Cover Girl Make Up Tips

cover girl make up tips
    cover girl
  • A female model whose picture appears on magazine covers
  • a very pretty girl who works as a photographer's model
  • A cover girl is a woman whose photograph features on the front cover of a magazine. She may be a model, celebrity or entertainer. The term would generally not be used to describe a casual, once-off appearance by a person on the cover of a magazine.
  • Cover Girl, Shawn Colvin's third full length album, was released in 1994 on Columbia Records. As the title hints to, all of the tracks are cover songs. It received a Grammy nomination for Best Contemporary Folk Album.
    make up
  • constitute: form or compose; "This money is my only income"; "The stone wall was the backdrop for the performance"; "These constitute my entire belonging"; "The children made up the chorus"; "This sum represents my entire income for a year"; "These few men comprise his entire army"
  • makeup: an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"
  • constitution: the way in which someone or something is composed
  • The combination of qualities that form a person's temperament
  • Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance
  • The composition or constitution of something
  • Give (someone) a sum of money as a way of rewarding them for their services
  • (tip) the extreme end of something; especially something pointed
  • (tip) gratuity: a relatively small amount of money given for services rendered (as by a waiter)
  • Predict as likely to win or achieve something
  • (tip) cause to tilt; "tip the screen upward"
cover girl make up tips - Grammar Girl's
Grammar Girl's Quick and Dirty Tips for Better Writing (Quick & Dirty Tips)
Grammar Girl's Quick and Dirty Tips for Better Writing (Quick & Dirty Tips)
Online sensation Grammar Girl makes grammar fun and easy in this New York Times bestseller
Are you stumped by split infinitives? Terrified of using “who” when a “whom” is called for? Do you avoid the words “affect” and “effect” altogether?
Grammar Girl is here to help!
Mignon Fogarty, a.k.a. Grammar Girl, is determined to wipe out bad grammar—but she’s also determined to make the process as painless as possible. A couple of years ago, she created a weekly podcast to tackle some of the most common mistakes people make while communicating. The podcasts have now been downloaded more than twenty million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of The New York Times, The Wall Street Journal, and USA Today.
Written with the wit, warmth, and accessibility that the podcasts are known for, Grammar Girl’s Quick and Dirty Tips for Better Writing covers the grammar rules and word-choice guidelines that can confound even the best writers. From “between vs. among” and “although vs. while” to comma splices and misplaced modifiers, Mignon offers memory tricks and clear explanations that will help readers recall and apply those troublesome grammar rules. Chock-full of tips on style, business writing, and effective e-mailing, Grammar Girl’s print debut deserves a spot on every communicator’s desk.

Are you a fool for mnemonics? If so, you'll fall head over nubucks for Mignon Fogarty--a.k.a. the Grammar Girl--and her handy new audio guide to writing and speaking well. It’s chock-full of smart little anecdotes and memory tricks for felling the most common grammatical foes (who can ever remember the difference between "nauseous" and "nauseated" anyway?) and at just an hour long it's the perfect turn-to resource for students and professionals alike. I didn't try too hard to stump Grammar Girl in our Q&A, but with her eagle eyes she spotted my grammatical (typographical?) misstep without missing a beat! --Anne Bartholomew

