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Gramercy Park Hotel Rooftop Bar
- Gramercy Park, sometimes misspelled as Grammercy, is a small, fenced-in private park in the borough of Manhattan in New York City, United States. The park is at the core of both the neighborhood referred to as either Gramercy or Gramercy Park and the Gramercy Park Historic District.
- The outer surface of a building's roof
- A roof is the covering on the uppermost part of a building. A roof protects the building and its contents from the effects of weather. Structures that require roofs range from a letter box to a cathedral or stadium, dwellings being the most numerous.
- The Rooftop mansion is one of the Twenty-eight mansions of the Chinese constellations. It is one of the northern mansions of the Black Tortoise.
- the top of a (usually flat) roof
- An establishment providing accommodations, meals, and other services for travelers and tourists
- In French contexts an hotel particulier is an urban "private house" of a grand sort. Whereas an ordinary maison was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an hotel particulier was often free-standing, and by the eighteenth
- A hotel is an establishment that provides paid lodging on a short-term basis. The provision of basic accommodation, in times past, consisting only of a room with a bed, a cupboard, a small table and a washstand has largely been replaced by rooms with modern facilities, including en-suite
- A code word representing the letter H, used in radio communication
- a building where travelers can pay for lodging and meals and other services
- Prohibit (someone) from doing something
- prevent from entering; keep out; "He was barred from membership in the club"
- Fasten (something, esp. a door or window) with a bar or bars
- Prevent or forbid the entrance or movement of
- barroom: a room or establishment where alcoholic drinks are served over a counter; "he drowned his sorrows in whiskey at the bar"
- a counter where you can obtain food or drink; "he bought a hot dog and a coke at the bar"
gramercy park hotel rooftop bar - Gramercy Park
New York City, 1894. To Gramercy Park, bordered by elegant town houses, cloistered behind its high iron fence, comes Mario Alfieri, the world's greatest tenor. Poised for his premier at the Metropolitan Opera, the summit of society, the handsome Alfieri needs a refuge from the clamor of New York's elite . . . and from the eager women who rule it. He finds it, he thinks, at Gramercy Park, in the elegant mansion of the recently deceased Henry Ogden Slade. The house is available . . . but not quite empty. Clara Adler, Slade's former ward, lives there still, friendless and alone. Who is this bewitching orphan? Why did Slade take her into his home, only to leave her penniless at his death? And what tragedies and terrors have left Clara little more than a pale and frightened ghost, haunting the deserted mansion? Mystified, then enchanted, Alfieri is soon involved in an intrigue that spans two decades and pits him against a vicious enemy who swears to destroy both him and the woman he loves . . . and whose weapon is a scandal that has already come close to killing Clara Adler.
Opera enthusiast and self-described worshipper of all things Victorian, first-time novelist Paula Cohen merges her two obsessions in Gramercy Park, a ripping good yarn set in Manhattan in 1894 that contains as many corsets as it does arias. When an elderly businessman and philanthropist dies, he leaves behind a Gramercy Park mansion and a beautiful but sickly ward named Clara. Enter the swarthy Italian tenor Mario Alfieri, who has recently arrived for his debut on the American opera scene, and whose velvet voice belies his womanizing swagger. Mario falls in love with Clara, whom he marries hastily as protection against Thaddeus Chadwick, the nefarious lawyer who covets his dead client's millions and his appealing ward--but not necessarily in that order. With plenty of standing ovations and fainting spells, vengeful threats and sexual deviancies, this is the sort of fiction that weaves a passionate tapestry of a tale and, in doing so, a reverent approximation of an era. Cohen concocts the repressed and proper past with plenty of titillation for a modern audience. In doing so, it's hard for the reader to decide which time period the book really belongs to, only you have to keep reading to see if the tenor sings a final, happy song. --Emily Russin
gramercy park hotel
the roof, the roof, the roof is on fire...
gramercy park hotel
the roof, the roof, the roof is on fire
gramercy park hotel rooftop bar
New York's Gramercy Park was the Bloomsbury of America. Here Samuel Ruggles, who created Gramercy Park, hosted a grand ball for the visiting celebrity Charles Dickens and his "fat little wife." Here Walt Whitman gratefully accepted from Richard Watson Gilder a rare invitation to a party at a time when few found the poet of Leaves of Grass socially acceptable. Edwin Booth, paralyzed by remorse over his brother's assassination of the president, here sat silently behind drawn curtains. And here O. Henry searched the faces of New York's first underground travelers for the tales he would write about the city he called "Bagdad on the Subway."
Gramercy Park brings to life a place and time of dazzling intellectual achievement. Walk with Henry James, Edith Wharton, Herman Melville, George Bellows, and scores of others in an intimate tour of the extraordinary place that helped shape the literary and artistic values of modern America.