SPEED CAMERA FLASHED ON OTHER SIDE OF ROAD. SPEED CAMERA FLASHED ON

Speed camera flashed on other side of road. Camera raw 5.5 update. Onone dslr camera remote.

Speed Camera Flashed On Other Side Of Road


speed camera flashed on other side of road
    camera flashed
  • (Camera flash) A flash is a device used in photography producing a flash of artificial light (typically 1/1000 to 1/200 of a second) at a color temperature of about 5500 K to help illuminate a scene. A major purpose of a flash is to illuminate a dark scene.
    other side
  • Lost Dogs is a two-disc compilation album by the American alternative rock band Pearl Jam, released on November 11, 2003 through Epic Records. The album has been certified gold by the RIAA in the United States.
  • The Other Side is a 2006 film directed by Gregg Bishop. After graduating from USC Film School, Bishop financed The Other Side with the $15,000 profit from his short film Voodoo (1999).
  • The Other Side is an upcoming comedy-drama film. The film is the directorial debut of writer David Michaels, who co-wrote the script with Phil Reeves. The film, which has been in production since 2006, stars Woody Harrelson, Dave Matthews, Anjelica Huston, Jason Lee, and Alanis Morissette.
    speed
  • distance travelled per unit time
  • Move or work more quickly
  • rush: move fast; "He rushed down the hall to receive his guests"; "The cars raced down the street"
  • accelerate: move faster; "The car accelerated"
  • Move quickly
  • (of a motorist) Travel at a speed that is greater than the legal limit
    road
  • A wide way leading from one place to another, esp. one with a specially prepared surface that vehicles can use
  • (roads) a partly sheltered anchorage
  • a way or means to achieve something; "the road to fame"
  • The part of such a way intended for vehicles, esp. in contrast to a shoulder or sidewalk
  • A regular trade route for a particular commodity
  • an open way (generally public) for travel or transportation
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A Fish Story.....
A Fish Story.....
The berm that my niece and I are standing on is a strip of land which has been built up by the soil which was likely dug out of this canal. I'm reasonably sure that it now serves as a maintenance road for the canal. On the other side of this makeshift road, marsh grass proceeds the bay as you've seen is several recent posts. We are standing about 50' from it's mouth. As I am mentally composing the shot you see, I detect movement from my right near the mouth of the canal. Turning my attention to the disruption I see only a few rapidly dissipating and formerly substantial waves. "Sarah, get your camera over here and be ready for something big to appear." I really wasn't sure of what I'd seen, but had my suspicions. Meanwhile, my current setup consists of a 16-35 lens and I'm set up for nice and calm landscape shots. As I instruct Sarah, I'm frantically grabbing my 24-105 from out of my bag. Sure enough about 10 seconds later with my 24-105 in hand the calm water surface is breached again, roughly halfway between the moon and the tree reflections you see and all of 20' from where we're standing a large and dark porpoise fin rises out of the water towards the boat launch. It's sleek and wet and attached to the dark back of a very large mammal. We're both freaking out at how close she was, how beautiful and fortunate it was to see, and I'm thinking to myself get your gear ready because she's coming back out of there at some point. Panic mode! I'm flying to get my lens on, and changing my settings. I accelerate from serene to warp drive in a flash, and finish the lens swap. It's pretty dark still, as we're a good 30 minutes before the sun breaks the horizon. Internally I'm flying at 100 MPH. Change the mode to aperture and crank it open. ISO? what's enough without too much? I start adjusting it, only I can't find the damn buttons. It's too dark to see, and I'm doing everything by feel. Now for those of you who've never played with the settings on a 1Ds Mark II, everything's two handed and about as intuitive as women's blouse buttons. Finally, I reach the right combination and try different settings, looking through the camera and letting the light meter tell me what's right. I can get away with about 1200 which will give me a 1/30 shutter speed. Not ideal, but I know if I go higher with this body I'm probably going to end up with garbage anyway. I shut off AF and manually focus on a spot about 25' away. I know that a bit of luck is needed, but I figured in this light AF wouldn't lock on. I go back through all settings again to make sure I have everything set, and I think I'm as ready as I can be with the gear I have. Sarah meanwhile ran down the canal road after her and was yelling to me from about 100 