Questions for the Grammar Girl Now that we communicate so often via e-mail and text messaging, do you think that people have become more desensitized to poor grammar, or in your experience is awareness more heightened as a result?
Grammar Girl: The average person seems to have become more desensitized to poor grammar, but language lovers seem to be tormented by the flood of mutilated e-mail and text messages—at least a lot of the people I hear from seem to be tormented. It might be a self-selecting group. To use one of my father's favorite phrases, language lovers seem to feel as though they are "being pecked to death by a duck." Your weekly podcast helps millions of listeners use good grammar and write more effectively. Do you think there is more value in learning by listening, as compared to reading and practical exercise?
Grammar Girl: Perhaps it's ironic, but I have a hard time learning by just listening. I need to read things, which is one of the reasons why I provide full transcripts for all my audio podcasts on the Grammar Girl Web site. People learn in different ways, so those who want to listen can listen, and those who want to read can read.
In my experience, nothing beats practical exercise. I often have to look up grammar rules over and over again because I can't remember them, but once I've written a show about a rule, I always remember it. Have the grammar mnemonics you've developed come easily to you? Which ones were the toughest to capture in an easy-to-remember tip?
Grammar Girl: Some mnemonics come easily and some don't. I had a hard time coming up with a way for people to remember the difference between "its" and "it's," and I ended up using a really complicated story about a dream I had involving the eBay "it" advertising campaign.
I think the best mnemonics are the simple ones. Remembering that you should say "different from" instead of "different than" because "different" has two f's and "from" starts with an f isn't awfully creative, but it's easy to remember. Is there a grammar rule that even Grammar Girl finds it hard to remember?
Grammar Girl: There are so many that it's hard to pick just one! I have a notoriously terrible memory, which is why I'm always making up mnemonics.
Often I find that when I can't remember something it's because it is a style issue instead of a hard-and-fast rule, so different people do it differently and there is no "right" answer. For example, I always have to look up the rules about whether the verb should be singular or plural after collective nouns like "team" and phrases like "the couple" and "one of the people who."
But when I look up the rule for collective nouns, I am reminded that the "rule" is that you have to just decide whether your collective noun has a sense of being a group or a sense of being many individuals. (And then there are also differences between British and American English.)
It's even worse with a phrase like "one of the people who": experts are split over whether the verb should be singular or plural. There really isn't an answer; you just have to pick a side. I have a hard time making a mnemonic for something like that! It used to be that proper grammar and thoughtful wording were the defining factors of a good piece of writing. Increasingly, however, writing is prized for the speed with which it is produced and not necessarily the craft. How can conscientious writers find the happy medium between form and efficiency?
Grammar Girl: What, didn't I answer your questions fast enough?
But seriously, I don't think I've come in contact with the people who value speed. As a Web editor, I certainly wasn't happy when people turned in bad writing, even if they turned it in early. And when I was writing magazine articles or corporate materials for a living I never felt rushed (except when I waited too long to get started).
The places where I do feel a sense of urgency are in e-mail and messaging; people seem to expect immediate responses. But writing a high-quality message doesn't take much more time than writing a careless message; it just takes more focus. Bonus question: I wrote all these questions with no more than a cursory grammar and spelling check. How did I do?
Grammar Girl: I found only one major error, and I changed the text to bold. It looked like a typo rather than an error in your understanding of the rules. Good job!

