HOW TO AGE PAINTED FURNITURE - HOW TO AGE

How To Age Painted Furniture - Crib Nursery Furniture - Thomasville Furniture Catalog

How To Age Painted Furniture


how to age painted furniture
    furniture
  • Small accessories or fittings for a particular use or piece of equipment
  • Furniture is the mass noun for the movable objects ('mobile' in Latin languages) intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things.
  • Large movable equipment, such as tables and chairs, used to make a house, office, or other space suitable for living or working
  • furnishings that make a room or other area ready for occupancy; "they had too much furniture for the small apartment"; "there was only one piece of furniture in the room"
  • A person's habitual attitude, outlook, and way of thinking
  • Furniture + 2 is the most recent EP released by American post-hardcore band Fugazi. It was recorded in January and February 2001, the same time that the band was recording their last album, The Argument, and released in October 2001 on 7" and on CD.
    painted
  • Cover the surface of (something) with paint, as decoration or protection
  • having makeup applied; "brazen painted faces"
  • Apply (a liquid) to a surface with a brush
  • coated with paint; "freshly painted lawn furniture"
  • lacking substance or vitality as if produced by painting; "in public he wore a painted smile"
  • Apply cosmetics to (the face or skin)
    how to
  • A how-to or a how to is an informal, often short, description of how to accomplish some specific task. A how-to is usually meant to help non-experts, may leave out details that are only important to experts, and may also be greatly simplified from an overall discussion of the topic.
  • Practical advice on a particular subject; that gives advice or instruction on a particular topic
  • Providing detailed and practical advice
  • (How To’s) Multi-Speed Animations
    age
  • A particular stage in someone's life
  • begin to seem older; get older; "The death of his wife caused him to age fast"
  • how long something has existed; "it was replaced because of its age"
  • The latter part of life or existence; old age
  • The length of time that a person has lived or a thing has existed
  • historic period: an era of history having some distinctive feature; "we live in a litigious age"
how to age painted furniture - The Artist
The Artist Who Painted a Blue Horse
The Artist Who Painted a Blue Horse
A brilliant new Eric Carle picture book for the artist in us all

Every child has an artist inside them, and this vibrant new picture book from Eric Carle will help let it out. The artist in this book paints the world as he sees it, just like a child. There's a red crocodile, an orange elephant, a purple fox and a polka-dotted donkey. More than anything, there's imagination. Filled with some of the most magnificently colorful animals of Eric Carle's career, this tribute to the creative life celebrates the power of art.

Amazon Best Books of the Month, October 2011: The Artist Who Painted a Blue Horse is a joyous celebration of art and creativity. As a young man, Carle was influenced by the work of Franz Marc, an Expressionist artist famous for his paintings of blue horses, and this book is a fitting tribute to his legacy. Carle’s brilliant, unusual, color pairings--a red crocodile, a polka-dotted donkey--capture the limitless imagination of children and the brief text is simple, yet memorable. The Artist Who Painted a Blue Horse is destined to become a well-worn classic, inspiring readers of all ages to embrace their inner artist.--Seira Wilson

