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- The skin is the outer covering of the body. In humans, it is the largest organ of the integumentary system made up of multiple layers of ectodermal tissue, and guards the underlying muscles, bones, ligaments and internal organs. "Skin care" (analysis), Health-Cares.net, 2007, webpage: .
- As the body ages, the skin loses its underlying layers of fat, and the production of collagen and elastin fibers slows down.
- As the body ages, the appearance and characteristics of the skin alter. Aging is accelerated in skin exposed to sunlight (ultraviolet radiation), a process known as 'photoaging.
- Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance
- an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"
- cosmetics applied to the face to improve or change your appearance
- The composition or constitution of something
- The combination of qualities that form a person's temperament
- constitution: the way in which someone or something is composed
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Tony Randall (1920 - 2004) 'Odd Couple' actor who promoted classic theatre One of America's finest comic actors, Tony Randall played the fastidious Felix Unger to Jack Klugman's slovenly Oscar Madison in the long-running television series The Odd Couple. Before that, he was best known as the hero's best friend in a trio of Doris Day/Rock Hudson comedies, displaying superb timing, droll wit and a carefully cultivated air of sardonic disdain. In the recent homage to those movies, Down With Love, an actor very much in the same tradition, David Hyde Pierce, played the Randall role, with Randall himself making a token cameo appearance as a fraught publisher. "We've lost a great actor, a great comedian and a great role model," said Pierce this week. "Who am I going to steal from now?" Randall's first and greatest love was the theatre, and in 1991 he formed a non-profit company to bring classic theatre back to Broadway at affordable prices. The son of an art dealer, he was born Leonard Rosenberg in Oklahoma in 1920, and he later recalled being captivated as a child by the roadshows that would come through his home town, Tulsa. Dropping out of Northwestern University afer a year, he moved to New York to study acting at the Neighborhood Playhouse School of the Theatre. Billed as Anthony Randall, he made his New York debut in The Circle of Chalk (1941) at the New School for Social Research, played Marchbanks in Candida (1941), then played a miner in Emlyn Williams's The Corn is Green (1942). He would later recall that production fondly for the opportunity it gave him to work with Ethel Barrymore. After service in the army, achieving the rank of lieutenant, he returned to the stage to act with another great star of the American theatre, Katharine Cornell, playing her brother in The Barretts of Wimpole Street, and Scarus in Antony and Cleopatra (both 1947). In 1949 he joined the cast of the highly successful radio series I Love a Mystery, playing Reggie Yorke, a prim Brit, one of three former soldiers of fortune running the A-1 Detective Agency ("No job too tough, no mystery too baffling"). Described by one writer as "at its best a vivid, spine-tingling audio version of pulp horror fiction", it ran in a daily 15-minute slot until 1952. Television roles included the soap opera One Man's Family, but his first major success was the situation comedy series Mr Peepers (1952-55), starring Wally Cox as a meek, bumbling science teacher. Randall was his best friend and exact opposite, a brash, posturing history teacher. Randall returned to Broadway in 1954, when he took over from Gig Young in Edward Chodorov's psychiatric spoof Oh, Men! Oh, Women!, and he was to make his screen debut (in a smaller role) when 20th Century-Fox filmed the play in 1957. His performance was highly praised, and he was then given the starring role opposite Jayne Mansfield in the advertising spoof Will Success Spoil Rock Hunter? (1957). The director, Frank Tashlin, said that directing Randall was "like playing a Stradivarius". He next played in Martin Ritt's overwrought study of young couples starting married life in a suburban housing complex, No Down Payment (1957). As a bragging car salesman who takes to drink when his achievements fail to match his lofty ambitions, he gave an almost uncomfortably truthful performance mingling drama, pathos and comedy. He then lost an announced role alongside Marlon Brando and Montgomery Clift in The Young Lions (1957), with reports that the agency representing Brando and Clift had insisted that another of its clients, Dean Martin, be given the role. Randall was perfectly cast as a strait-laced tax collector who falls for a farmer's daughter (Debbie Reynolds) in The Mating Game (1959), based on H.E. Bates's The Darling Buds of May, with a hilarious drunk scene in which he unexpectedly launches into Cole Porter's "I've Got You Under My Skin". The same year he played the jilted suitor trying to protect virginal Doris Day from his friend, playboy Rock Hudson, in Pillow Talk (1959), the first of the Hudson/Day comedies and an enormous hit. His neuroses were on display to similarly comic effect in the team's Lover Come Back (1961) and Send Me No Flowers (1964). Day said, "Nothing was as much fun as working with him." Other films included the raunchy comedy Boys Night Out (1962) with Kim Novak, and an engaging fantasy directed by George Pal, The Seven Faces of Dr Lao (1964), in which he played seven roles with the aid of William Tuttle's Oscar-winning makeup. In 1968 he returned to Broadway to star in a musical, Oh Captain!, based on the British movie The Captain's Paradise, with Randall as the naval officer with a reserved British wife in one port and a voluptuous mistress in another. Though he and the cast were praised, a second-league score by Jay Livingston and Ray Evans, and leaden direction by Jose Ferrer (who also co-wrote the librett
