HIT 40 UK RADIO 1 : UCF FOOTBALL RADIO.
Hit 40 Uk Radio 1
- Czech Radio 1 is an alternative radio broadcasting company based in Prague, Czech Republic. It can be tuned at 91.9 MHz in and around the city. Its musical style is unique for Czech radio stations.
- Radio 1 is a radio station of the NPO, mainly broadcasting news and sport.
- Radio 1 is a Belgian radio channel operated by the Flemish public broadcaster Vlaamse Radio- en Televisieomroep (VRT).
- (of a moving object or body) Come into contact with (someone or something stationary) quickly and forcefully
- (baseball) a successful stroke in an athletic contest (especially in baseball); "he came all the way around on Williams' hit"
- Bring one's hand or a tool or weapon into contact with (someone or something) quickly and forcefully
- Accidentally strike (part of one's body) against something, often causing injury
- cause to move by striking; "hit a ball"
- the act of contacting one thing with another; "repeated hitting raised a large bruise"; "after three misses she finally got a hit"
- forty: being ten more than thirty
- forty: the cardinal number that is the product of ten and four
- Country Code: 40 International Call Prefix: 00
- United Kingdom
- .uk is the Internet country code top-level domain (ccTLD) for the United Kingdom. As of April 2010, it is the fourth most popular top-level domain worldwide (after .com, .de and .net), with over 8.6 million registrations.
- UK is the eponymous debut album by the progressive rock supergroup UK. It features John Wetton (formerly of Family, King Crimson, Uriah Heep and Roxy Music), Eddie Jobson (fomerly of Curved Air, Roxy Music and Frank Zappa), Bill Bruford (formerly of Yes and King Crimson) and Allan Holdsworth (
- United Kingdom: a monarchy in northwestern Europe occupying most of the British Isles; divided into England and Scotland and Wales and Northern Ireland; `Great Britain' is often used loosely to refer to the United Kingdom
hit 40 uk radio 1 - Greatest Hits
Robbie Williams, Greatest Hits 81%
Greatest Hits chronicles the remarkable journey of Mr Robert Williams, from being the "fat dancer from Take That" (c. Noel Gallagher) to the multi-million pound jewel in EMI’s crown. Assembled in chronological order, all the hits are here, except for his initial solo outing "Freedom", and it’s interesting to see how his sound evolves from wannabe Britpop buffoon on the sub-Oasis pubrock of "Old Before I Die" to the subtle captivating melodies of "Feel" and "Come Undone". There are so many great tracks that it’s impossible to list them all, but highlights have to be the barnstorming "Let Me Entertain You", the bouncy, floor-filling "Rock DJ" and the song that madeth the man, "Angels". The two latest additions to his canon--"Radio" and "Misunderstood" clearly have one eye on the past, the other on the future – with the latter an instant classic Robbie ballad from the Bridget Jones 2 soundtrack and the former a foray into the world of electro pop that sounds like a warped Human League track from the 1980s. This has to be Robbie’s forte, his ability to make great pop records that always sound fresh and full of energy. Every home should have a copy of this album, and chances are, by the end of 2004, most of them will. -- Melanie Wilkin
The Go-Go’s are an all-female American rock band formed in 1978. They made history as the first all-woman band that both wrote their own songs and played their own instruments to top the Billboard album charts. The Go-Go's rose to fame during the early 1980s. Their debut album, Beauty and the Beat, is considered one of the "cornerstone albums of new wave" (Allmusic), breaking barriers and paving the way for a host of other new American acts. When the album was released, it steadily climbed the Billboard 200 chart, ultimately peaking at number one, where it remained for six consecutive weeks. The L.P. sold in excess of three million copies, and reached double platinum status, making it one of the most successful debut albums of all time. In the beginning, they played primarily a pop-inflected form of the emerging punk sound, and later defined themselves with the distinct sound of 1980s rock music. The Go-Go’s had five U.S. Top 40 hits. Musical influences include the Ramones, the Shangri-Las, the Buzzcocks, The Runaways, the Beatles, the Beach Boys, and Blondie. During their career, the Go-Go's have sold more than seven million albums Formed in Los Angeles, California in 1978, the Go-Go's initially consisted of Belinda Carlisle (vocals), Jane Wiedlin (guitar, vocals), Margot Olaverra (bass), Elissa Bello (drums). They were formed as a punk band and had