USED OFFICE FURNITURE IN LOS ANGELES : USED OFFICE FURNITURE

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Used Office Furniture In Los Angeles


used office furniture in los angeles
    office furniture
  • Furniture is the mass noun for the movable objects ('mobile' in Latin languages) intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things.
  • furniture intended for use in an office
  • Items normally associated with the occupancy or use in such areas as offices, conference and reception rooms, institutional waiting rooms, lobbies, and libraries.
    los angeles
  • A city on the Pacific coast of southern California; pop. 3,694,820. It is a major center of industry, filmmaking, and television
  • Los Angeles is the capital of the province of Biobio, in the municipality of the same name, in Region VIII (the Biobio region), in the center-south of Chile. It is located between the Laja and Biobio rivers. The population is 123,445 inhabitants (census 2002).
  • a city in southern California; motion picture capital of the world; most populous city of California and second largest in the United States
  • Los Angeles Union Station (or LAUS) is a major passenger rail terminal and transit station in Los Angeles, California.
used office furniture in los angeles - Miracle Caster!
Miracle Caster! Extra Large Chair Wheels. Set of Five. Great for carpet. Replaces chair mat.
Miracle Caster! Extra Large Chair Wheels. Set of Five. Great for carpet. Replaces chair mat.
Miracle Casters are large chair casters that offer several advantages over regular chair casters. Miracle Casters use wheels that are nearly 4 inches in diameter. That's twice the diameter of the cheap casters supplied on most office chairs! Because of their larger size, Miracle Casters roll easily over thick carpet and can also be used on tile. Think of the huge wheels on tractors and other heavy equipment. Miracle Casters work on the same principle. The bigger the wheel, the easier it will roll over a soft or uneven surface. Each caster is rated to carry 130 pounds, which means that a set of five will hold a static load of 650 pounds. However, for best results, we do not recommend Miracle Casters for individuals over 300 pounds. When used on carpet, each Miracle Caster is guaranteed against failure for 10 years. Miracle Casters fit many office chairs. PLEASE MEASURE YOUR CURRENT CASTER STEM TO MAKE SURE THE DIAMETER IS 7/16-INCH. A ruler, 7/16" wrench or 7/16" drill bit can be helpful when checking your stem diameter. The length of Miracle Caster stems is 7/8-inch. To avoid chair damage, your current caster stem should be between 7/8-inch and 1.25-inch in length. See photos for complete dimensions. Here's what people are saying: * Received your casters and they seem to be working great. I can move on the rug! - Eilleen H., Harrisburg, PA. * Wanted to let you know that I put the casters on my (Henry Miller) Aeron chair, and omigod they are awesome!!! - Richard H., Los Angeles, CA * Goodbye ugly plastic mat! Your casters went on an Aeron chair, and actually improved an already-excellent product. I've got a pretty bad neurological condition, which causes major pain; the Aeron has helped that, and your casters are little 'miracles' too, making a good product better. I've successfully ordered goods from the Internet for many years, but this is the first time I've felt I should write a company with my compliments. Keep up the good work! Many blessings. - Michael, GA.

