MEDICAL POWER OF ATTORNEY MINOR CHILD : MEDICAL POWER OF

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Medical Power Of Attorney Minor Child


medical power of attorney minor child
    minor child
  • a minor, age birth to majority. More than one child may be involved in Supervised Visitation.
  • The term minor is used to refer to a person who is under the age in which one legally assumes adulthood and is legally granted rights afforded to adults in society. Depending on the jurisdiction and application, this age may vary, but is usually marked at either 18, 20, or 21.
  • A person who has not yet reached the legal age of majority. This age can differ with each state, but generally is between 16 and 18 years. The term does not apply to an emancipated youth.
    attorney
  • lawyer: a professional person authorized to practice law; conducts lawsuits or gives legal advice
  • (Attorneys) Advertisers in this heading and related Attorney headings may be required to comply with various licensing and certification requirements in order to be listed under a specific practice area, and Orange Book does not and cannot guarantee that each advertiser has complied with those
  • In the United States, a lawyer; one who advises or represents others in legal matters as a profession; An agent or representative authorized to act on someone else's behalf
  • A person appointed to act for another in business or legal matters
  • A lawyer
    medical
  • relating to the study or practice of medicine; "the medical profession"; "a medical student"; "medical school"
  • Of or relating to the science of medicine, or to the treatment of illness and injuries
  • checkup: a thorough physical examination; includes a variety of tests depending on the age and sex and health of the person
  • requiring or amenable to treatment by medicine especially as opposed to surgery; "medical treatment"; "pneumonia is a medical disease"
  • Of or relating to conditions requiring medical but not surgical treatment
    power
  • The capacity or ability to direct or influence the behavior of others or the course of events
  • possession of controlling influence; "the deterrent power of nuclear weapons"; "the power of his love saved her"; "his powerfulness was concealed by a gentle facade"
  • Political or social authority or control, esp. that exercised by a government
  • supply the force or power for the functioning of; "The gasoline powers the engines"
  • (physics) the rate of doing work; measured in watts (= joules/second)
  • The ability to do something or act in a particular way, esp. as a faculty or quality
medical power of attorney minor child - Harmful to
Harmful to Minors: The Perils of Protecting Children from Sex
Harmful to Minors: The Perils of Protecting Children from Sex
Now available in paperback, Judith Levine's controversial book challenges American attitudes towards child and adolescent sexuality-especially attitudes promulgated by a Christian right that has effectively seized control of how sex is taught in public schools. The author-a thoughtful and persuasive journalist and essayist-examines the consequences of "abstinence" only education and its concomitant association of sex with disease, and the persistent denial of pleasure. She notes the trend toward pathologizing young children's eroticized play and argues that Americans should rethink the boundaries we draw in protecting our children from sex. This powerful and illuminating work was nominated for the 2003 Los Angeles Times Book Prize.

