LEASING KITCHEN EQUIPMENT. KITCHEN EQUIPMENT

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Leasing Kitchen Equipment


leasing kitchen equipment
    equipment
  • The process of supplying someone or something with such necessary items
  • an instrumentality needed for an undertaking or to perform a service
  • A tool is a device that can be used to produce or achieve something, but that is not consumed in the process. Colloquially a tool can also be a procedure or process used for a specific purpose.
  • The necessary items for a particular purpose
  • The act of equipping, or the state of being equipped, as for a voyage or expedition; Whatever is used in equipping; necessaries for an expedition or voyage; the collective designation for the articles comprising an outfit; equipage; as, a railroad equipment (locomotives, cars, etc.
  • Mental resources
    leasing
  • (lease) rent: let for money; "We rented our apartment to friends while we were abroad"
  • (lease) a contract granting use or occupation of property during a specified time for a specified payment
  • Grant (property) on lease; let
  • Take (property) on lease; rent
  • (lease) property that is leased or rented out or let
    kitchen
  • A room or area where food is prepared and cooked
  • a room equipped for preparing meals
  • A kitchen is a room or part of a room used for cooking and food preparation.
  • The Custard Factory is an arts and media production centre in Birmingham, England .
  • A set of fixtures, cabinets, and appliances that are sold together and installed in such a room or area
  • Cuisine
leasing kitchen equipment - Commercial Leasing:
Commercial Leasing: A Transactional Primer
Commercial Leasing: A Transactional Primer
This book is the first among legal textbooks to examine a crucial component of real property practice: commercial lease law. Commercial leasing is the lifeblood of commercial real property development in the United States. Real property lawyers regularly represent landlords, tenants and lenders in the leasing of commercial space. This is true in periods of booming real estate development, as well as in periods of economic downturn. Leasing practice is transactional and centers on a single negotiated document the commercial lease. By the end of a course based on this book, students will have developed a genuine understanding of the major terms of the commercial office lease, the goals and objectives of parties to the transaction, and the skills crucial to effective representation. Bogart and Hammond have crafted a book uniquely suited to teaching this important area of practice. The book utilizes a sophisticated commercial office lease form promulgated by the ABA. Each chapter focuses on a particular lease provision. Chapters pull apart contractual language and terms of art, reveal the motivations of the parties to the deal, and finally, examine the underlying substantive law. In addition to presenting interesting case opinions, each chapter provides numerous challenging, real-world problems. Chapters typically conclude by asking students to apply what they have learned to provisions taken from the much-publicized ''Killer Lease.'' The book includes a chapter explicitly discussing professionalism, ethics and negotiations, and contains drafting and negotiation exercises that force students to pull together skills and substantive law lessons. This second edition also includes new problems patterned on authentic leasing practice as well as recent important cases. In much the same way that real estate lawyers confronted newly developed environmental law a generation ago, real estate lawyers today are learning how to meet client demands that leaseholds and leasehold contracting satisfy standards of resource sustainability. This new edition therefore includes a chapter on ''Green Leasing.'' Real estate, property, and transactional law professors who want to help students to develop a real understanding of a transactions-based practice will enjoy Commercial Leasing. This book will form the basis of an exciting elective real estate transactions course.

