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Make Up Face Chart

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  • The composition or constitution of something
  • constitution: the way in which someone or something is composed
  • constitute: form or compose; "This money is my only income"; "The stone wall was the backdrop for the performance"; "These constitute my entire belonging"; "The children made up the chorus"; "This sum represents my entire income for a year"; "These few men comprise his entire army"
  • The combination of qualities that form a person's temperament
  • Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance
  • makeup: an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"
  • Plot (a course) on a chart
  • a map designed to assist navigation by air or sea
  • a visual display of information
  • Make a map of (an area)
  • Record on a chart
  • make a chart of; "chart the territory"
  • Be positioned with the face or front toward (someone or something)
  • (of a soldier) Turn in a particular direction
  • the front of the human head from the forehead to the chin and ear to ear; "he washed his face"; "I wish I had seen the look on his face when he got the news"
  • Have the face or front pointing in a specified direction
  • confront: deal with (something unpleasant) head on; "You must confront your problems"; "He faced the terrible consequences of his mistakes"
  • confront: oppose, as in hostility or a competition; "You must confront your opponent"; "Jackson faced Smith in the boxing ring"; "The two enemies finally confronted each other"

Rod Stewart - Biography 1969-1975 25x
Rod Stewart - Biography 1969-1975 25x
1969–1975 The US band Cactus offered Stewart a job as lead singer but he and Ronnie Wood decided instead to work with three former members of Small Faces, calling the new line-up Faces. Stewart also signed a solo recording contract with Mercury Records. An Old Raincoat Won't Ever Let You Down became his first solo album in 1969 (it was known as The Rod Stewart Album in the US). It established the template for his solo sound: a heartfelt mixture of folk, rock, and country blues, inclusive of a British working-class sensibility, with both original material ("Cindy's Lament" and the title song) and cover versions (Ewan MacColl's "Dirty Old Town" and Mike d'Abo's "Handbags and Gladrags"). Faces released their debut album First Step in early 1970 with a rock and roll style similar to the Rolling Stones that was a major departure from the psychedelic-tinged pop of Small Faces. While the album did better in the UK than in the US, the Faces quickly earned a strong live following. Stewart released his second album, Gasoline Alley that autumn (Elkie Brooks later achieved a hit with a version of the title track in 1983). Rod's approach was similar to his first album, as exemplified by the title track; and mandolin was introduced into the sound. He then launched a solo tour. Stewart sang guest vocals for the Australian group Python Lee Jackson on "In a Broken Dream" in 1970. His payment was a set of seat covers for his car. It was re-released in 1972 to become a worldwide hit. Stewart's 1971 solo album Every Picture Tells a Story made him a household name when the B-side of his minor hit "Reason to Believe", "Maggie May", started receiving radio play. The album and the single hit number one in both the US and the UK simultaneously, a chart first, in September. A loss of innocence tale set off by a striking mandolin part (by Ray Jackson of Lindisfarne), "Maggie May" was also named in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, which is one of three songs by him to appear on that list. The rest of the album was equally strong, with "Mandolin Wind" again showcasing that instrument; "(I Know) I'm Losing You" adding hard-edged soul to the mix; and "Tomorrow Is a Long Time", a cover of a Bob Dylan song. But the ultimate manifestation of the early Stewart solo style was the Stewart-Wood-penned "Every Picture Tells a Story" itself: powered by Mick Waller's drumming and a mostly acoustic arrangement, it is a fast, rocking, headlong romp relating the picaresque adventures of the singer. The second Faces album, Long Player, was released in early 1971 and enjoyed greater chart success than First Step. The Faces also got their only US Top 40 hit with "Stay With Me" from their third album A Nod Is as Good as a Wink...To a Blind Horse released in late 1971. This album reached the Top 10 on both sides of the Atlantic on the back of the success of Every Picture Tells A Story. Throughout this period there was a marked dichotomy between Stewart's solo and group work, the former being meticulously crafted while the latter tended towards the boozy and sloppy.[citation needed] Steve Jones from The Sex Pistols regarded The Faces very highly and named them as a main influence on the British punk rock movement.[28] The Faces toured extensively in 1972 with growing tension in the band over Stewart's solo career enjoying more success than the band's. Stewart released Never a Dull Moment in the same year. Repeating the Every Picture formula for the most part, it reached number two on the US album charts and number one in the UK, and enjoyed further good notices from reviewers. "You Wear It Well" was a hit single that reached number 13 in the US and went to number one in the UK, while "Twisting the Night Away" made explicit Stewart's debt to Sam Cooke. For the body of his early solo work Stewart earned tremendous critical praise. Rolling Stone’s 1980 Illustrated History of Rock & Roll includes this in its Stewart entry: Rarely has a singer had as full and unique a talent as Rod Stewart [...] a writer who offered profound lyricism and fabulous self-deprecating humour, teller of tall tales and honest heartbreaker, he had an unmatched eye for the tiny details around which lives turn, shatter, and reform [...] and a voice to make those details indelible. [... His solo albums] were defined by two special qualities: warmth, which was redemptive, and modesty, which was liberating. If ever any rocker chose the role of everyman and lived up to it, it was Rod Stewart. The Faces released their final album Ooh La La which reached number one in the UK and number 21 in the US in 1973. The band toured Australasia, Japan, Europe and the UK in 1974[29] to support the album and the single "Pool Hall Richard". In late 1974 Stewart released his Smiler