79% (8)
semae = eames
semae = eames
modern furniture series: semae sticker / tee logo / card, des. #3 the semae represents the Eames Low Side Chair by Charles and Ray Eames, 1946 It is hard to imagine now, but the use of plywood and chrome-plated steel in residential furniture was considered edgy, risky, and thoroughly new when this chair made its 1946 debut. It is modern, lightweight, strong, sculptural, and a complete departure from what furniture was. Charles Ormond Eames, Jr was born in 1907 in Saint Louis, Missouri. By the time he was 14 years old, while attending high school, Charles worked at the Laclede Steel Company as a part-time laborer, where he learned about engineering, drawing, and architecture (and also first entertained the idea of one day becoming an architect). Charles briefly studied architecture at Washington University in St. Louis on an architectural scholarship. He proposed studying Frank Lloyd Wright to his professors, and when he would not cease his interest in modern architects, he was dismissed from the university. In the report describing why he was dismissed from the university, a professor wrote the comment "His views were too modern." While at Washington University, he met his first wife, Catherine Woermann, whom he married in 1929. A year later, they had a daughter, Lucia. After he left school and was married, Charles began his own architectural practice, with partners Charles Gray and later Walter Pauley. One great influence on him was the Finnish architect Eliel Saarinen (whose son Eero, also an architect, would become a partner and friend). At the elder Saarinen's invitation, he moved in 1938 with his wife Catherine and daughter Lucia to Michigan, to further study architecture at the Cranbrook Academy of Art, where he would become a teacher and head of the industrial design department. One of the requirements of the Architecture and Urban Planning Program, at the time Eames applied, was for the student to have decided upon his project and gathered as much pertinent information in advance – Eames' interest was in the St. Louis waterfront. Together with Eero Saarinen he designed prize-winning furniture for New York's Museum of Modern Art "Organic Design" competition. Their work displayed the new technique of wood moulding (originally developed by Alvar Aalto), that Eames would further develop in many moulded plywood products, including, beside chairs and other furniture, splints and stretchers for the U.S. Navy during World War II. In 1941, Charles and Catherine divorced, and he married his Cranbrook colleague Ray Kaiser, who was born in Sacramento, California. He then moved with her to Los Angeles, California, where they would work and live for the rest of their lives. In the late 1940s, as part of the Arts & Architecture magazine "Case Study" program, Ray and Charles designed and built the groundbreaking Eames House, Case Study House #8, as their home. Located upon a cliff overlooking the Pacific Ocean, and constructed entirely of pre-fabricated steel parts intended for industrial construction, it remains a milestone of modern architecture. In the 1950s, the Eameses would continue their work in architecture and modern furniture design, often (like in the earlier moulded plywood work) pioneering innovative technologies, such as the fiberglass and plastic resin chairs and the wire mesh chairs designed for Herman Miller. Besides this work, Charles would soon channel his interest in photography into the production of short films. From their first one, the unfinished Traveling Boy (1950), to the extraordinary Powers of Ten (1977), their cinematic work was an outlet for ideas, a vehicle for experimentation and education. The Eameses also conceived and designed a number of landmark exhibitions. The first of these, Mathematica: a world of numbers...and beyond (1961), was sponsored by IBM, and is the only one of their exhibitions still existant. The original was created for a new wing of the (currently named) California Science Center; it is now owned by and on display at the New York Hall of Science. In late 1961 a duplicate was created for the Museum of Science and Industry in Chicago; in 1980 it moved to the Museum of Science, Boston. Another version was created for the 1964/1965 New York World's Fair IBM exhibit. After the World's Fair it was moved to the Pacific Science Center in Seattle where it stayed until 1980. The Mathematica Exhibition is still considered a model for scientific popularization exhibitions. It was followed by "A Computer Perspective: Background to the Computer Age" (1971) and "The World of Franklin and Jefferson" (1975-1977), among others. The office of Charles and Ray Eames, which functioned for more than four decades (1943-88) at 901 Washington Boulevard in Venice, California, included in its staff, at one time of another, a number of remarkable designers, like Don Albinson, Deborah Sussman, Richard Foy and Henry Beer. Among
diablo semae.
diablo semae.
