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  • In architecture and building engineering, a floor plan, or floorplan, is a diagram, usually to scale, showing the relationships between rooms, spaces and other physical features at one level of a structure.
  • A scale diagram of the arrangement of rooms in one story of a building
  • (floor plan) scale drawing of a horizontal section through a building at a given level; contrasts with elevation
  • (Floor planning) Floorplanning is the act of designing of a floorplan, which is a kind of bird's-eye view of a structure.
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floor plans for free - Jachin and
Jachin and Boaz: or, an authentic key to the door of free-masonry, Illustrated with an accurate plan of the drawing on the floor of a lodge, To ... all the English regular lodges in the world,
Jachin and Boaz: or, an authentic key to the door of free-masonry,  Illustrated with an accurate plan of the drawing on the floor of a lodge,  To ... all the English regular lodges in the world,
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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John Rylands University Library of Manchester

T187671

"Advertisement" signed: R. S.

London : printed for W. Nicoll, 1769. viii,52p. : ill. ; 8°

77% (14)
AVON - FREE PUBLIC LIBRARY - 01
AVON - FREE PUBLIC LIBRARY - 01
Avon Free Public Library History 1798-1997 The roots of the Avon Free Public Library can be traced back to 1798. Records show that the first librarian was Samuel Bishop, a prominent citizen living on Ciderbrook Road in the district of Farmington called Northington (as the Town of Avon was then known), with a population of 1,750. He maintained a collection of 111 books in a room in his home and allowed borrowers access to the collection six times a year, in December, February, April, June, August and October. When Samuel Bishop retired, Josiah Ansel Wilcox was voted librarian to succeed him in 1842. The library was moved to the Wilcox home which was also located on Ciderbrook Road. There is no record of the hours when the library was open to borrowers during Mr. Wilcox's tenure. During this era, each member borrower was required to pay to take out a book, and they were assessed a users' tax of $ 1.00 per year. In 1852, the library closed. The 111 books were kept for many years by the Wilcox family. Books and reading were apparently shared informally during the next few decades. A "Literary Club" and "Debating Club" were active during the 1880's. In 1890, a group of concerned women who felt the town should have a library started a public library in a former harness shop on the north side of what is now Route 44, near the intersection of Routes 10 and 202. In 1891, the building was needed for other purposes and the books were taken to the Bishop house on West Main Street, then moved again next door to occupy the front room of Phinenas Gabriel's shoe store. This incarnation of the library prospered for a few years, until citizens began to patronize the Simsbury Library. The books that remained from this collection were stored in the homes of two different Avon residents for safe keeping. Finally, in 1909, the Avon Free Public Library was on its way to becoming a valued town institution. A board of directors was elected to re-organize the Avon Free Public Library. By-laws and rules were drawn up by two men who served on the Board of Directors. Funds totaling $175 were raised to pay for the developing library and to hire a trained librarian to classify the collection. Fred Neville's home on the site of the old Towpath School was the last to house the itinerant collection. He became the first paid librarian. and was compensated not only for his duties as librarian, but also for the space in his home used for the library. The library was open two hours each Friday evening from six to eight P.M. Each borrower was limited to two books to be returned within two weeks. The records show that 62 families registered to borrow books that first year, and that a total of 1,767 books were circulated. "Sub-stations" were started in 1911 at Mrs. Louise Lusk's home on Lovely Street and at the "town hall" in Huckleberry Hill School. Fifty books were available in each location and were changed every two months. It became evident over time that both a permanent building to house the collection and a more efficient way to operate the library were necessary. Fund raising began in 1929-30 to buy land and erect the first official library building. A site was purchased on the south side of Route 44 across the street from the building used for the library in 1890. On August 30, 1932, the one-room brick building was completed and the new Avon Free Public Library was opened to the public. In the fifty years that the library occupied this building, it was enlarged three times with the help of private funding sources to keep up with the expanding population and need for additional library services. During the World War II period, the library facilities were used by the Avon Defense Council and the local American Red Cross. A bookmobile, manned by volunteers, transported books to West Avon, Huckleberry Hill and Secret Lake for two years. The "Friends of the Avon Library", organized in 1950, established new programs and provided funds for books and equipment. They set up exhibits and conducted storytimes called the "Wee Wigglers". In 1969 what was left of the original 1798 collection was donated to the Library by the Wilcox family. It is kept in the Marian Hunter History Room. Long-range planning for a new library began in 1971. By the mid-1970's, conditions were ripe for the beginning of a boom in the town's population growth, in fact leading the communities in the Farmington River Valley with a growth rate of 34 percent. In 1974 the population was approximately 9, 400. Annual circulation in 1973 reached 49, 500 items. During this period, the issue of governance was addressed by the Board. Should the library remain privately owned or become a town department? If it remained privately owned, how would it be financed when private monies were no longer adequate or as available as they once were? These issues were resolved and a formal agreement was signed on November 20, 1978