yards away that she's coming back. I get ready and begin to scan for signs of her. I had no idea where she'd breach, but I was hoping it would be close. Time goes from panic mode to a standstill. Sarah's back and as bubbly exuberant as only a young teenager can be, telling me how she saw her breech 4 times and really close too. Just as I'm thinking she must passed us by, there she is. Even closer this time. I follow her with the camera knowing I've got one shot at this. She's no more than 20' away and maybe a bit closer. I can see about 7' of her back sliding through the air. Just as she's about to hit the peak of her breach I pull the trigger, and .......nothing. No familiar click. I'm following her in the view finder as she's sinking back to her depths frantically pushing the shutter button for all I'm worth and missing the sound I longed to hear, wondering what the hell I missed......and then finally....click. The timer. In the darkness for the landscapes I'd been using the 2 second timer and I never shut it off. I also never did a test fire which would have revealed my error. As I watched the last ripples of her wake lap the ground line at our feet I looked the at the back of the camera to see what I caught and share it with you below. Damn. I hope one day I get past the rookie mistakes. Oh well. The moon looks cool in the reflection. ;)
Toad agama (Phrynocephalus laungwalansis), Chanthang Plateau, Ladakh, Jammu & Kashmir, India - 26.08.09
Toad agama (Phrynocephalus laungwalansis), Chanthang Plateau, Ladakh, Jammu & Kashmir, India - 26.08.09
Camera Model Name: Canon EOS 5D Lens: EF100-400mm f/4.5-5.6L IS USM Tv (Shutter Speed): 1/125 Av (Aperture Value): 16.0 Metering Modes: Partial Metering ISO Speed: 100 Focal Length: 400.0 mm Flash: Off -------------------------------------------------------------------------------------------------------------------------------------- DAY 09: Destination – KORZOK Distance & Time: Shey – Korzok by car - 220 km / 7 hrs. -------------------------------------------------------------------------------------------------------------------------------------- Three hours have passed; the struggle to get the car back on the main track is on. Trying to help by handing out the necessary tools and fetching stone slabs to construct a temporary pathway. Few chipped nails are of no concern but the bleeding fingertip needs attention; dig out a medicated strip from the first aid kit. The car had swirled and jerked off the road; wheels sunk deeply in the treacherous sand. If our attempts are in vain, Tashi will walk back several kilometers to the shack (where we had tea earlier) to seek help. Adequate stock of drinking water and some food prepares us for the night in the desert if necessary. Strangely there is no sense of panic or impatience, an effect of the vast serenity that surrounds us. Humidity is supposedly nil, but sweat trickles down the spine while fetching yet another slab. Look up at the sky and get in conversation with god, “Had your fun, now let’s get going!” Little more effort and the car is on the road! Both of us are exhausted, Tashi more so. Get out a couple of energy bars along with my lunch box and hand them over to him. On the other side of the road there is a Toad agama (Phrynocephalus laungwalansis), must get the camera. This species of reptile have flat head and blunt mouth resembling a toad, thus the name. The agamids are perfectly suited for extreme desert conditions, with physical adaptations intended to withstand cold, dry climate. The small eye-openings, encircled by protective scaly eyelids form an effective barrier against sand particles. They can be found at elevation of 3, 100 – 4, 700 m / 10, 171 – 15, 420 ft. but sometimes even as high as 5, 500m / 18, 045 ft. Often seen basking in the sun in warm open plains, will make a break for safety of the burrows if disturbed. Balance their two diagonally opposite feet when ground temperatures rise. Apart from natural predators like some birds are at the risk of being run over while darting across the road by cars. The number of which has been sharply rising with the in-flow of tourist.

speed camera flashed on other side of road
speed camera flashed on other side of road
The Other Side
Clover's mom says it isn't safe to cross the fence that segregates their African-American side of town from the white side where Anna lives. But the two girls strike up a friendship, and get around the grown-ups' rules by sitting on top of the fence together.

With the addition of a brand-new author's note, this special edition celebrates the tenth anniversary of this classic book. As always, Woodson moves readers with her lyrical narrative, and E. B. Lewis's amazing talent shines in his gorgeous watercolor illustrations.

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