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Dream Home Journal: A Style Sourcebook & Idea Organizer: (Workbook) Pockets & 10 Detailed Pages for 8 Dream Rooms: Stickers & Labels: With Red Elastic Closure - First Edition, 1st Printing 2007 (Detailed Pages: Organize for Each Room: Color - Pattern - Floor Plan & Measurements with Grid Page - Wall Plans with Grid Page - Furniture - Accessories - Project To-Do List - FOR 8 ROOM)
Would you love to make over every room in your house, but you just don't know where to begin. Do you add color to that drab room, cover those tattered cushions in a gorgeous floral fabric, or simply buy that lovely piece of vintage furntiure you have been after for years? Design inspiration is all around us. But life is busy, and both money and time can be real obstacles in making your ideas become reality. The Dream Home Journal is both a stylebook and a workbook you can use to achieve your dream home step-by-step. This is a place to collect inspiration and record ideas for each room that you plan to make over. The sturdy, expandable, portable companion will organize your design ideas and keep them close at hand. To use this journal, begin by choosing the rooms you would like to focus on: wheather it's a utility room that needs transforming into a sunny oasis or a hard-working kitchen that could use some tender loving care. Start by designating one of the eight style selections in the journal for every room you plan to work on. The colorful labeling stickers in the back allow you to customize the sections according to the type of rooms in your home. Each room section begins with a pocket for keeping magazine clippings, paint chips, fabric swatches, photgraphs, catalog pages, whatever inspires you. At the beginning you'll find questionnaires that will jump-start your creative thinking. More creative pages follow, including blank sheets for pasting ideas about color and pattern, and graph sheets for sketching floor and wall plans. Keep track of important measurements, so you'll alway have on hand the size of your window, or the distance between the top of the fireplace and the ceiling. Each section ends with a handy project to-do list. With your ideas orgainized room by room, your wish list and your to-do lists mapped out, you'll find you have plenty to do. By committing your ideas you are well on your way to the home you have always wanted.86% (11)
Financial District, Lower Manhattan Although only half the height of the Woolworth Building, Liberty Tower anticipated much of the revolutionary character of its more famous counterpart by being almost entirely freestanding, clad largely in terra cotta, and designed in a Gothic style. Henry Ives Cobb, an architect trained in Boston who practiced for many years in Chicago, was particularly well-suited to the task of adapting traditional Eastern styles to Midwestern skyscraper technology, and his Liberty Tower remains one of the most distinctive skyscrapers in lower Manhattan. History of the Site and the Liberty Tower Project The site of Liberty Tower in the middle of the 19th century was not quite within the financial district, and from the 1850s until the 1870s was occupied by the New York Evening Post building. The Post, edited by poet William Cullen Bryant (1794-1878) from 1827-1877, bought the property in 1853, and remained on the site until 1875. The site changed hands several times over the next thirty years. Parke Godwin bought it in 1881, and sold it to the Bryant Building Co. in 1883. Both the building company and the seven-story building on the site were named in honor of the Post's editor. The Bryant Building Company sold the site in January 1909 to the C.L. Gray Construction Company of St. Louis, which actually was buying it for another company, not yet incorporated, in which, it was said, "several St. Louis men will be interested." The new company, called the Liberty-Nassau Building Company, built Liberty Tower as a speculative office building, as the site was by this time within the confines of the financial district. The new structure was at first called the the "Bryant Building," like its predecessor, but soon afterward became known as Liberty Tower. The advertising brochure for the building issued by the company claimed that "with a floor plan, every inch of which will be available for office uses, and with the perfect light and ventilation afforded only by the expensive tower plan of construction, it will successfully challenge comparison with any office space in New York." According to the brochure the company intended to limit tenants to stock brokers, financial institutions, large industrial corporations and lawyers, and they promised to "treat their tenants as their partners in the enterprise." The brochure announced that "the building was not erected as a speculation, but as a permanent investment on behalf of the Liberty-Nassau Building Company, and therefore the design, material, workmanship and equipment are the best that genius and money could suggest and supply. In accordance with these intentions, the company brought in the C.L. Gray Construction Co. from St. Louis, the company's home base; contracted with the Atlantic Terra-Cotta Company, the leading firm in the field; and hired Henry Ives Cobb to design the striking Gothic-style terra-cotta clad skyscraper. Henry Ives Cobb (1859-1931) Henry Ives Cobb, an architect who trained in the east, spent many years working in Chicago.