Details (Piso/Floor - Catedral Metropolitana) - Buenos Aires - Argentina
Details (Piso/Floor - Catedral Metropolitana) - Buenos Aires - Argentina
A Catedral Metropolitano de Buenos Aires e a principal igreja catolica em Buenos Aires, capital da Argentina. Localiza-se no centro da cidade, diante da Praca de Maio, na esquina das ruas San Martin e Rivadavia, no bairro de San Nicolas. E a igreja-mae da Arquidiocese de Buenos Aires. A Catedral de Buenos Aires foi reconstruida diversas vezes desde suas origens humildes no seculo XVI. O predio atual e uma mistura de estilos arquitetonicos, com uma nave e um domo do seculo XVIII e uma severa fachada neoclassica do seculo XIX, sem torres. O interior mantem estatuas preciosas do seculo XVIII, bem como retabulos, bem como uma rica decoracao neo-renascentista e neobarroca. No seu interior se localiza o tumulo de Jose de San Martin. The Buenos Aires Metropolitan Cathedral (Spanish: Catedral Metropolitana de Buenos Aires) is the main Catholic church in Buenos Aires, Argentina. It is located in the city center, overlooking Plaza de Mayo, on the corner of San Martin and Rivadavia streets, in the San Nicolas neighbourhood. It is the mother church of the Archdiocese of Buenos Aires. The Cathedral of Buenos Aires was rebuilt several times since its humble origins in the 16th century. The present building is a mix of architectural styles, with a 18th century nave and dome and a severe, 19th century Neoclassical facade without towers. The interior keeps precious 18th century statues and altarpieces, as well as abundant Neo-Renaissance and Neo-Baroque decoration. Origins During the definitive foundation of Buenos Aires by Juan de Garay in 1580, part of a block facing the main square was reserved for the major church of the town. This is still the location of the current Cathedral, which is the last building in a series of previous churches that occupied the site. Interior of the Cathedral viewed towards the main chapel. Both the main altarpiece and the pulpits date from the late 18th century. At the time of its foundation, the town depended on the diocese of Asuncion (in today's Paraguay). The first main church of Buenos Aires was a modest building made of wood and adobe, and was replaced by a new one in 1605 by Governor Hernandarias. This second building was also in danger of collapse by 1616 and had to be rebuilt again, something which was done around 1618. In 1620, Buenos Aires was made seat of a bishopric by Pope Paul V. Its main church now had the status of a cathedral. After 1662, the cathedral was again rebuilt under bishop Cristobal de la Mancha y Velazco and governor Jose Martinez de Salazar, being re-inaugurated in 1671. The cathedral now had three naves covered by a wooden roof and a tower. Due to the bad quality of its building materials, the tower and the roof of this church fell down in the early 1680s. The whole church was again rebuilt, starting in 1684, under bishop Azcona Imberto. In 1695 the building was almost finished, with the flanking towers of the facade and the sacristy still to be completed. In the early 18th century the works were slow, and the first tower was finished only around 1721. The second tower was begun in 1722 and finished around 1725. The main facade was redesigned between 1725 and 1727 by the Italian Jesuit Giovanni Bianchi (also spelled Blanqui). The design of the new facade was directly inspired by Italian Mannerist architecture. Main altarpiece of Buenos Aires Cathedral by Isidro Lorea (1785). Definitive building On the night of May 23, 1752, the nave of the cathedral collapsed. The only portions still standing were the facade and towers, but the rest of the building needed to be completely rebuilt once again. Italian architect Antonio Masella was put in charge of the project, and the works began already in 1753. Masella designed a majestic church, much larger than the previous structure, with a three-aisled nave covered with barrel vaulting and lateral chapels. A dome was to sit over the crossing. Upon completion of the dome, however, fissures in the structure were detected and it had to be rebuilt. Masella was removed from the project and prosecuted by the authorities, although later acquitted. The dome was rebuilt by Portuguese architect Manuel Alvarez de Rocha after 1770. The facade by Blanqui and the towers were finally demolished in 1778, since they were too small in comparison to the scale of the new cathedral. An elegant project for a new facade with two flanking towers, combining Rococo and Neoclassical elements, was presented by the Portuguese military engineer Jose Custodio de Sa e Faria, but financial constraints prevented the realisation of the project. The cathedral was consecrated in 1791 without facade. Altarpiece of the lateral transept arm with the Christ of Buenos Aires (1671). Construction of a facade began in the early 19th century directed by Spanish architect Tomas Toribio, but the project did not advance much. It was only in 1821, under Governor Martin Rodriguez and his Minister Bernardino Rivadavia, that plans to complete the cathedral were ta

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