HOW TO CLEAN WALLS WITHOUT REMOVING PAINT : WALLS WITHOUT REMOVING PAINT

How to clean walls without removing paint : Cleaning car windshields

How To Clean Walls Without Removing Paint


how to clean walls without removing paint
    removing
  • Take (something) away or off from the position occupied
  • (removal) the act of removing; "he had surgery for the removal of a malignancy"
  • Change one's home or place of residence by moving to (another place)
  • Take off (clothing)
  • (removal) dismissal from office
  • remove something concrete, as by lifting, pushing, or taking off, or remove something abstract; "remove a threat"; "remove a wrapper"; "Remove the dirty dishes from the table"; "take the gun from your pocket"; "This machine withdraws heat from the environment"
    how to
  • Providing detailed and practical advice
  • A how-to or a how to is an informal, often short, description of how to accomplish some specific task. A how-to is usually meant to help non-experts, may leave out details that are only important to experts, and may also be greatly simplified from an overall discussion of the topic.
  • Practical advice on a particular subject; that gives advice or instruction on a particular topic
  • (How To’s) Multi-Speed Animations
    clean
  • Make (something or someone) free of dirt, marks, or mess, esp. by washing, wiping, or brushing
  • free from dirt or impurities; or having clean habits; "children with clean shining faces"; "clean white shirts"; "clean dishes"; "a spotlessly clean house"; "cats are clean animals"
  • make clean by removing dirt, filth, or unwanted substances from; "Clean the stove!"; "The dentist cleaned my teeth"
  • clean and jerk: a weightlift in which the barbell is lifted to shoulder height and then jerked overhead
  • Remove the innards of (fish or poultry) prior to cooking
    walls
  • Any high vertical surface or facade, esp. one that is imposing in scale
  • A side of a building or room, typically forming part of the building's structure
  • (wall) anything that suggests a wall in structure or function or effect; "a wall of water"; "a wall of smoke"; "a wall of prejudice"; "negotiations ran into a brick wall"
  • A continuous vertical brick or stone structure that encloses or divides an area of land
  • (wall) surround with a wall in order to fortify
  • (wall) an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure; "the south wall had a small window"; "the walls were covered with pictures"
    paint
  • make a painting; "he painted all day in the garden"; "He painted a painting of the garden"
  • apply paint to; coat with paint; "We painted the rooms yellow"
  • Cosmetic makeup
  • a substance used as a coating to protect or decorate a surface (especially a mixture of pigment suspended in a liquid); dries to form a hard coating; "artists use `paint' and `pigment' interchangeably"
  • An act of covering something with paint
  • A colored substance that is spread over a surface and dries to leave a thin decorative or protective coating