83% (5)
The Artifact
The Artifact
The doctor led them solemnly, lamp in hand, up the narrow staircase to the uppermost story of the great house. Once on the landing, he opened the nearest door- his slender, bony hand gesturing for them to enter. The room was spacious- oppressively so, really, and nearly devoid of furniture, save for a cloth-laden little table near the eastern window. On that little table, though, sat the purpose of their arrival- the object out of time. ---------- The doctor had explained its discovery earlier, in the parlor now three floors below them. Mark and Violet Louvois had not come to the house for a viewing; the guests had plans elsewhere, and were merely meeting to retrieve their friend, the doctor's young niece. But conversation quickly fell to the subject of the newly found artifact, and once they'd been given such tantalizing details, a viewing was certainly in order. It seemed that just three days prior, while sitting in his office, the doctor received a wire from one of his nearby business ventures, the Aurora Phosphate Mines. It appeared one of his men had come upon a very curious artifact. It was not a fossil or gem of any kind (as such things where found quite often there, and deserved little attention); rather, it was an artifact totally foreign to anyone who came to examine it. The doctor, upon first seeing the artifact, had it quickly delivered to the nearest university's archaeological lab. Even they, however, were unable to discern much. The thing was of a very simplistic design, with precious little decoration, and seemed to be composed of three main parts- the central figure, vaguely resembling a picture frame (the picture, in this case, being a highly corroded yet flexible material of an ebony color), a pedestal of some sort, and a small, ovolo figurine resembling, some proposed, a large scarab beetle or rodent of some kind. The smallest piece had been connected with a type of pliable wire (which, unfortunately, had soon detached itself upon the miners' handling of the thing). The outer layer of the ensemble was fashioned out of a strange gray substance, hard and cool to the touch, but easily breakable. Some of the more erudite examiners proposed its skin to be some sort of Parkesine- though this was quite impossible, as Mr. Parkes had only patented said material three years before the artifact was discovered. Its inner spaces (those, at least, that time had not totally destroyed) were a strange maze of greenish metal, with brilliant inlays and reliefs throughout. The language (if, even, that's what the metal contained) was totally unknown, and baffled even the most experienced of the university's linguists. As to its purpose, the examiners could only guess. The doctor insisted, though, that the strangest facet of the artifact was not the oddness of thing itself, but the manner of its location and discovery. "For you see" said the grim doctor to his guests, pausing a moment to build the suspense, "the thing was found encased in solid rock. The rock, in fact, GREW around the artifact." It was true- the limestone shelf in which it was found had fused perfectly around the thing, as if concrete had been poured over it and allowed to set. "Now," the doctor returned, as flat and logically as ever "the limestone strata around the thing must, if Thomson's newest theories are to be believed, be over twenty million years of age. Yet intelligent Man's tenure on this planet may be measured in thousands, only. How do you suppose, then," he asked, though he knew his guests couldn't answer "that such a device, ancient though it may be, could possibly have been built- abandoned- tens of millions of years before Man even existed?" He fell back into his chair, content to have both confused and intrigued them so greatly. ------------ The doctor's guests had varied reactions to the artifact. Ordia, his darling niece, was quite fascinated by the thing, though confessed she couldn't possibly attempt to theorize, let alone understand, its history. Mark Louvois was less appreciative of the thing's antiquity, and was largely doubtful. Considering the seeming impossibility of it, of course, the reader will please excuse Mr. Louvois' foolhardy denial. "It's certainly very old," he said, leaning towards the doctor, "though it's awfully crude. I can't imagine it's worth much. The story behind it's strange enough, of course, but who'd believe such a thing?" Mr. Louvois' young wife, though, was the most oddly affected of the group. She had, from the start, been particularly interested in the small animal figurine, and now held it in her hand, caressing it lightly. "It's strange," she said, after noticing that the others were watching her, "but it all seems awfully familiar to me." Her tone was very quiet, as if from someone coming out of a dream. "I feel like I know what it all is, but can't quite put it into words. Silly
Disney Hall
Disney Hall
Frank Gehry From Wikipedia, the free encyclopediaJump to: navigation, search Frank Owen Gehry CC LLD (hc) PhD (hc) DEng (hc) DArch (hc) DA (CIA, hc) DA (RISD, hc) DA (OAI, hc) Personal information Name Frank Owen Gehry CC LLD (hc) PhD (hc) DEng (hc) DArch (hc) DA (CIA, hc) DA (RISD, hc) DA (OAI, hc) Nationality Canadian, American Birth date February 28, 1929 (1929-02-28) (age 81) Birth place Toronto, Ontario, Canada Work Practice Gehry Partners, LLP Buildings Guggenheim Museum, Walt Disney Concert Hall, Gehry Residence, Weisman Art Museum, Dancing House, Art Gallery of Ontario Awards AIA Gold Medal National Medal of Arts Order of Canada Pritzker Prize Frank Owen Gehry, CC (born Ephraim Owen Goldberg; February 28, 1929) is a Canadian-American Pritzker Prize-winning architect based in Los Angeles, California. His buildings, including his private residence, have become tourist attractions. Many museums, companies, and cities seek Gehry's services as a badge of distinction, beyond the product he delivers. His best-known works include the titanium-covered Guggenheim Museum in Bilbao, Spanish Basque Country, Walt Disney Concert Hall in downtown Los Angeles, Experience Music Project in Seattle, Weisman Art Museum in Minneapolis, Dancing House in Prague, Czech Republic and the MARTa Museum in Herford, Germany. However, it was his private residence in Santa Monica, California, which jump-started his career, lifting it from the status of "paper architecture," a phenomenon that many famous architects have experienced in their formative decades through experimentation almost exclusively on paper before receiving their first major commission in later years. Contents [hide] 1 Personal life 2 Architectural style 3 Criticism 4 Other notable aspects of career 4.1 Awards 4.2 Academia 4.3 Budgets 4.4 Celebrity status 4.5 Documentary 4.6 Fish and furniture 5 Software development 6 Works 7 Awards 8 Honorary doctorates 9 See also 10 References 10.1 Notes 10.2 Bibliography 11 External links Personal life Frank Owen Gehry was born in Toronto, Ontario, Canada; his parents were Polish Jews[1]. A creative child, he was encouraged by his grandmother, Caplan, with whom he would build little cities out of scraps of wood.[2] His use of corrugated steel, chain link fencing, and other materials was partly inspired by spending Saturday mornings at his grandfather's hardware store. He would spend time drawing with his father and his mother introduced him to the world of art. "So the creative genes were there," Gehry says. "But my father thought I was a dreamer, I wasn't gonna amount to anything. It was my mother who thought I was just reticent to do things. She would push me."[3] In 1947 Gehry moved to California, got a job driving a delivery truck, and studied at Los Angeles City College, eventually to graduate from the University of Southern California's School of Architecture. After graduation from USC in 1954, he spent time away from the field of architecture in numerous other jobs, including service in the United States Army. He studied city planning at the Harvard Graduate School of Design for a year, leaving before completing the program. In 1952, still known as Frank Goldberg, he married Anita Snyder, who he claims was the one who told him to change his name, which he did, to Frank Gehry. In 1966 he and Snyder divorced. In 1975 he married Berta Isabel Aguilera, his current wife. He has two daughters from his first marriage, and two sons from his second marriage. Having grown up in Canada, Gehry is a huge fan of hockey. He began a hockey league in his office, FOG (which stands for Frank Owen Gehry), though he no longer plays with them.[citation needed] In 2004, he designed the trophy for the World Cup of Hockey.[citation needed] Gehry holds dual citizenship in the United States and Canada. He lives in Santa Monica, California, and continues to practice out of Los Angeles. ] Architectural style The Guggenheim Museum in Bilbao, SpainMuch of Gehry's work falls within the style of Deconstructivism. Deconstructivism, also known as DeCon Architecture, is often referred to as post-structuralist in nature for its ability to go beyond current modalities of structural definition. In architecture, its application tends to depart from modernism in its inherent criticism of culturally inherited givens such as societal goals and functional necessity. Because of this, unlike early modernist structures, DeCon structures are not required to reflect specific social or universal ideas, such as speed or universality of form, and they do not reflect a belief that form follows function. Gehry's own Santa Monica residence is a commonly cited example of deconstructivist architecture, as it was so drastically divorced from its original context, and, in such a manner, as to subvert its original spatial intention. Gehry is sometimes associated with what is known as the "Los Angeles School,"