80% (13)
Dirk Bogarde
Dirk Bogarde
British postcard by Picturegoer Series, London, nr. W. 789. Photo: J. Arthur Rank Organisation. Distinguished British actor and novelist Sir Dirk Bogarde (1921-1999) was Britain's number one box office draw of the 1950’s, gaining the title of ‘The Matinee Idol of the Odeon’. In the 1960’s, he abandoned his heart-throb image for more challenging parts in films by Joseph Losey, John Schlesinger, Luchino Visconti, Liliane Cavani and Rainer Werner Fassbinder. Bogarde made a total of 63 films between 1939 and 1991. Dirk Bogarde was born Derek Jules Gaspard Ulric Niven van den Bogaerde in London in 1921. He was of mixed Flemish, Dutch and Scottish ancestry. His father, Ulric van den Bogaerde was the art editor of London newspaper The Times and his mother Margaret Niven was a former actress. He attended the former Allan Glen's School in Glasgow and London's University College School, before majoring in commercial art at Chelsea Polytechnic. Derek dropped out of his commercial art course and became a drama student, though his acting talent at that time was unpromising.In the late 1930’s he went to work as a commercial artist and a scene designer. His London West End acting debut was in 1939 as Derek Bogaerde in J. B. Priestley's play Cornelius. That same year he appeared as a film extra in Come on George! (1939, Anthony Kimmins). Bogarde served in World War II, being commissioned into the Queen's Royal Regiment in 1943. He reached the rank of major and served in both the European and Pacific theatres, principally as an intelligence officer. After the war his agent renamed him Dirk Bogarde, and in 1947 he appeared in Power Without Glory at the New Lindsay Theatre, a performance that was praised by Noel Coward, who urged him to continue his acting career. His good looks helped him begin a career as a film actor. After several films for Gainsborough, none of them making much impact,his first lead came when Wessex Films, distributed by Rank, gave him a part in the proposed Stewart Granger film Esther Waters (1948, Ian Dalrymple, Peter Proud). When Granger dropped out, Bogarde took over the lead. Rank subsequently signed him to a long-term contract and he appeared in a variety of parts during the 14 years he was under contract to the studio. He came to prominence playing the charismatic young thug who shoots and kills a Police Constable in Ealing's The Blue Lamp (1949, Basil Dearden), bringing a violent sexuality to the role that came near to unbalancing the film's sober intentions. It was the first of the intense neurotics and attractive villains that Bogarde would often play, such as a murderer who befriends a young boy played in Hunted (1952, Charles Crichton). His role as a medical student in Doctor in the House (1954, Ralph Thomas) made Bogarde one of the most popular British stars of the 1950’s. The next years he reprised his role in Doctor at Sea (1955, Ralph Thomas) co-starring Brigitte Bardot, and Doctor at Large (1957, Ralph Thomas) co-starring later Bond girl Shirley Eaton. He played a neurotic criminal opposite Alexis Smith in The Sleeping Tiger (1954), Bogarde's first film for American expatriate director Joseph Losey. In Cast a Dark Shadow (1955, Lewis Gilbert), he was a man who marries women for money and then murders them. Other interesting films were The Spanish Gardener (1956, Philip Leacock), A Tale of Two Cities (1958, Ralph Thomas), a faithful retelling of Charles Dickens' classic; The Doctor's Dilemma (1959, Anthony Asquith), based on a play by George Bernard Shaw; and Libel (1959, Anthony Asquith), in which he played two separate roles opposite Olivia de Havilland. After leaving the Rank Organisation, Dirk Bogarde went to Hollywood. There he played Hungarian composer and virtuoso pianist Franz Liszt in Song Without End (1960, Charles Vidor, George Cukor), and an unfrocked priest who falls in love with cabaret entertainer Ava Gardner during the Spanish Civil War in The Angel Wore Red (1960, Nunnally Johnson). Both were big-budgeted films, but hampered by poor scripts, and after both films failed, Bogarde avoided Hollywood from then on. He decided to abandon his heart-throb image for more challenging parts. He starred in the landmark film Victim (1961, Basil Dearden), playing a prominent homosexual barrister in London who fights the blackmailers of a young man with whom he had an emotional relationship. The young man commits suicide after being arrested for embezzlement, rather than ruin the attorney's reputation. In the process of exposing the ring of extortionists, Bogarde's character puts at risk his successful legal career and marriage in order to see that justice is served. Victim was the first mainstream British film to treat the subject of homosexuality seriously and the film helped lead to a change in English law decriminalising homosexuality. Privately Bogarde had a long-term relationship with Anthony Forwood (a former husband of the actress Glynis Johns and the father
Peking Mission School Children At Play, The Dragon's Head, China [1902] Carlton H. Graves Co [RESTORED]
Peking Mission School Children At Play, The Dragon's Head, China [1902] Carlton H. Graves Co [RESTORED]
Entitled: Peking mission school children at play, the dragon's head [1902] CH Graves (but likely H Ponting) [RESTORED] I retouched out some minor spot and scratches, adjusted the tone and contrast, and finally added a sepia tone. The image is from the right of a stereoscope pair. The originals, two in this case, are attributed to both CH Graves in 1902, and another to Keystone. The later one was presumably reprinted under a new title when Keystone View Co took possession of Graves collection (as a part of their Underwood acquisition); it listed only the title without any attribution at all. The original CH Graves image listed the Peking location and attests to a missionary school there. The US Library of Congress lists this picture under two Reproduction Numbers, LC-USZ62-103632 for the Keystone attributed image, and LC-USZ62-52359 for the slightly poorer quality CH Graves print. Carlton Harlow Graves was the owner of CH Graves Company (one of his many business titles), another one of several stereoscope picture view companies that imaged the world extensively in the hopes of bringing esoteric views to jaded westerners. He eventually sold out to Underwood & Co. in 1910, and it is presumed that his work then went to Keystone View when Underwood itself was later sold to them. CH Graves Company also used the work of other paid photographers, and Herbert Ponting is suspected of being Graves' actual source of all it's China images, including this one. I simply love this picture. Early 1900s Chinese children were hardly ever at ease enough to unabashedly play in front of a western photographer. They're either too scared, shy, or mesmerized by the photographer's operation to ever engage in what they would otherwise do normally if the westerner wasn't present. Like all kids one would expect them to be playing, and this rare image successfully captures that. In a collaborative effort, five boys acrobatically form the head of a dragon. This provides ample evidence that traditional folklore and myth was already inculcated into the Chinese psyche at an early age, enough that Children use the imagery from such tales to acrobatically create imaginary creatures during their frolic and gambol.

medical power of attorney minor child
medical power of attorney minor child
Knowing Children: Participant Observation with Minors (Qualitative Research Methods No. 15)
To help the researcher understand why and how children react to adults who are doing ethnographic research, Fine and Sandstrom explore the methodological and ethical problems of qualitative research with minors. They correct numerous fallacies held by researchers that children think like adults and that they cannot hide their thoughts and feelings from adults, especially strangers. Recognizing that age is an important determinant of children's response, they discuss problems and present strategies for conducting research with three age groups of children: preschool children (4 to 6 year olds), preadolescents (10 to 12) and middle adolescents (14 to 16). This is the first major methodological statement on doing participant observation work w

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