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Tess of the Storm Country
America's sweetheart, Mary Pickford, in a powerful story of survival. In this all-fired melodrama, wealthy Elias Graves builds a house on a hill and tries unsuccessfully to evict the squatters who live in the valley below. Tess (Pickford) leads the squatters' struggle for survival and wins the sympathy and love of Graves's son, Frederick. This 1922 remake of Pickford's 1914 version of the same story demonstrates the remarkable growth of Pickford as an actress, producer and filmmaker--and of cinema itself.77% (18)
Tess of the Storm Country might be seen as the archetypal Mary Pickford film. Pickford plays Tessibel Skinner, a dirt-poor fisherman's daughter living with a community of squatters in ramshackle huts by the water's edge. Tess was reportedly one of Pickford's favorite roles (both in this 1922 version and in an earlier one, shot in 1914), and it shows. She brings a sparkling energy to her performance. Dressed in rags, her hair a frazzled mop, she creates an indelible character. ("The more ragged and dirty I look, the better I can play," declared Pickford in a 1914 Photoplay Magazine interview.)
Every man in squatter town has eyes for the beautiful, fearless Tess, from brutish Ben Letts (Jean Hersholt) to pathetic Ezra Longman (Danny Hoy). But Tess's heart belongs to her sweet daddy (Forrest Robinson). High on a hill above these indigent folk dwells the wealthy Graves family. Father Elias (David Torrence) considers the squatters a stench in his nostrils and tries to evict them; son Frederick (Lloyd Hughes) sympathizes with them and falls in love with Tess; daughter Teola (Gloria Hope) finds her life becoming inextricably bound with Tess's, in ways neither girl could have imagined.
Like so many films in which Mary Pickford appears, Tess of the Storm Country pits rich against poor. In the microcosm of this movie, the rich are steeped in moral turpitude; it takes poor, pure-hearted Tess to, in the words of a chastened Elias Graves, teach them the true "meaning of Christianity." This densely plotted picture also takes on such weighty themes as murder, perjury, out-of-wedlock pregnancy, suicide, and attempted rape. A rousing melodrama, the film draws the viewer right in and doesn't let go until its riveting climax. --Laura Mirsky
Impression de photo
Edible image on cookie for a baby baptism. Perfect for favors. ------- Image comestible sur biscuit a l'occasion d'un bapteme. Parfait pour remettre comme petit cadeau a vos invites.the christening.
this, and much of my older work images are film. scanned negatives.
Title: Black Baptism. Artist: Charles Carol Coleman. Image Size: 10.00in. x 8.00in. Paper Size: 10.00in. x 8.00in. MUSEUM WRAP CANVAS Print With Added Heavy BRUSHSTROKESRelated topics:
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Producing a canvas transfer is an intensely detailed process, which begins with an art print (ink on paper). Special chemicals are applied which, when dried, form a film that is meticulously separated from the paper and permanently embedded onto a high quality artist canvas. The canvas is then carefully stretched and wrapped around a sturdy, custom-cut inner support frame, called a "stretcher bar". Heavy added brushstrokes are also carefully painted on to the canvas.
Ready to Hang "Museum Wrap"
Canvas is wrapped around the stretcher bars and stapled on the back. White canvas will show on the sides and no part of the image is lost during this wrapping process. The stretcher bar on the back of the canvas has a saw-tooth hanger, making it ready to hang on your wall. The canvas texture and non-reflective nature of a canvas transfer allows you to hang them under any lighting conditions. Differing from traditional paper art prints, a canvas transfer has a lifespan as long as any original painting or work of art. They can easily be dusted and cleaned with a damp cloth, giving years of use and enjoyment.
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