-* His training left him with pronounced preferences for traditional historic styles, but his practice in Chicago, during the developing years of the first Chicago School, put him in touch with the latest technological developments. A very prolific architect, Cobb's commissions included residences, churches, public buildings, clubs, and office and commercial buildings. Cobb was born in Brookline, Mass., in 1859. He attended private schools and the Brookline High School where he acquired drafting skills. While still in high school, he was sent by his father on a sea voyage for his health and visited England and France. After returning home he resumed study at the Brookline High School and graduated in 1876. He entered the Massachusetts Institute of Technology, where he remained one year, and then the Lawrence Scientific School of Harvard University, graduating in 1880 as an engineer. Cobb studied architecture with William R. Ware (1832-1915). the founder in 1865, of the first school of architecture in the United Stated at M.I.T. and later the school at Columbia University in 1881. Training in both these schools, as in others in the late 19th and early 20th century, was based on the system used in the Paris Ecole des Beaux-Arts, which Ware would have learned while studying in the atelier of Richard Morris Hunt, the first American to study at the Ecole. Ware himself was a partner in the successful firm of Ware & Van Brunt, much of whose work was in the High Victorian Gothic style. Ware & Van Brunt designed Memorial Hall at Harvard, the construction of which was completed in 1878 while Cobb was still a student there. Memorial Hall was one of the most prominent buildings in the Victorian Gothic style. Cobb was employed briefly by Peabody and Stearns, a prominent Boston firm that worked in various historical styles, but left for Chicago in 1881 tHEY COMMU--EHHH I MEAN LIBERAL DEMOCRATS --THIS IS WHAT YOU ARE AND WHO YOU WORK FOR
YOU ALWAYS WHINE AND CRY WHEN WE CALL YOU COMMUNISTS ----NO---NO ---NO -----HOW DARE YOU -------NOT ME!! FIRST ENTERED INTO RECORD IN 1963 THIS IS WHAT YOUR RAMPANT LIBERALIST AGENDA IS AND WHAT IT YOU ARE -----------COMMUNISTS THROUGH AND THROUGH -------JUST ADMIT IT AND BE COMFORTABLE WITH IT ---AFTER ALL YOU CHOSE IT ---HOW MANY THINGS ON THIS LIST THAT HAS NOT BEEN ON YOUR POLITICAL AGENDA AT ONE TIME OR ANOTHER ?? -------NOT VERY DAMN MANY --------------SO WHEN WE CALL YOU COMMUNISTS THATS BECAUSE WE AT LEAST DAMN WELL REALIZE IT --MOST OF US NOT OF THE LIBERAL DISEASED MIND HAVE SEEN THIS ALREADY BUT FOR YOU LIBS AND ANY WHO HAVEN'T ----HERE IT IS CURRENT COMMUNIST GOALS 1. U.S. acceptance of coexistence as the only alternative to atomic war. 2. U.S. willingness to capitulate in preference to engaging in atomic war. 3. Develop the illusion that total disarmament [by] the United States would be a demonstration of moral strength. 4. Permit free trade between all nations regardless of Communist affiliation and regardless of whether or not items could be used for war. 5. Extension of long-term loans to Russia and Soviet satellites. 6. Provide American aid to all nations regardless of Communist domination. 7. Grant recognition of Red China. Admission of Red China to the U.N. 8. Set up East and West Germany as separate states in spite of Khrushchev's promise in 1955 to settle the German question by free elections under supervision of the U.N. 9. Prolong the conferences to ban atomic tests because the United States has agreed to suspend tests as long as negotiations are in progress. 10. Allow all Soviet satellites individual representation in the U.N. 11. Promote the U.N. as the only hope for mankind. If its charter is rewritten, demand that it be set up as a one-world government with its own independent armed forces. (Some Communist leaders believe the world can be taken over as easily by the U.N. as by Moscow. Sometimes these two centers compete with each other as they are now doing in the Congo.) 12. Resist any attempt to outlaw the Communist Party. 13. Do away with all loyalty oaths. 14. Continue giving Russia access to the U.S. Patent Office. 15. Capture one or both of the political parties in the United States. 16. Use technical decisions of the courts to weaken basic American institutions by claiming their activities violate civil rights. 17. Get control of the schools. Use them as transmission belts for socialism and current Communist propaganda. Soften the curriculum. Get control of teachers' associations. Put the party line in textbooks. 18. Gain control of all student newspapers. 19. Use student riots to foment public protests against programs or organizations which are under Communist attack. 20. Infiltrate the press. Get control of book-review assignments, editorial writing, policymaking positions. 21. Gain control of key positions in radio, TV, and motion pictures. 22. Continue discrediting American culture by degrading all forms of artistic expression. An American Communist cell was told to "eliminate all good sculpture from parks and buildings, substitute shapeless, awkward and meaningless forms." 23. Control art critics and directors of art museums. "Our plan is to promote ugliness, repulsive, meaningless art." 24. Eliminate all laws governing obscenity by calling them "censorship" and a violation of free speech and free press. 25. Break down cultural standards of morality by promoting pornography and obscenity in books, magazines, motion pictures, radio, and TV. 26. Present homosexuality, degeneracy and promiscuity as "normal, natural, healthy." 27. Infiltrate the churches and replace revealed religion with "social" religion. Discredit the Bible and emphasize the need for intellectual maturity which does not need a "religious crutch." 28. Eliminate prayer or any phase of religious expression in the schools on the ground that it violates the principle of "separation of church and state." 29. Discredit the American Constitution by calling it inadequate, old-fashioned, out of step with modern needs, a hindrance to cooperation between nations on a worldwide basis. 30. Discredit the American Founding Fathers. Present them as selfish aristocrats who had no concern for the "common man." 31. Belittle all forms of American culture and discourage the teaching of American history on the ground that it was only a minor part of the "big picture." Give more emphasis to Russian history since the Communists took over. 32. Support any socialist movement to give centralized control over any part of the culture--education, social agencies, welfare programs, mental health clinics, etc. 33. Eliminate all laws or procedures which interfere with the operation of the Communist apparatus.
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