Tammy Ann Holding
I’m posting this picture on the million-to-one chance that somebody out there does a google search on Tammy’s name, wondering whatever became of her. If you knew Tammy, you know that she had been diagnosed with Type 1 Diabetes when she was 12 years old. Tammy tried to live as full a life as she could, given her disability. The last few years of her life were very difficult. She had seemingly every possible complication that a person could have from Diabetes but the ones that affected her the most were neuropathy and circulatory problems. She had to take several injections on most days and they were difficult for her because she was so thin. They would leave bruises on her stomach where she had pinched together enough skin to make a good injection. At a young age, Tammy had said that if she could make it to the age of 40 and still be relatively healthy, she didn’t think she would complain. She later would joke that “I should have said 50!” Just prior to her 40th birthday, she was participating in a screening to see if she would be a good candidate for a test of a new insulin product. During the testing, she got the news that her kidneys were beginning to shut down on her. They were being starved for oxygen due to her poor circulation. She was not a candidate for a transplant because any transplanted kidney would soon be in the same condition as her own. Throughout the ordeal, Tammy tried to keep her spirits up and not let people know how dire her outlook was. She always tried to maintain her positive attitude and keep her sense of humor about things. She did not tell her friends about her prognosis because she did not want people to feel sorry for her. She lived on disability so she did not have a lot of money but she refused to take handouts. But if you took her out to eat, she would wolf down everything on her plate and half of what was on yours, then ask for more bread. She wouldn’t let you give her money to buy food but if you took her to the store to buy food for yourself and asked her if she needed anything as long as we’re here, she would start throwing stuff in the basket with both hands. Once I tried to sneak some money into her wallet when she was short, she got very angry at me and made me take it back. The one luxury she would allow herself was to buy good quality coffee beans and drink her morning coffee with heavy whipping cream. She said that drinking cheap coffee in the morning made her feel like her whole day was going to be a waste of time. Tammy was very open-minded and was always happy to be exposed to new things. When I met her she only had an AM/FM radio which she tuned to the classic rock station because that’s what she knew. I bought her a proper stereo and started bringing her 4 or 5 CD’s every time I saw her. She wanted to hear everything I had and, in time, her musical tastes had expanded to include blues, reggae, ska (she liked to dance around the house to Desmond Dekker, the Specials and especially Bad Manners), and even some old-school punk. Her favorite artists included Stevie Ray Vaughan, Chris Smither and Nick Drake. A few songs that held special meaning for her were “No Reward” and “Killin’ the Blues” by Chris Smither and “Northern Sky” by Nick Drake. Tammy’s activities became pretty limited as her condition deteriorated. It became difficult to predict how she would be feeling even a day or two ahead because she never knew until she woke up whether she was going to have a “Good Tammy Day” or a “Bad Tammy Day”. Concert tickets and baseball tickets went unused. But on the good days, she would push herself so hard, trying to do everything she could while she felt up to it and trying to make up for the things she had missed. One thing that remained consistent was that we would go to at least one movie every week, always a matinee, then go to get coffee or a beer (usually a beer) afterwards and dissect the movie. One of my fondest memories is of the time we went to see “Swingers”. It was a 12 noon showing and we were the only two people in the theater so during the dance scenes, we would run up in front of the movie screen and dance along with the characters in the movie. If I close my eyes, I can still see her smiling and hear her laughing with the movie playing across her face. As her kidney problems worsened, Tammy started losing weight at a rapid pace and no matter how much she ate, she could not keep her weight up. She knew that she wasn’t going to be around for too much longer but she didn’t tell anybody how bad things were for her, including me. She got her affairs in order and said the things she needed to say to the people she needed to say them to. She decided that climbing in bed, pulling the sheets up over her head and waiting for her fate to befall her was no way to live, at least not for her. She was not going to allow herself to wither away. So she decided to meet fate head-on and go out entirely on her own terms with
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