NYC Defaced
NYC Defaced
Graffiti (singular: graffito; the plural is used as a mass noun) is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. Graffiti is any type of public markings that may appear in the forms of simple written words to elaborate wall paintings. Graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire.[1] In modern times paint, particularly spray paint, and marker pens have become the most commonly used grafitti materials. In most countries, marking or painting property without the property owner's consent is considered defacement and vandalism, which is a punishable crime. Sometimes graffiti expresses social and political messages and a whole genre of artistic expression is based upon spray paint grafitti styles. To some, it is an art form worthy of display in galleries and exhibitions; to others it is merely vandalism. Graffiti has evolved into a pop culture existence often related to underground hip hop music, b-boying, and a lifestyle that remains hidden from the general public.[2] Graffiti can be used as a gang signal to mark territory or to serve as an indicator or "tag" for gang-related activity. Controversies that surround graffiti continue to create disagreement amongst city officials/law enforcement and graffitists who wish to display and appreciate work in public locations. There are many different types and styles of graffiti and it is a rapidly developing artform whose value is highly contested, reviled by many authorities while also subject to protection, sometimes within the same jurisdiction. Origins Early modernist graffiti can be dated back to box cars in the early 1920s yet the graffiti movement seen in today's contemporary world really originated through the minds of political activists and gang members of the 1960s.[6] The "pioneering era" of graffiti took place during the years 1969 through 1974. This time period was a time of change in popularity and style. New York City became the new hub (formally Philadelphia, Pennsylvania) of graffiti tags and images. Graffiti artists during this time period sought to put as many markings up as possible around the city. This was the ultimate goal of exposure. Soon after the migration from Philadelphia to NYC, the city produced one of the first graffiti artists to gain media attention in New York, TAKI 183. TAKI 183 was a youth from Washington Heights, Manhattan who worked as a foot messenger. His tag is a mixture of his name Demetrius (Demetraki), TAKI, and his street number, 183rd. Being a foot messenger, he was constantly on the subway and began to put up his tags along his travels. This spawned a 1971 article in the New York Times titled "'Taki 183' Spawns Pen Pals".[7][2][8] Julio 204 is also credited as an early writer, though not recognized at the time outside of the graffiti subculture. Other notable names from that time are: Stay High 149, PHASE 2, Stitch 1, Joe 182, Junior 161 and Cay 161. Barbara 62 and Eva 62 were also important early graffiti artists in New York, and are the first women to become known for writing graffiti. Also taking place during this era was the movement from outside on the city streets to the subways. Graffiti also saw its first seeds of competition around this time. The goal of most artists at this point was "getting up": having as many tags and bombs in as many places as possible. Artists began to break into subway yards in order to hit as many trains as they could with a lower risk, often creating larger elaborate pieces of art along the subway car sides. This is when the act of bombing was said to be officially established. By 1971 tags began to take on their signature calligraphic appearance because, due to the huge number of artists, each graffiti artist needed a way to distinguish themselves. Aside from the growing complexity and creativity, tags also began to grow in size and scale – for example, many artists had begun to increase letter size and line thickness, as well as outlining their tags. This gave birth to the so-called 'masterpiece' or 'piece' in 1972. Super Kool 223 is credited as being the first to do these pieces.[9][10][11] The use of designs such as polka dots, crosshatches, and checkers became increasingly popular. Spray paint use increased dramatically around this time as artists began to expand their work. "Top-to-bottoms", works which span the entire height of a subway car, made their first appearance around this time as well. The overall creativity and artistic maturation of this time period did not go unnoticed by the mainstream – Hugo Martinez founded the United Graffiti Artists (UGA) in 1972. UGA consisted of many top graffiti artists of the time, and aimed to present graffiti in an art gallery setting. By 1974, graffiti artists had begun to incorporate the use of scenery and cartoon characters into their work. TF5 (The Fabulous Five), was a cre
On the Eve of the Olympics, an Unbreakable Will
On the Eve of the Olympics, an Unbreakable Will
The story of a prisoner of conscience in a Beijing labor camp In an image that so rarely escapes from China, Zhang Lianying is telling her story of horror. She stands in front of a home video camera operated by her husband in a makeshift studio. She’s wearing a plain, dark green skivvy, and speaking quietly with a characteristic Beijing accent. Zhang and her husband were among the over 8,000 Falun Gong practitioners who had their houses broken into and were arrested and detained by police as part of the regime’s Olympics preparations. For Zhang, it was her second time in a labor camp. A follower of Falun Gong, the spiritual discipline persecuted in China since 1999, Zhang has gone through indescribable suffering. Arrested eight times, and sentenced to forced labor three times, she persists in telling her story of survival. “If I did not have firm belief in truthfulness, compassion and forbearance, solid conviction in the goodness of life, determination to live and the thought that I must not die, perhaps I would have died long ago, countless times, and left the human world forever,” wrote the 46-year-old late last year in a letter to a human rights hearing at the European Parliament. The part of her letter detailing her ordeal she called “Experiences Too Sad to Recall.” There was a time when Zhang's life was untroubled. A university graduate, she was an official of the Guangda Group Ltd and a chartered CPA. She made a good living, and was afforded all the privileges of a modern, professional Chinese. In 1997 she and her husband, Niu Jingping, both started to practice Falun Gong. They gained health and a deep sense of inner peace. When the Chinese Communist Party (CCP) launched a full-scale persecution of Falun Gong in 1999, everything changed. Several explanations for the persecution have gained currency in media and academia. The CCP was paranoid at the popularity and cross-social strata appeal of the practice, and the then leader of the Communist Party, Jiang Zemin, saw it as an afront. Just as in previous political campaigns, where groups with their own ideologies and networks are attacked, Falun Gong became the new target. “It was as if the sky had suddenly fallen and everything around me had changed. My work was suspended and I was asked to write self-criticisms and hand in my Falun Gong books. I could not understand. I was the same person, only having gained the understanding of life’s significance and meaning, and was trying to be better than a good person. I was receiving praise a day before, but the next day I was made never to raise my head again,” Zhang wrote in her autobiography. As third party investigative reports and witness statements like Zhang’s indicate, in dealing with Falun Gong practitioners the regime demands absolute submission. Officials are sanctioned to use extreme physical and psychological methods to break the will. Victims say the more they refuse to submit, the harsher, crueler, and more brutal the torment. Zhang Lianying in December 2007, a week after being released from the labor camp. (Courtesy of minghui.ca)Zhang's account is one among the over 60,000 documented cases of torture and mistreatment of Falun Gong practitioners in China. There are over 3,000 documented cases of deaths. The number for which there is no evidence is expected to be much higher. Witness accounts, photos, and video evidence like Zhang’s paint a harrowing picture. In 2005 ten police from the Xiangheyuan Police Station in Beijing raided Zhang’s house and arrested her the first time, while she was feeding her one-year-old daughter. She refused to renounce Falun Gong, so police tortured her in the dispatch centre and locked her in an isolated cell in a women’s forced labor camp. “The cell was about three square meters; the wall was high but there was no ventilation. The window was blocked and the cracks around the door were thickly covered, so there was no light even during the day,” Zhang said, looking into the grainy video camera as she told her story. “A loudspeaker pierced my ears. This was the beginning of a most painful two years of my life in labor camps.” Zhang refused to wear a prisoner's uniform so was stripped of her own clothing and left in the freezing cell wearing only underwear. When the guards discovered that she did the Falun Gong exercises they poured water into the cell, filling it past her ankles. To protest the treatment she went on hunger strike. Because the room was pitch dark she only knew the passage of time through the periodic, violent force-feedings administered by guards. Force-feeding is among the top causes of death of Falun Gong practitioners in custody, and has itself become an extremely painful torture method. A number of government departments were involved in her persecution, including the 610 office—the agency set up specifically to persecute Falun Gong—police departments, neighbourhood watch groups, custodial stations, forced labor camps, and hospi

how to clean walls without removing paint
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