roots in the L.A. punk community; they shared a rehearsal space with X, and Carlisle (under the name "Dottie Danger") had briefly been a member of punk-rock band The Germs. Due to illness, she left The Germs before playing a gig. The band started out playing at seminal punk rock venues such as The Masque and the Whisky A Go Go in Los Angeles. Charlotte Caffey (lead guitar, keyboards) was added later in 1978, and in the summer of 1979, Gina Schock replaced Bello on drums. With these line-up changes, the group began moving towards their now more-familiar "power pop" sound. During late 1979, the band recorded a 5-song demo at Gold Star Studios in Los Angeles, and in 1980 supported the British ska revival group Madness in both Los Angeles and England. The Go-Go’s subsequently spent half of 1980 touring England, earning a sizable following and releasing the demo version of "We Got the Beat" on Stiff Records, which became a minor UK hit. Cover image from the 1982 hit single, "We Got the Beat" During December 1980, original bassist Margot Olaverra fell ill and was replaced with Kathy Valentine, who had played guitar in bands such as Girlschool and the Textones. Valentine had not previously played bass guitar. The Go-Go's signed to I.R.S. Records in April 1981. Their debut album, Beauty and the Beat, was a surprise hit; it topped the U.S. charts for six weeks in 1982 and eventually received a double platinum certification. The album was also a success outside the U.S. charting at #2 in Canada, where it received a platinum certification, and #27 in Australia. In 2003, the album was ranked number 413 on Rolling Stone magazine's list of the 500 greatest albums of all time. "Our Lips Are Sealed" and a new version of "We Got the Beat" were extremely popular singles in North America in early 1982. In this period the Go-Go's became America's sweethearts and started to have a cult following. In 1982 the group was nominated for a Grammy Award for Best New Artist. The follow-up album, Vacation received mixed reviews and sold far less than the Beauty and the Beat. However, the Album was certified Gold in the U.S. and spawned another top 10 US hit with the title track. Other singles released from the album were "Get Up and Go" and "He's So Strange". None of them made it in the top 40. In 1983 Vacation was nominated for a Grammy Award for Best Packaging. During the album's promotion the group was forced to go on hiatus when Schock underwent surgery for a congenital heart defect. In 1984 the group returned with the Martin Rushent produced album Talk Show. The album tracks "Head over Heels" and "Turn to You" were both top 40 hits in the US. Nevertheless, personality conflicts and creative differences were also taking a toll, as were drug addiction problems for some band members. Jane Wiedlin announced her departure from the group in October 1984. The band sought a replacement for Wiedlin, and finally selected Paula Jean Brown as their new bassist, with Valentine moving to lead guitar. This line-up debuted at the 1985 Rock in Rio festival, playing two shows, but Carlisle and Caffey soon realized their hearts were no longer in the group and decided to disband the Go-Go's in May 1985. n 1990, the Go-Go's classic line-up (Caffey, Carlisle, Schock, Valentine and Wiedlin) reunited to play a benefit concert for the California Environmental Protection Act, a 1990 ballot initiative. This led to more show dates later that year. The band also entered the studio with produce
German postcard by Krüger, posted by mail in 1965. Photo: Pierre Spitzer. Singer, actress and composer Petula Clark (1932) is the most successful British female solo recording artist. She began as as Britain's Shirley Temple, and appeared in over 30 films. During the 1960’s she became internationally known for her upbeat hits, including the evergreen Downtown. She was born Petula Sally Olwen Clark to an English father and Welsh mother in Epsom, England. As a child, she sang in the chapel choir. In 1942, she made her radio debut while attending a BBC broadcast with her father, hoping to send a message to an uncle stationed overseas. During an air raid, the producer requested that someone perform to settle the jittery audience, and Clark volunteered a rendition of Mighty Lak a Rose to an enthusiastic response in the theatre. She then repeated her performance for the broadcast audience, launching a series of some 500 appearances in programmes to entertain the troops. In addition to radio work, Clark frequently toured the UK with fellow child performer Julie Andrews. "Britain's Shirley Temple" was considered a mascot by the RAF. In 1944, while