Camera Lens Sizes Explained. Canon G11 Camera Review

Camera Lens Sizes Explained

camera lens sizes explained
    camera lens
  • a lens that focuses the image in a camera
  • A camera lens (also known as photographic lens, objective lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically
  • (explaining) The process of making something clear. (ch 16) (584)
  • Make (an idea, situation, or problem) clear to someone by describing it in more detail or revealing relevant facts or ideas
  • Account for (an action or event) by giving a reason as excuse or justification
  • An explanation is a set of statements constructed to describe a set of facts which clarifies the causes, , and consequences of those facts.
  • Minimize the significance of an embarrassing fact or action by giving an excuse or justification
  • Each of the classes, typically numbered, into which garments or other articles are divided according to how large they are
  • (size) (used in combination) sized; "the economy-size package"; "average-size house"
  • (size) cover or stiffen or glaze a porous material with size or sizing (a glutinous substance)
  • Extensive dimensions or magnitude
  • The relative extent of something; a thing's overall dimensions or magnitude; how big something is
  • (size) the physical magnitude of something (how big it is); "a wolf is about the size of a large dog"
camera lens sizes explained - Microsoft Office
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Microsoft Office SharePoint Server 2007 - Collaboration Features - Computer Based Training DVD Rom - Learn MS Office Share Point 2007 with 7 Hours of Lessons on CD That Are Well Organized From Basic to Advanced Features. Over 230 Collaboration Features Explained By an Experienced Instructor: Teams, Social Networking, etc... Brush up on Your Computer Software Skills with CBT Training
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Recommendations... Lots of people come to me and ask for what they should by, what could they do to get better photos, how do they get better photos.. After my first recommendation of get the fastest 50mm lens you can afford, is the recommendation of getting an external flash. It's something that can be essential to shooting indoors of you need stop a little motion and get a good quality of light and fill light on subjects... Here we have an image, shot with an on camera flash pointed over my left shoulder. You see that ridiculously large sized light on the ceiling, thats the flash. Thats the on camera flash. You know where that light has to go after it hits the ceiling? Everywhere it can. Thats where. Denis Reggie was the first person to truly explain how to shoot with very fast lenses and on camera flash. Even poking fun at his friend Gary Fong for selling flash diffusers.. Which have their place, I do own them and do use them less and less... But lets get back on topic... The Largest the Light source, the softer the light. The closer this light source is to your subject, the less light you need to illuminate them. Today our High ISO-Speed running cameras can do ISO-800 and above with little or some tolerable grain - but the point is that you're getting a huge light source and a fast lens - you're getting beautifully lit subjects, decent ambient to flash exposure matching - but most importantly - you're doing it without a flash bracket or a flash diffuser or modifier on the flash head. Eliminating the two things can help you be lighter, more mobile, and less bulky when shooting. Back to the light. Look at large it is... Thats truly amazing.. Now, the reason I push it over a shoulder is to get a better angle of light reflecting back to subject in order to reduce some shadows that might happen under the eyes had I pointed it right and straight up... Now Denis Reggie talked about how he points it in all directions, uses ETTL and just loves the results... I found for me, and the way I shoot, I need to push the Flash Exposure Compensation a bit to nail the light I want and balance I need for me to like the photos... You mileage may vary due to the THOUSANDS of things that impact this. There virtually too many things to list that will impact your flash out put power under ETTL. A few would be: Metering Mode and what you rhave the center of the lens on when you take the photo and what color the item is that you're planning to bounce off of to get the light to come back... Regardless, the trick and object of this is the same. Getting the biggest light source you can, from the little light source you have on your camera. Fast lenses are a big part of this... shooting like this in F/2.8 and below you're made in the shade on a beautiful day. You start venturing into the F/4 range and your flash is working hard to get that light out there... you hit F/5.6 - you might as well cook an egg on your flash before it dies... Going back to how we started; The fastest lens you can afford and the external speedlight will be your absolute best friend in separating your images from the Point & Shoots... Please understand, that I just gave away one of the most overlooked magic tricks in the business... but I am NOT the first to offer this solution. As mentioned, I first heard this from Denis Reggie. However, in my thirst for knowledge, I found that Neil Van Niekirk has a whole page planet neil dot com and also released a book on thoughts around bouncing light... Please visit the website and buy the book - I am no way affiliated with him, just appreciative and respectful that he has taught, continues to teach, and always helps with learning to light...
Self-Portrait with Camera Collage
Self-Portrait with Camera Collage
Assignment: PCA21 - Photo Collage Deadline: March 30, 2008 Image Tag: pca21 From: rafuchoski (Rafa) Mission: This is a 2 weeks assignment, and as such I am going with something a bit complex but really interesting and with a lot of flexibility for everyone to participate and show your creativity. For this assignment create a Photo Collage made of at least 3 different pictures by merging them together using any tool available. You are completely open to choose the topic or subject of your liking, but the collage should have a common theme and be explained in your WIT. It can be a panoramic (from more than 3 pictures) cut in 6 and then rearranged, 8 printed pictures manually cut and pasted and then scanned, several pictures of different angles/parts of the same view rearranged into a compelling composition, anything!!. Don't set boundaries, be as imaginative as possible and start planning today, you have 2 weeks for it. WIT (What It Took): The idea I started with is to playfully show how photography is a combination of tools (the camera) and the photographer's eye. How many eyes and cameras do you see? To make the collage, I used the timer to get a humorous shot of my head upside down while bending over the edge of my sofa. Then stood in front of a mirror to get lots of shots of my body in different positions. In layers, started with the large close-up of me. Then added a texture layer. Then added a different layer for each of my body parts to create the "me" sitting on the camera. Lots of resizing and erasing. Ended up with 11 layers. Burned in some shadow on the camera where I'm sitting. Wanted the "me" on the camera to be slightly off as far as color matching, merging the body parts, and body part sizes to emphasize the college effect. Thanks to kittykatfish for the cool texture.

camera lens sizes explained
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