Rod Stewart Biography 1960 -1969 26x
Rod Stewart Biography 1960 -1969 26x
1960–1969 Stewart left school at age 15[13] and worked briefly as a silk screen printer.[12] Spurred on by his father, his ambition was to become a professional footballer.[11][13] In 1961 he joined on as an apprentice with Brentford F.C.,[13][14][15] a Third Division club at the time.[16] However, he disliked the early morning travel to West London and the daily assignment to clean the first team's boots.[13] His playing effectiveness at centre-half was hindered by his slight build — 5 feet 11 inches (1.8 m) but 9 stone (130 lb; 57 kg) — and he pushed himself so much that he sometimes vomited at the side of the pitch.[13] After up to two months of play in pre-season fixtures,[17] Stewart left the team, to the great disappointment of his father.[13] Stewart later reflected that: "I had the skill but not the enthusiasm."[13] Regarding possible career options, Stewart concluded, "Well, a musician's life is a lot easier and I can also get drunk and make music, and I can't do that and play football. I plumped for music ... They're the only two things I can do actually: play football and sing."[13][9] He worked in the family shop and as a newspaper delivery boy,[18] then as a grave digger at Highgate Cemetery,[19] partly to face a childhood fear of death.[18] He worked in a North Finchley funeral parlour[18] and as a fence erector and sign writer. In 1961 he went to Denmark Street and got a singing audition with legendary record producer Joe Meek, but Meek stopped the session cold with a rude sound.[20] Stewart began listening to Woody Guthrie, Ramblin' Jack Elliot, and especially Bob Dylan's debut album, and became attracted to beatnik attitudes and left-wing politics, living for a while in a beatnik houseboat at Shoreham-by-Sea.[20] He became an active supporter of the Campaign for Nuclear Disarmament at this time, joining the annual Aldermaston Marches in 1961 through 1963 and being arrested on three occasions when he took part in sit-ins at Trafalgar Square and Whitehall for the cause.[12][20] His commitment was not total, however, as he also used the marches as a way to meet and bed girls.[20][21] In 1962 he had his first serious relationship, with London art student Suzannah Boffey (and a friend of future model and actress Chrissie Shrimpton); he moved to a bed-sit in Muswell Hill to be near her.[22] She became pregnant, but neither Rod nor his family wanted him to enter marriage; the baby girl was given for adoption and Rod and Suzannah's relationship ended.[22] In 1962, Stewart began hanging around folk singer Wizz Jones, busking at Leicester Square and other London spots.[23] Stewart took up playing the then-fashionable harmonica, learning to play in part from watching Mick Jagger on stage.[24] On several trips over the next 18 months Jones and Stewart took their act to Brighton and then to Paris, sleeping under bridges over the River Seine, and then finally to Barcelona.[23] Finally this resulted in Stewart being rounded up and deported from Spain for vagrancy during 1963.[15][23][25] In the spring of 1962, Stewart joined The Ray Davies Quartet, later known as the successful British band The Kinks, as their lead singer. He had known three of their members at William Grimshaw School[6] and at the time, Ray Davies was uncomfortable with the lead vocalist role.[26] He performed with the group on at least one occasion, but was soon dropped due to complaints about his voice from then-drummer John Start's mother as well as musical and personality differences with the rest of the band.[26] Stewart then briefly fronted his own group, Rod Stewart & The Moonrakers, who competed with Davies' band.[26] In 1963, Stewart adopted the Mod lifestyle and look, and began fashioning the spiky rooster hairstyle that would become his trademark.[27] Disillusioned by rock and roll, he saw Otis Redding perform in concert and began listening to Sam Cooke records; he became fascinated by rhythm and blues and soul music and Cooke became his idol.[27] After returning to London he joined Jimmy Powell & the Five Dimensions in 1963 as a vocalist and harmonica player.[15] Together they recorded a single for Pye Records. Long John Baldry discovered him drunk and busking for his train fare and invited him to join The Hoochie Coochie Men which recorded a single "Good Morning Little Schoolgirl", which failed to enter the charts. The Hoochie Coochie Men evolved into Steampacket featuring Stewart, Baldry, Julie Driscoll, Brian Auger, Mickey Waller and Rick Brown. Steampacket toured with the Rolling Stones and the Walker Brothers on tour in the summer of 1965. They also recorded tracks that weren't released as an album until 1970, after Stewart had become well known in musical circles. Stewart earned the nickname "Rod the Mod" during that period, as a result of his appearance in a 1965 BBC documentary on the mod subculture.[15] Steampacket broke up

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