performing at London's Royal Albert Hall, Clark was discovered by film director Maurice Elvey, who cast her as an orphaned waif in his weepy war drama Medal for the General (1944). In quick succession, she starred in Strawberry Roan (1945, Maurice Elvey), I Know Where I'm Going! (1945, Michael Powell, Emeric Pressburger), London Town (1946, Wesley Ruggles), and Here Come the Huggetts (1948, Ken Annakin), the first in a series of Huggett Family films based on a British radio series. Although most of the 24 films she made during the 1940’s and 1950’s were B-movies, she did work with Anthony Newley in Vice Versa (1948, Peter Ustinov) and Alec Guinness in The Card (1952, Ronald Neame). In 1946, she launched her television career with an appearance on a BBC variety show, Cabaret Cartoons, which led to her being signed to host her own afternoon series, titled simply Petula Clark. A second, Pet's Parlour, followed in 1949. In later years, she starred in This is Petula Clark (1966-1967) and The Sound of Petula (1972-1974). In 1949, Petula recorded her first songs Music, Music, Music and Put Your Shoes On, Lucy. Because neither EMI nor Decca, for whom she had recorded, were keen to sign her to a long-term contract, Clark's father teamed with Alan A. Freeman to form their own label, Polygon Records. She scored a number of major hits in the UK during the 1950’s, including The Little Shoemaker (1954), Majorca (1955), Suddenly There's a Valley (1955) and With All My Heart (1956). It was around 1955 that Clark became romantically linked with Joe "Mr Piano" Henderson. Their relationship lasted a couple of years, professionally culminating in a BBC Radio series in which they performed together. Near the end of 1955, Polygon Records was sold to Pye Records, for whom she would record for the remainder of the 1950’s, throughout the 1960’s and early into the 1970’s. In 1958, Clark was invited to appear at the Olympia in Paris where, despite her misgivings, she was received with acclaim. At the office of Vogue Records she met publicist Claude Wolff, to whom she was attracted, and when told he would work with her if she signed with the label, she agreed. Her initial French recordings were huge successes. Gradually she moved further into the continent, recording in German, French, Italian and Spanish, and establishing herself as a multi-lingual performer.In 1961, Clark married Wolff. Wanting to escape the strictures of child stardom imposed upon her by the British public, and anxious to escape the influence of her father, she relocated to France, where she and Wolff had two daughters, Barbara Michelle and Katherine Natalie. Their son Patrick was born in 1972. While she focused on her new career in France, she continued to achieve hit records in the UK into the early 1960’s, developing a parallel career on both sides of the Channel. Her 1961 recording of Sailor became her first #1 hit in the UK. In France, Ya Ya Twist (the only successful recording of a twist song by a female) and Chariot (the original version of I Will Follow Him) became smash hits in 1962. Released in four different languages in late 1964, Downtown was a success in the UK, France, Netherlands, Germany, Australia, Italy, and even Rhodesia, Japan, and India, and it went to #1 on the US charts in January 1965. It was the first of fifteen consecutive Top 40 hits Clark scored in the USA, including I Know a Place, My Love, A Sign of the Times, I Couldn't Live Without Your Love, This Is My Song, and Don't Sleep in the Subway. She was honored with Grammy Awards for Downtown in 1964 and for I Know a Place in 1965. In 2003, Downtown was inducted into the Grammy Hall of Fame. In 1964, Petula Clark wrote the musical score for the French crime caper A Couteaux Tirés/Daggers Drawn (1964) and also pla
hit 40 uk radio 1
A federal agent, Nick Allen (Billy Dee Williams) whose daughter dies of a heroin overdose is determined to destroy the drug ring that supplied her. He organizes a small independent task force of mercenaries to travel to France in order to kill the nine leaders of a Marseilles drug syndicate. The motley crew of angry American citizens includes construction worker, Mike Willmer (Richard Pryor); call-girl Sherry Nielson (Gwen Welles); rogue cop, Dutch Schiller (Warren J. Kemmerling); college professor Barry Strong (Paul Hampton) and the kindly old Jewish couple, Ida (Janet Brandt) and Herman (Sid Melton), who want to inflict Old Testament revenge upon the syndicate. Photographed by legendary cinematographer, John A. Alonzo (Chinatown) with a beautiful score by Lalo Schifrin (Dirty Harry). Directed by Sidney J. Furie (The Ipcress File).