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Esopus Lighthouse
Esopus Lighthouse
The Esopus Meadows Lighthouse, fondly nicknamed "The Maid of the Meadows", was completed in 1871. It replaced an earlier structure built in 1839 on land ceded to the United States Government from the state of New York. The lighthouse was needed on the Hudson River to warn mariners of the mud flats known as the Esopus Meadows located off the western shore of the river. The lighthouse was built on a new foundation, located to the south of the former location, traces of which are still visible on the adjoining small island. Two hundred and fifty piles, each 40 feet long, were driven into the river bottom. They were cut off three feet below the mean water mark, capped with 12 inch square timers and topped with a deck of three-inch pine. Granite blocks were stacked 16 feet high producing a pier with a diameter 49 feet at the base and 46 feet at the top. On top of this pier was built a wooden keeper's dwelling with a mansard roof and clapboard exterior. Inside the house is a kitchen, sitting room and equipment room on the first floor and three bedrooms and a bath on the second. The light tower extends above the living quarters with an octagonal deck housing the light. Situated 53 feet above the mean water line, the lantern room previously contained an optic fifth-order Fresnel lens providing a 270 degree arc of light that was visible for 12 nautical miles. The lighthouse was tended by resident keeper until 1965 when it was converted to an automatic solar powered system. Although only accessible by boat, without the care of on-site keepers, the lighthouse fell into the ruinous hands of vandals and Mother Nature. In 1979, the Esopus Meadows Lighthouse was listed on the National Register of Historic Places. The road to restoration didn’t really begin until 1990 when the Save Esopus Lighthouse Commission was formed. The concerned volunteers, under the direction of Arline Fitzpatrick, leased the site from the Coast Guard and began extensive restoration efforts. SELC raised funds from various sources to cover emergency repairs, extensive carpentry, painting and shingling of the mansard roof. By 1997, a reorganization of SELC, as well as new volunteers from the Aids to Navigation Coast Guard Station in Saugerties, continued to bring the lighthouse back to life. The fall of 2000 brought an impressive milestone in restoration efforts – stabilization and leveling of the house was completed. July 2001 brought another milestone for the lighthouse. The restoration was reorganized as a museum under the New York State Regents providing a provisional charter as the Esopus Meadows Lighthouse which allows the pursuit of additional funding and ownership of the house. In September 2002, the lighthouse stewardship was formally granted by the General Services Administration to the newly-chartered Esopus Meadows Lighthouse. Perhaps the most rewarding achievement to date happened on May 31, 2003. After 38 years of darkness, a new light was installed in the tower, thereby deeming the house “a working navigational aid.” The current lighthouse was completed in 1871 and is the last wooden lighthouse in existence on the Hudson and the only Hudson lighthouse with a clapboard exterior
Radical Simplicity
Radical Simplicity
At first reading Dan comes across as a man who might earn a diagnosis by the end of the book—a simpleton. His need for solitude and quiet is extreme and the lengths that he will go to to find a life that will not pressure him unduly with a mortgage and possessions leads him on this journey despite having a wife and two kids. In fact he must leave them to do it because his wife and children were not sympatico with his need to simplify. The craft in the book, which is nicely illustrated with his own drawings and photographs, comes in how he manages to build himself shelter. He arranges to lease a spit of land within cycling distance of town (somewhere up the northwestern coast) in exchange for taking care of downed tree limbs and such. These benign land owners turn out to be quite significant in their tolerance, but never make an appearance. Dan lives in a tipi, then a burlap covered igloo, before building himself an earth bermed hobbit hole lined with wood with a door that requires stooping to get through. His kids come for the summer to live in the tipi. To get away from the carpenter ants eating his wood paneling he builds himself a bunker from old railway ties covered in tar. In this seclusion he writes his journals with pictures that he then publishes in a zine for his subscribers. This requires a copy machine and other office equipment. An eco shoe company hire him so his stories and drawings can enhance their catalog. His philosophy of radical simplicity comes through this journey rather than an academic treatise on why we should opt for such downsizing. Once he has built his house and worked out all the details of eating, eliminating and washing himself, I know all I need to know about such a stripped down life. So much so that Dan has saved me the trouble of finding out for myself what it would require and how far you need to go to do it. It has it's appeal, but I wouldn't stick it out for long. I'm too fond of conventional conveniences like a standard kitchen and a large TV for movie night with friends. I had read about Dan in my Shelter book and soon after happened on a copy of his book at my used bookstore. I was struck by some of the things he said about why our lives are unnecessarily more complicated like washing our clothes just because we wore them once and not when they are actually dirty. I also had never contemplated eating all my meals cold or uncooked. I would have gone with a solar oven. In the end I was glad that he did find satisfaction and peace in his hobbit hole housing and simplified lifestyle. It does pose the question to the reader to really examine what it is we really need to live our lives.

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