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Canterbury Rugby Equipment


canterbury rugby equipment
    canterbury
  • A city in Kent, in southeastern England, the seat of the archbishop of Canterbury; pop. 39,700
  • a town in Kent in southeastern England; site of the cathedral where Thomas a Becket was martyred in 1170; seat of the archbishop and primate of the Anglican Church
  • Canterbury of New Zealand — sometimes incorrectly referred to as CCC — is a New Zealand-based sports apparel company, now majority-owned by Kuwait Finance House, that focuses on rugby football.
  • Canterbury is the third album by Diamond Head. The album was recorded and released in 1983, reaching Number 32 on the UK Album Chart.
    equipment
  • an instrumentality needed for an undertaking or to perform a service
  • The act of equipping, or the state of being equipped, as for a voyage or expedition; Whatever is used in equipping; necessaries for an expedition or voyage; the collective designation for the articles comprising an outfit; equipage; as, a railroad equipment (locomotives, cars, etc.
  • The process of supplying someone or something with such necessary items
  • Mental resources
  • A tool is a device that can be used to produce or achieve something, but that is not consumed in the process. Colloquially a tool can also be a procedure or process used for a specific purpose.
  • The necessary items for a particular purpose
    rugby
  • The Rugby Amtrak station is a train station in Rugby, North Dakota served by Amtrak, the national railroad passenger system. The station was built in 1907 as the Great Northern Passenger Depot.
  • A team game played with an oval ball that may be kicked, carried, and passed from hand to hand. Points are scored by grounding the ball behind the opponents' goal line (thereby scoring a try) or by kicking it between the two posts and over the crossbar of the opponents' goal
  • a form of football played with an oval ball
  • The Rugby was a 1920s brand of automobile assembled by the Durant Motors Company of New York City, New York (USA).
canterbury rugby equipment - The Canterbury
The Canterbury Tales in Modern Verse
The Canterbury Tales in Modern Verse
"Readers of this witty and fluent new translation of The Canterbury Tales should find themselves turning page after page: by recasting Chaucer's ten-syllable couplets into eight-syllable lines, Glaser achieves a lighter, more rapid cadence than other translators, a four-beat rhythm well-established in the English poetic tradition up to Chaucer's time. Glaser's shortened lines make compelling reading and mirror the elegance and variety of Chaucer's verse to a degree rarely met by translations that copy Chaucer beat for beat. Moreover, this translation's full, Chaucerian range of diction—from earthy to Latinate—conveys the great scope of Chaucer's interests and effects.

The selection features complete translations of the majority of the stories, including all of the more familiar tales and narrative links along with abridgments or summaries of the others. To reflect Chaucer's interest in poetic technique, Glaser presents the tales written in non-couplet stanzas in their original forms.

An Introduction, marginal glosses, bibliography, and notes are also included."

"Readers of this witty and fluent new translation of The Canterbury Tales should find themselves turning page after page: by recasting Chaucer's ten-syllable couplets into eight-syllable lines, Glaser achieves a lighter, more rapid cadence than other translators, a four-beat rhythm well-established in the English poetic tradition up to Chaucer's time. Glaser's shortened lines make compelling reading and mirror the elegance and variety of Chaucer's verse to a degree rarely met by translations that copy Chaucer beat for beat. Moreover, this translation's full, Chaucerian range of diction—from earthy to Latinate—conveys the great scope of Chaucer's interests and effects.

The selection features complete translations of the majority of the stories, including all of the more familiar tales and narrative links along with abridgments or summaries of the others. To reflect Chaucer's interest in poetic technique, Glaser presents the tales written in non-couplet stanzas in their original forms.

An Introduction, marginal glosses, bibliography, and notes are also included."

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The Canterbury Labyrinth
The Canterbury Labyrinth
This version of a medieval labyrinth has been constructed at the University of Kent's Canterbury campus. It's the first labyrinth (I believe) to have been built at an English university (apparently Edinburgh already has some). Kent also has a canvas labyrinth based on the one at Chartres. Basically they can be used as a meditational aid, or for destressing, help with focussing and just whiling away the odd half an hour or so.
Canterbury Castle, Canterbury, England
Canterbury Castle, Canterbury, England
Canterbury Castle is a Norman Castle in Canterbury. It was one of the three original Royal castles of Kent (the other two being Rochester Castle and Dover Castle). They were all built soon after the Battle of Hastings on the main Roman road from Dover to London. This was the route taken by William the Conqueror in October 1066, and they were built originally as motte-and-bailey castles to guard this important route.

canterbury rugby equipment
canterbury rugby equipment
The Canterbury Tales (Modern Library)
It would be impossible to overstate the influence of Geoffrey Chaucer’s The Canterbury Tales. A work with one metaphorical foot planted in the Florentine Renaissance literary tradition of Boccaccio’s Decameron and the other in works ranging from John Bunyan, Voltaire, and Mark Twain to the popular entertainments of our own time, The Canterbury Tales stands astride the cultures of Great Britain and America, and much of Europe, like a benign colossus.

Beyond its importance as a cultural touchstone and literary work of unvarnished genius, Chaucer’s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny–an undisputed classic that has held a special appeal for generations of readers. Chaucer has gathered twenty-nine of literature’s most indelible archetypes–from the exalted Knight to the bawdy Wife to the besotted Miller to the humble Plowman–in a vivid group portrait that captures the full spectrum of late-medieval English society and both informs and expands our discourse on the human condition.

Presented in these pages in a new unabridged translation by the esteemed poet, translator, and scholar Burton Raffel–whose translation of Beowulf has sold more than a million copies–this Modern Library edition also features an Introduction by the well-known and widely influential medievalist and author John Miles Foley that discusses Chaucer’s work as well as to his life and times.

Despite the brilliance of Geoffrey Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Burton Raffel’s magnificent new translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader.

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