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khampa tibetan princess (2 of 9)
khampa tibetan princess (2 of 9)
a very elegant young lady draws great attention with her extraordinary dress and jewelry at the litang horse festival costume show in 2006. her headdress is a fine collection of huge amber beads tipped with coral red coral. her hair is braided into 108 strands - a sacred number from buddhism. the necklaces of dzi beads and red coral are worth a fortune - enough to buy a house in a western country. red and yellow stones and garments are spiritual colors in tibetan culture. 3 jeweled silver and gold belts are around her waist, many 24k gold bracelets rest on her wrists and a big gold ring is on every finger to the Khampa people these ornaments have the utmost sentimental value and significance, because they are the physical remnants of generations of their ancestors hard work or success. what these people are wearing is not just their life savings, but also their family history and treasure. this culture has been around for millenia - archeological finds from the 1st century AD in the khampa area unearthed ornaments that are essentially the same in design and materials as today's are. Khampa tibetan festivals feature some of the most astonishing shows of bejewelling in the world. Traditionally nomatter who you are in Khampa society, it would go without saying that you buy jewelry with your money, because that it the most appropriate and traditional store of money. Nomadic people naturally find precious stones and metals the most portable way to keep their wealth. Many ornaments have religious or spirtual meaning, as well as being the objects which store the family history, wealth, and show the family status. Another costume from the King Gesar Arts Festival / Khampa arts festival in the Kham region of Tibet in 2004. Her arms, fingers and body and covered with very expensive ornaments. Massive amulets and precious stones are also worn on the back, and below the waist front, behind and on the sides. How heavy this was I do not know, but would guess a quarter or a third of her body weight. ===================================================== Ornaments make up most of the life savings of many Khampa families, and so play an important role in Tibetan families' lives as well as in announcing the social status of the wearers. They are saved up for over many years and handed down for centuries from generation to generation within families. Until very recently, these families were nomadic and have to move every few months because of the snowy seasons in the Himalayas, so Khampas have always needed to store their wealth in portable form. So being unable to store wealth in the form of estates or houses or land or in a bank, for millenia wealth has been stored in art, precious fabrics, and particularly into ornaments. Their culture is very conservative about the type of ornaments favored: for thousands of years jewelry made from amber, turquoise and coral have been worn because the stones are believed to hold spiritual power. Gold and silver and also naturally found in Tibet, and the use of these metals by the wealthy also goes back thousands of years. Their ornaments are very chunky, bold and colorful. While the gold earrings that Khampa women wear may have cost them a year or maybe several year's of their salary, ornaments carry so much social status in their society that probably didn't have to think twice about the purchase. To the Khampa people these ornaments have the utmost sentimental value and significance, because they are the physical remnants of generations of their ancestors hard work or success. what these people are wearing is not just their life savings, but also their family history and treasure. this culture has been around for millenia - archeological finds from the 1st century AD in the khampa area unearthed ornaments that are essentially the same in design and materials as today's are. there are also beliefs that the stones provide good luck and protection to disease. dyed red coral is the most sought after stone, but interestingly tibet is very very far from any oceans - all the coral is imported by traders! Religious symbols from Tibetan Buddhism frequency form the designs of pieces, however archeological finds show that the role of ornaments in Tibetan society and peoples' lives long predate the arrival of Buddhism in Tibet. Indeed the beliefs of spiritual protection being provided by coral, amber and turquoise probably originate from the ancient shamanic Bon religion. ANOTHER PHOTO of her is below... (click the thumbnail)
The kiss of life.
The kiss of life.
I felt like a comedy picture was in order for this week so forgive me my frivolity :) For the Teleidioscope: Oxygen, my take on the kiss of life :) If you fancy reading the story for this photo please see below. And as always, thank you for all your comments and favourites, they make my day :) Norma Lity was not the brightest of girls, but what she lacked in brain power she made up for in enthusiasm. She was always eager to try and prove that she wasn't as stupid as everyone made out. One day, at school, Norma's class were being taught first aid. The teacher was explaining what to do if ever they saw someone lying on the ground not moving. "You must clear their airways" she said. "Tip their head back, and then breathe into their lungs, so that their body is still supplied with oxygen. It is very important to administer this procedure quickly, as the body quickly becomes starved of oxygen which could lead to brain damage." Norma pay close attention to this speech, she didn't like the idea of brain damage one bit, it sounded awfully painful. After class, the children had break time, and Norma followed her friends into the playground. But no sooner had she stepped out on to the tarmac than she spotted a body lying motionless on the ground. Oh no! She thought, they must be a sick person, they've gone all grey! And then she remembered what her teacher had told her, for it had only been 4 minutes since the class so she had not yet forgotten, and she smiled to herself, I know what to do she thought. She immediately began to walk towards the body, thinking how proud everyone would be once she had saved the day. The curious thing was that the body began to move away from her, almost as fast as she could keep up with it. She walked faster, chasing the body until at last it climbed a wall. "Right," thought Norma, "now stay still so I can give you the kiss of life and stop you damaging your brain." And she began with great care to administer the kiss to the body on the wall. Now this body, happened to be Norma's shadow, and well used to Norma's stupidity it had just about had enough. It did not like having Norma bearing down on it one bit. "I'll show you." thought the shadow, and as soon as Norma's lips touched the wall the shadow locked on. It sucked back with all its strength, covering her skin with its soft grey darkness and drawing her into the blackness beyond. When the bell rang Norma's classmates returned to their lessons. No one had noticed Norma had disappeared. But then again why would they, for after all, stranger things had happened with Norma Lity.

cover girl make up tips
cover girl make up tips
The Girls' Guide to Rocking: How to Start a Band, Book Gigs, and Get Rolling to Rock Stardom
From greats like Patti Smith and Joan Jett to legends-in-the-making like Taylor Swift and Demi Lovato, girls want to rock. They want to start bands, write songs, get up on stage, and kick out the jams. Here's the book to teach them how. Written by an obsessive music lover who's spent her life playing, performing, publicizing, and writing about rock 'n' roll, The Girls' Guide To Rocking is a hip, inspirational guide for rad girls who want to make their rock dreams come true.

It's everything a rocking girl needs to know: how to choose the right instrument for you, where to shop for instruments and where to avoid. How to get your band together and keep it together—tips on playing in a band with your friends and staying friends. How to turn your bedroom into a soundproof practice space. Giving your band the right name, plus a cautionary glossary of overused words (Wolf, Star, Crystal, Earth, etc.). How to set-up and promote your own shows. The freedom of going solo, and how to handle performing alone in the spotlight. Songwriting tips, with eight prompts to get the lyrics flowing. The ins and outs of recording, whether at home or in a studio. Taking care of business: publicizing your band, making T-shirts, legalese and the creative personality, and the four signs that say "time to hire a manager"—in other words, you've arrived.

Includes a girls-in-rock timeline, essential listening lists, and quotes from the greats: Nina Simone, Hayley Williams, Gwen Stefani, Carrie Brownstein, Amy Lee, Kim Gordon, and more. Now get out there and rule the world.