how to age painted furniture
how to age painted furniture
Mahalo U-30BU Painted Economy Soprano Ukulele (Blue)
Now Mahalo Ukuleles are available in a rainbow of colors. The U-30BU is Blue and comes with it's own color-matched bag for easy and safe transportation to the Beach or the weekly lesson.

Now Mahalo Ukuleles are available in a rainbow of colors. The U-30BU is finished in vibrant blue, and comes with its own color-matched bag, for easy and safe transportation to the beach or the weekly lesson.
Mahalo U-30BU Ukulele Mahalo U-30BU Saddle
Nubone saddle. Mahalo U-30BU Headstock
Gold tuning pegs.
Soprano Ukeleles
There are four common types of ukes out there: soprano, concert, tenor, and baritone. The soprano--or standard--was the original, and is the smallest sized uke. It provides plenty of sweetness and that instantly recognizable ukulele sound.
Mahalo U-30BU Features
Maple Construction
The U-30BU features a maple body. Used with Ukeleles, maple provides a soft but pronounced tone, somewhat mellower than other tone woods.
Nato Neck With Maple Fretboard/Bridge
This instrument uses nato for its neck, for added resonance paired with the maple body. The 12-fret fretboard and bridge are made from blackened maple.
Geared Tuners
Mahalo's gold-pegged tuning machines provide solid tuning, so strum away confidently.
Nubone Saddle
Graphtech's Nubone material is a great alternative to plastic saddles used in some ukes, delivering more volume, more tone, and more harmonics.
U-30BU Ukulele Specs
Neck: Nato
Body: Maple
Fingerboard: Maple
Bridge: Maple
Tuning Pegs: Gold
Frets: Brass
Nut: ABS White
Saddle: Nubone
Strings: Clear
Scale: 346 mm

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