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  • Japan began to emulate Western fashion during the middle of the 19th century. By the beginning of the 21st century it had altered into what is known today as 'street fashion'.
    magazine
  • A chamber for holding a supply of cartridges to be fed automatically to the breech of a gun
  • A periodical publication containing articles and illustrations, typically covering a particular subject or area of interest
  • a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it; "it takes several years before a magazine starts to break even or make money"
  • A regular television or radio program comprising a variety of topical news or entertainment items
  • product consisting of a paperback periodic publication as a physical object; "tripped over a pile of magazines"
  • a business firm that publishes magazines; "he works for a magazine"
    free
  • With the sheets eased
  • Without cost or payment
  • grant freedom to; free from confinement
  • able to act at will; not hampered; not under compulsion or restraint; "free enterprise"; "a free port"; "a free country"; "I have an hour free"; "free will"; "free of racism"; "feel free to stay as long as you wish"; "a free choice"
  • loose: without restraint; "cows in India are running loose"

Giant Robot at JANM
Giant Robot at JANM
Big show for us... old friends and new and a chance for us to celebrate 50 years of GR! Scrabbel will be playing a free show at the reception! IMMEDIATE RELEASE Contact: Eric Nakamura 310 415 0513 eric@giantrobot.com Or Clement Hanami chanami@janm.org GIANT ROBOT TO KICK-OFF JAPANESE AMERICAN NATIONAL MUSEUM NEW SERIES WITH GIANT ROBOT BIENNALE: 50 ISSUES ON NOV. 3 LOS ANGELES.—The Japanese American National Museum will begin a new series of collaborative exhibitions entitled Salon Pop by presenting Giant Robot Biennale: 50 Issues, developed in collaboration with Eric Nakamura of Giant Robot and running from November 3, 2007 through January 13, 2008. The exhibition is being sponsored by the Imprint Culture Labtm, with additional support from the James Irvine Foundation. An opening reception is being planned for November 3, from 6 p.m. to 10 p.m. at the National Museum in Little Tokyo. Celebrating its 50th issue, the pop-culture magazine Giant Robot is proud to curate the Giant Robot Biennale: 50 issues, featuring artists with whom they have worked in the past, whether in the pages of the magazine or in the associated gallery spaces in Los Angeles, San Francisco, or New York City. Giant Robot has helped to transform the landscape of the boundaries of art, often working with brand-new artists (some still in art school). Many have gone on to great success and present their art around the world, while others are in a more modest state, paying the rent with art-related projects such as commercial work and consumer products. The latter is nearly a constant theme among the artists; each has delved into making products of some sort, and has built a following in a side-discipline although art is his or her primary focus. The Biennale’s works will range from Pryor Praczukowski's cinematic photography to David Choe's graffiti-like murals. The pieces in between include panels by leading indie-comics artist Adrian Tomine and the pop culture inspired works of Seonna Hong, Gary Baseman, APAK, Souther Salazar, and Saelee Oh. Sashie Masakatsu's oil paintings reflect the nostalgia of pop culture-influenced youth while Eishi Takaoka's sculptures can dominate a room with their meditative presence. “The Japanese American National Museum is pleased to work again with Eric Nakamura on Giant Robot Biennale: 50 Issues,” stated Irene Hirano, National Museum President and CEO. “We honored Eric and Giant Robot at our 2006 Annual Dinner and Eric worked as part of our advisory committee for Landscaping America: Beyond the Japanese Garden.” “This show also represents another step for our institution in reaching out to younger audiences. A grant from the James Irvine Foundation has allowed us to gather information that indicates that community and arts organizations like the National Museum need to develop new approaches and innovative content if they hope to be relevant to each new generation. We believe working with Eric Nakamura and Giant Robot will help us accomplish this.” This exhibition is the first in the Salon Pop series that includes collaborative displays that focus on Asian American pop culture. As the art world changes and begins to make room for the works of artistic innovators-many of whom were formerly labeled as street artists, graphic designers, or illustrators-under a newly evolved definition of fine art, popular culture has enthusiastically embraced this genre. It has been through this art, with its influences from Asia, that Americans are being introduced to a new concept of what it means to be Asian or Asian American. Giant Robot, the Japanese American National Museum, and the Imprint Culture Lab are working together to reveal the evolution of this sub-culture with this exhibition. About the Curator Giant Robot magazine began in 1994, as a staple-and-fold zine and has now grown into a full-fledged bi-monthly magazine, which is available at most stores and newsstands. Giant Robot opened its first store in 2001, and formulated a combination of pop culture goods, ranging from Japanese import toys, graphic design and art books, and monthly art exhibitions. Giant Robot has since opened stores and galleries in San Francisco and New York City and even has a restaurant called gr/eats in West Los Angeles. Curating this exhibition is the publisher/co-editor and owner, Eric Nakamura who curates most of the 36 exhibitions Giant Robot puts on annually in each of the three cities. About Imprint Culture Labtm The Imprint Culture Labtm was founded by interTrend Communications to investigate, promote and curate Asian-sourced and inspired consumer culture. Imprint’s mission is to foster creativity and innovation in the business segment by connecting the cultural dots between various elements, which can include inspiration from art, media, food, fashion, product design, architecture and pop-culture phenomena. Imprint engages consumers and clients through various methods including: an annual culture conference, small interac