modern furniture series: "diablo semae" sticker / tee logo / card, des. #8 the semae represents the Eames Low Side Chair by Charles and Ray Eames, 1946 It is hard to imagine now, but the use of plywood and chrome-plated steel in residential furniture was considered edgy, risky, and thoroughly new when this chair made its 1946 debut. It is modern, lightweight, strong, sculptural, and a complete departure from what furniture was. Charles Ormond Eames, Jr was born in 1907 in Saint Louis, Missouri. By the time he was 14 years old, while attending high school, Charles worked at the Laclede Steel Company as a part-time laborer, where he learned about engineering, drawing, and architecture (and also first entertained the idea of one day becoming an architect). Charles briefly studied architecture at Washington University in St. Louis on an architectural scholarship. He proposed studying Frank Lloyd Wright to his professors, and when he would not cease his interest in modern architects, he was dismissed from the university. In the report describing why he was dismissed from the university, a professor wrote the comment "His views were too modern." While at Washington University, he met his first wife, Catherine Woermann, whom he married in 1929. A year later, they had a daughter, Lucia. After he left school and was married, Charles began his own architectural practice, with partners Charles Gray and later Walter Pauley. One great influence on him was the Finnish architect Eliel Saarinen (whose son Eero, also an architect, would become a partner and friend). At the elder Saarinen's invitation, he moved in 1938 with his wife Catherine and daughter Lucia to Michigan, to further study architecture at the Cranbrook Academy of Art, where he would become a teacher and head of the industrial design department. One of the requirements of the Architecture and Urban Planning Program, at the time Eames applied, was for the student to have decided upon his project and gathered as much pertinent information in advance – Eames' interest was in the St. Louis waterfront. Together with Eero Saarinen he designed prize-winning furniture for New York's Museum of Modern Art "Organic Design" competition. Their work displayed the new technique of wood moulding (originally developed by Alvar Aalto), that Eames would further develop in many moulded plywood products, including, beside chairs and other furniture, splints and stretchers for the U.S. Navy during World War II. In 1941, Charles and Catherine divorced, and he married his Cranbrook colleague Ray Kaiser, who was born in Sacramento, California. He then moved with her to Los Angeles, California, where they would work and live for the rest of their lives. In the late 1940s, as part of the Arts & Architecture magazine "Case Study" program, Ray and Charles designed and built the groundbreaking Eames House, Case Study House #8, as their home. Located upon a cliff overlooking the Pacific Ocean, and constructed entirely of pre-fabricated steel parts intended for industrial construction, it remains a milestone of modern architecture. In the 1950s, the Eameses would continue their work in architecture and modern furniture design, often (like in the earlier moulded plywood work) pioneering innovative technologies, such as the fiberglass and plastic resin chairs and the wire mesh chairs designed for Herman Miller. Besides this work, Charles would soon channel his interest in photography into the production of short films. From their first one, the unfinished Traveling Boy (1950), to the extraordinary Powers of Ten (1977), their cinematic work was an outlet for ideas, a vehicle for experimentation and education. The Eameses also conceived and designed a number of landmark exhibitions. The first of these, Mathematica: a world of numbers...and beyond (1961), was sponsored by IBM, and is the only one of their exhibitions still existant. The original was created for a new wing of the (currently named) California Science Center; it is now owned by and on display at the New York Hall of Science. In late 1961 a duplicate was created for the Museum of Science and Industry in Chicago; in 1980 it moved to the Museum of Science, Boston. Another version was created for the 1964/1965 New York World's Fair IBM exhibit. After the World's Fair it was moved to the Pacific Science Center in Seattle where it stayed until 1980. The Mathematica Exhibition is still considered a model for scientific popularization exhibitions. It was followed by "A Computer Perspective: Background to the Computer Age" (1971) and "The World of Franklin and Jefferson" (1975-1977), among others. The office of Charles and Ray Eames, which functioned for more than four decades (1943-88) at 901 Washington Boulevard in Venice, California, included in its staff, at one time of another, a number of remarkable designers, like Don Albinson, Deborah Sussman, Richard Foy and

used office furniture in los angeles
used office furniture in los angeles
Royale Leather Executive Office Chair / High Back w/ Gas Lift & Tilt and Ergonomic Lumbar Support
You will feel like the CEO in this fabulous, genuine leather executive chair. This chair has everything! It swivels in a complete 360 degree circle. It is equipped with a pneumatic gas lift, so you can raise and lower the chair with a simple pull of a lever. It tilts back, but also has a tilt lock, so you can keep the chair upright if you like. It also has a tilt tension control, so you can make the tilt as stiff or flexible as you like. The chair is mounted on a "5 star" set of rolling casters. The heavy-duty double wheels are extra sturdy, and hooded for your safety In addition to a great range of adjustment, this leather chair was ergonomically crafted to keep you comfortable in an office setting. The chair features extra padding in the seat to support the weight of your thighs. Also, there is an extra trick padded head rest to make it comfortable for you to sit back and relax. Seating is constructed of genuine cow-hide leather, backing is made of duraskin PVC for extra strength to resist tears if you back up into a cabinet or corner. The seat size is 20 inches wide by 18.5 inches deep. The back is 26 inches tall x 20 inches wide. The seat adjusts from 16 to 20 inches high. Some assembly is required.

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