussed by Niemitz is dendro­chronology, or tree-ring dating. The field has only recently bridged all the gaps in European history over two millennia; but, says Niemitz, this achievement relies on far too few samples to date the Middle Ages. More pointedly still, in Niemitz’s view, Ernst Hollstein, Germany’s leading dendrochrono­logist, fatally changed the method­ology by allowing the sequence samples to admit red beech (alongside oak) to bridge the critical 8th cent­ury with a sequence predated by historians. An arch?ological no-no, you’ll recall. Hollstein despaired that: “It is strange, but it has proved extremely difficult to connect the Merovingian wood samples from excavations with the above mentioned chronologies,” and that “all attempts to get enough tree ring sequences from timber of the Carolingian times have failed…”[7] Illig offers hypotheses and suspects for this grandest of deceptions. The first is that Otto III had his teacher, Gerbert d’Aurillac, the best-read man in Christendom, direct the product­ion and insertion of 300 extra years because he wanted to be ‘Christian Man of the Millennium’ in the year AD 1000 (in the event, two years before Otto’s death). Or did Constantine VII (AD 905–959) rewrite Byzantine hist­ory by having the monks convert every single piece of Greek majuscule into the new minuscule script, before destroying the originals, changing all existing texts in two generations, or even faster? Niemitz’s two key questions are: when, how, and why was history falsified by 300 years, and how come scientists seemingly didn’t notice sooner?[8] “The second question,” says Niemitz, “implicitly triggers the threat of a changing of the paradigms, which implies a threat to confidence in the work of all scientists working in historical research.” This could be a sleight-of-hand argument, when a more pointed question might be: what’s the point of going to all the trouble? What’s to be gained? If the Otto III scenario is to carry any weight, the question of motive cannot be brushed under the carpet, as Niemitz wants it to be. The Emperor must have been very concerned indeed about his image in history, since his bogus chronology could only have been written with posterity in mind. Why? Because the great majority of those who would have been able to consume it at the time Otto III was alive were already involved in faking it. Practic­ally everyone who mattered within the Emperor’s dominion would have been complicit, negating its intended effect. Perhaps this is beside the point. As exponents of the PTH are mindful, it is an idea that challeges what is considered to be immutable, exposing weak points and championing the need for more interdisciplinary study. There is also a call for research to be done outside the usual group, since, as philosopher of scientific breakthroughs Thomas Kuhn has explained,[9] only a few scientists are willing to reopen research into a problem that the group considers to have been solved (sometimes on the word of a single expert). I suspect economists k
Cleopatra and her Daughter "Rossa" by Iris H. Zuares
Cleopatra and her Daughter "Rossa" by Iris H. Zuares
throughout history we have heard of Cleopatra but we don't know all that much about her she was Queen of Egypt and made men weak in their knees listening to her speak and as a spellbinding tease it is believed Cleopatra was the first woman to wear lip paint the stain of red berries on her lips made strong men faint you see she had this notion way back then that your mouth looked like the portal of all women so she colored her lips to mimic that place and men couldn't resist making love to that face Cleopatra had a marriage to her younger brother and also became a first time mother she ruled the throne and removed Ptolemy Xlll from power continued to reign with her unyielding power upon meeting Julius Caesar on her trip to Rome she placed herself in a Persian carpet and unrolled in his home he was taken by this and her unmistaken beauty restored her to power alone absolutely an affair was begun and a child was born love between them was never forlorn time passed by and there came the love of her life not bothering to become his new wife Marc Antony was the man to adore and to him more children were bore but in history you never did hear about another daughter Cleopatra would bear she gave birth to this raven haired child with skin so fair and a temper so mild Cleopatra gave her to a midwife to raise hoping this child would see better days the name of this daughter hidden in history remains still to all a great unknown mystery this raven haired girl with eyes a shade of green was called Rossa and her story will be seen

the mystery of persian carpet
the mystery of persian carpet
Lisa Pavelka 527045 Texture Stamp Persian Carpet
Lisa Pavelka is a professional artist and designer who has spent over twenty years working with various mediums, and polymer clay is her first love. Lisa creates gorgeous jewelry and household items and now her tricks can be yours with her Signature Series product line from JHB Enterprises. These are products that Lisa uses in her daily crafting and which were designed to make creating easier. Lisa believes that everyone is an artist and she is dedicated to helping people discover and develop their own creative voice. Lisa's line of texture stamps come in a variety of unique patterns and in single units or mixed sets of two stamps. Each is extra deep to give highly detailed resultes for both dimensional design and surface imprinting. Each comes unmounted for optimal usabilty.

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