How To Clean Tarnished Brass. Clothes Cleaning Tips
Set in the 1930s Depression era during Mardi Gras in New Orleans, The Tarnished Angels covers three days in the lives of a trio of flying-circus performers, headlined by former WWI fighter-pilot hero Roger Shumann (Robert Stack) and his beautiful blonde wife, Laverne (Dorothy Malone). Romantic complications arise when newspaper reporter Burke Devlin (Rock Hudson) falls in love with Laverne while covering their daredevil aerial show. Based on the William Faulkner novel Pylon, this screen adaptation was a personal favorite of director Douglas Sirk's and is considered by many to be a masterpiece equal to his Academy Award-winning Written on the Wind (1956), which also starred Hudson, Malone and Stack in the key roles.84% (5)
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Rock Hudson has never been better than as the hard-headed newsman with a romantic soft spot for a team of gypsy fliers--especially the sexy parachute-jumping Dorothy Malone--in Douglas Sirk's adaptation of William Faulkner's Pylon. It's the Depression, and the volatile little family--disillusioned World War I ace Robert Stack; his doting wife Malone; his sad, lovesick mechanic Jack Carson; and Stack's hero-worshipping son--has landed in New Orleans for a Mardi Gras air show. Stack's mania for flying ("I need to fly, just like an alcoholic needs his drink!") keeps him at arm's length from his loving family, and he even sacrifices his wife's virtue for a shot at piloting his archrival's spare plane, but his brittle emotional armor cracks in a stunning moment of redemption. Douglas Sirk trades his vivid Technicolor palette for shadowy black-and-white CinemaScope (the gorgeous widescreen compositions are tragically lost on pan-and-scan video) to create a dark, desperate vision of the Depression, where deadened souls wait for the next spectacular crash as fliers recklessly race around pylons. Sirk heightens the alienation with the most stylized shooting of his career: cameras peer through transom windows, shadows slash through scenes, and grotesque Mardi Gras costumes wander through almost every scene. This production is considered by many, including Faulkner himself, to be the best adaptation of the author's work, and it remains Sirk's most bleakly beautiful film. --Sean Axmaker
I managed to salvage a steam whistle from a factory building that was being torn down last week. The building dated to the early 40's so the whistle is at least that old. I have dissembled it and cleaned it on the inside. The spring and valve are in good working order and seat properly. It is very beat up and was badly tarnished . I have begun to clean and polish it to a degree but I still have a ways to go. I had hoped to make it work off of compressed air but not much luck in that department. All I can get is a squeak and hiss on compressed air. Plenty of pressure but not enough volume . I managed a weak moan by using the exhaust of my shop-vac but I still don't have enough CFM I am thinking. Jim do you have any thoughts from your engineers point of view how I might get it to blow short of building a boiler ? Photo taken on 4-3-10 with a Panasonic DMC-ZS7.Tarnished
In this photo, I attempt to expose raw emotion by capturing the model's hands over her face. I felt that every wrinkle withheld a specific story from her past, symbolizing her journey as a powerful woman. I titled this piece 'Tarnished' as an ironic motif to make the user really think about this person's life.
Not since Irvine Welsh's Trainspotting has an ambitious first novel created such a stir among readers of important new voices in fiction. Since its release in the United Kingdom, Brass has sent shock waves through literary circles for its raw, unrelenting, poetic, and utterly compelling portrait of Millie, a promising college kid drifting into a deceptively inviting world of street culture, drug-induced adorations, and sexual hedonism.Similar posts:
Helen Walsh, at the age of twenty-seven, has produced a staggeringly alive debut novel that portrays a generation of youth—those coming of age in the '80s and '90s—through the prism of Millie. Millie and her best friend, Jamie, have been through it all together. However, as Millie is lured away from what was a promising academic career toward a life of numbing drugs and increasingly deviant sexual encounters, Jamie is finally settling down with his girlfriend. Millie feels betrayed by one of the few authentic and nurturing relationships in her life, just as she discovers her own limitations and the more penetrating complexities of a family she thought she knew.
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