Poster of "Museum of World Wonders: Cabninet of Curiosities and Coney Island Circus Sideshow" exhibition at Coney Island Library (June 2008)
Poster of "Museum of World Wonders: Cabninet of Curiosities and Coney Island Circus Sideshow" exhibition at Coney Island Library (June 2008)
This is a color poster of "Museum of World Wonders: Cabninet of Curiosities and Coney Island Circus Sideshow" exhibition at Brooklyn Public Library - Coney Island branch (Coney Island Library) in Brooklyn, New York for June 2008. The photograph features the sea rabbit ("Seara") at the jetty of Coney Island Beach. Sea Rabbit Other Common Names: Coney Island Sea Rabbit, Beach Rabbit, Seal Rabbit, mer-rabbit Latin Name: Monafluffchus americanus Origin: Coney Island area of Brooklyn, New York, USA Date: 1609 AD Size: 33x7x8 inch (84x18x20 cm) Description of the specimen: In the early 17th century’s European fur craze drove the fleet of Dutch ships to the eastern costal area of America. Then Holland was the center of the world just like the Italy was in the previous century. New York City was once called New Amsterdam when Dutch merchants landed and established colonies. Among them, Henry Hudson is probably the most recognized individual in the history of New York City today. “This small island is inhabited by two major creatures which we do not have in our homeland. The one creature is a large arthropod made of three body segments: the frontal segment resembles a horseshoe, the middle segment resembles a spiny crab and its tail resembles a sharp sword. Although they gather beaches here in great numbers, they are not edible due to their extremely offensive odor. Another creature which is abundant here, has the head of wild rabbit. This animal of great swimming ability has frontal legs resemble the webbed feet of a duck. The bottom half of the body resembles that of a seal. This docile rabbit of the sea is easy to catch as it does not fear people. The larger male sea rabbits control harems of 20 to 25 females. The meat of the sea rabbit is very tender and tasty.” This is what Hadson wrote in his personal journal in 1609 about the horseshoe crab and the sea rabbit in today’s Coney Island area of Brooklyn, New York. Sadly, just like the Dodo bird and the Thylacine, the sea rabbit was driven to extinction by the European settlers’ greed. When Dutch merchants and traders arrived here, sea rabbits were one of the first animals they hunted down to bring their furs to homeland to satisfy the fur craze of the time. To increase the shipment volume of furs of sea rabbit and beavers from New Amsterdam, Dutch merchants also started using wampum (beads made of special clam shells) as the first official currency of this country. At the North Eastern shores of the United States, two species of sea rabbits were commonly found. They are Coney Island Sea Rabbit (Monafluffchus americanus) and Coney Island Tiger-striped Sea Rabbit (Monafluffchus konjinicus). Sadly, due to their over harvesting in the previous centuries, their conservation status became “Extinct in the Wild” (ET) in the Red List Endangered species by the International Union for Conservation of Nature (IUCN). Currently, these sea rabbits are only found at breeding centers at selected zoos and universities such as Coney Island Aquarium and Coney Island University in Brooklyn, New York. The one shown in this photograph was named "Seara" and has been cared by Dr. Takeshi Yamada at Coney Island University. The sea rabbit is one of the families of the Pinniped order. Pinnipeds (from Latin penna = flat and pes/pedis = foot) are sea-mammals: they are homeothermic (i.e having high and regulated inner temperature), lung-breathing (i.e dependant on atmospheric oxygen) animals having come back to semi aquatic life. As soon as they arrive ashore, females are caught by the nearest adult male. Males can maintain harems of about 20 females on average. Several hours to several days after arriving ashore, pregnant females give birth to eight to ten pups with a dark brown fur. As soon as birth occurs, the mother’s special smell and calls help her pups bond specifically to her. The mother stays ashore with her pup for about one week during which the pup gains weight. During the first week spent with her newborn, the mother becomes receptive. She will be impregnated by the bull, which control the harem. Implantation of the embryo will occur 3 months later, in March-April. During the reproductive period, the best males copulate with several tens females. To do so, males have to stay ashore without feeding in order to keep their territory and their harem. In mid-January, when the last females have been fecundated, males leave at sea to feed. Some of them will come back later in March-April for the moult. The other ones will stay at sea and will come back on Coney Island only in next November. After fecundation, the mother goes at sea for her first meal. At sea, mothers feed on clams, crabs, shrimps, fish (herring, anchovy, Pollock, capelin etc.) and squids. When she is back, the mother recovers her pups at the beach she left them. Suckling occurs after auditive and olfactory recognition had occured. In March-April, the dark brown fur is totally r

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